I will demonstrate a simple technique for doing multiple exposures with consistently interesting results.
There are many techniques for doing multiple exposures. One technique I like to use is to take a picture of a contrasty pattern – a wall, bricks, grass, rocks, etc. The more contrast the better. The black parts don’t expose, so the let the second exposure come through. The white parts will make the pattern. Sometimes I have a hard time finding a surface with an interesting pattern, so I decided to buy some! I went to the local crafts store and purchased some fancy paper with high contrast patterns. I held up the paper in front of the camera so that it would fill the entire image. Then I shot the second image.
Here’s one shot without the multiple exposures.
These are several shots of the same scene using the multiple-exposure technique.
Here’s a shot of a different scene without the multiple-exposures.
Here’s the same scene with the multiple exposures.
Perhaps you’ve already had chance to try light painting, multiple exposures and long exposures with your Lomo’Instant, but what can you experiment with next? Well, that’s exactly the thought I had which led to giving this Tipster a go. I wanted to shoot Lomo’Instant photos which felt a bit “messier” than what I’m usually used to and to use a technique which would open up new possibilities with the kinds of images I could create with my favorite instant camera. Well, here I go!
I backed the Kickstarter project for the Lomo’Instant earlier this year and was thrilled to receive it last week. I love how the camera naturally encourages you to experiment with its different features, whether it’s through flashing your multiple exposures with different colors or trying different creative techniques after your shots has been ejected. Here are a few tips from what I’ve discovered from playing with the camera so far (and a couple of tips I want to try out in future)!
Really want to bring your film photos to life? We’re now offering totally analogue fine art prints in a host of large sizes and formats! Carefully enlarged from your negatives onto premium photographic paper by lab professionals, each picture is a unique piece of craftsmanship.
This film has fine grain, especially when cross-processed in C41. And if you use a Lomo camera, maybe the LC-A or the LC-Wide, the results will be more interesting with strong vignettes in your pictures!
For a more interesting double exposure, use two different cameras to get a quirky and crazy result! Take a cue from heyfrida who used an ActionSampler and a Fisheye One to create our out of this world Photo of the Day!
Who doesn't love to shoot doubles? It's all fun and satisfying to shoot some double or even multiple exposure photos and see how they would come out. In this simple tipster, I will show you how to take the multiple exposure game to the next level!
About two years ago or so, I purchased the Lomography Redscale XR 50-200. I saved just one roll of this film and waited for the right moment to shoot with it. In April this year, I just wasn't able to take it anymore! I loaded this film into my Lubitel 166+, which I realized I hadn't used for maybe about six months. One idea came to mind: taking crazy multiple exposures!
My list of resolutions for 2015 consists of 12 projects, one for every month. March was for caffenol. You have probably heard of the amazing fact that you can develop black and white photos with coffee, sodium, and vitamin C. I had tried this before but with less than stellar results. Somehow, there's always something going wrong. Time to devote a few rolls to caffenol to finally get the hang of it.
As you may have read in my previous article, I truly fell in love with Lomography when I combined my Fisheye camera with an old Canon AE-1 for magical photographic results. Last summer, I took so many pictures of flowers that it started to become almost boring for me. My waning interest and the coming winter meant that I had to figure out something else to do with my 35mm film.
My list of resolutions for 2015 consists of 12 projects, one for every month. In February, I wanted to take one of those long exposure night shots of traffic. You know the type: nighttime cityscape, with bright red and white stripes where traffic passes. I love those shots, but I had never gotten around taking one.