This is my experience with the Lomography Redscale XR 50-200 (120), my first medium format film. It's an adventure that started when I got a Lubitel 2, to finally shoot with it. In this article, you'll find detailed information about color schemes, the advantages of shooting in medium format, and the differences between standard redscale films. Here are the results of a day of shooting outside, which I recently got back from the lab.
About two years ago or so, I purchased the Lomography Redscale XR 50-200. I saved just one roll of this film and waited for the right moment to shoot with it. In April this year, I just wasn't able to take it anymore! I loaded this film into my Lubitel 166+, which I realized I hadn't used for maybe about six months. One idea came to mind: taking crazy multiple exposures!
I've always been looking for a really simple solution to hold my color gels of my Diana Mini's flash WITH the camera and make them easy to grab when I want to use them. I also wanted something to keep them from getting damaged. Let me show you how I found a simple way to make it.
Some weeks ago, I made a tribute to the great photographer Robert Frank and his 1958 black and white series taken in New York from a bus window. He is the master of the ordinary moments, capturing the essence of daily life in a series of free and random sequence of photos where nothing important happens! And as I've written there I wanted to take a similar experiment with color film, which would change the perception of the environment where people live. Read more after the jump!
Every year I get the winter blues. I start imagining the feel of the sunrays, ice cold beer after a long summer day, and the endless hours spent on the beach. I have captured moments, memories, and dreams this year, which is my favorite thing to do. This is a short version and visual diary of my year 2014.
Last Sunday, the local rugby team Rugby Como played the first match of the 2014-1025 season. Rugby is my favorite sport to photograph, and for some years I've been documenting almost every home match of this young team. This time I used a 1959 Zorki 5 camera with a vintage 1958 Industar-50 lens loaded with a timeless film, the Ilford HP5+ developed in a century-old developer, the mythical Rodinal. Take a look after the jump!