My first experience with the new Lomography film Sunset Strip was at the perfect time of year for warm hues- Fall! I had a few surprises when I got this film back that I would like to share with all of you!
This new film from Lomography is said to cast ‘bluish, orange-brown tones on your photo.’ For some reason I was thinking that as the center of the film strip is pre-colored with a yellow hue all of the photos would come out with a warm yellow hue like that of capturing light at sunset. Or that the film would be more like the redscale film but with more of a yellow-sepia tone but what I got was different to what I had expected, not that it is a bad thing. I enjoyed some of the shots that were captured and had more of a blue tone like that with the Lomography Chrome film.
For being a 100iso film I found some of the darker or indoor shots to be quite grainy compared to the 100iso Lomography X-Pro chrome film. I don’t think that this is necessarily a bad thing though as that is what we are all here for, to experiment and to get a real film look. What shouts film more than grain!
While shooting with my LC-A with this first roll I was on the lookout for anything yellow, as I was thinking that the film would really highlight this colour and I was very happy with the job that it did. Fall is such a beautiful time of year to be taking photos anyway but it was great to experiment with something new and I was pleased with the results. The redscale film is still my favourite but this was a lot of fun to give a try and I am looking forward to using it in my spinner 360 to see the different effects that I get with the different hues along the middle and the original film along the sprockets.
lupideeloop had a blast shooting with his first two rolls of the Lomography XPro Sunset Strip. He loved and enjoyed its unexpected colors so much that he chose to save his final Sunset Strip roll for a special occasion. Read on to know more about lupideeloop's First Lomo Affair with the Lomography Xpro Sunset Strip!
This is my experience with the Lomography Redscale XR 50-200 (120), my first medium format film. It's an adventure that started when I got a Lubitel 2, to finally shoot with it. In this article, you'll find detailed information about color schemes, the advantages of shooting in medium format, and the differences between standard redscale films. Here are the results of a day of shooting outside, which I recently got back from the lab.
This August, we bring you back to your roots and explore the wonders of nature! First, we cook up a storm with a film soup experiment. Followed by nature photowalks at beautiful scenic parks in Singapore to unearth the tips & tricks of trouble exposure, as well as the unique methods to perfect our macro shots. To cap off the learning month, we'll gather on a cozy Friday night for a new special sharing series by the Lomography Community -- with Sharing Session #1: Nature.
With your overwhelming support, we have run out of Belair Instant Backs! We'll restock it in April, but don't worry because the Belair Instant Camera is readily available to satisfy your instant cravings!
I backed the Kickstarter project for the Lomo’Instant earlier this year and was thrilled to receive it last week. I love how the camera naturally encourages you to experiment with its different features, whether it’s through flashing your multiple exposures with different colors or trying different creative techniques after your shots has been ejected. Here are a few tips from what I’ve discovered from playing with the camera so far (and a couple of tips I want to try out in future)!
The story between the Spinner 360 and I goes way back to the year 2010, when Lomography decided to send me a beta model of the Spinner 360 to test. It was a complete surprise! I thought, "What the hell is that?" as I first took this camera out of the package. Then, when my little brother grabbed it from me and pulled the cord, it buzzed and turned 360°! We all had the same expression: "Whoa..."
Do you love Lomography's Lomochrome Purple XR 100-400 film? Me too! So let's see what it does when we shoot it through an assortment of color filters. I tried to document everything well enough that others could replicate and experiment on their own. I hope you find it useful.
Limited edition. Only 4,000 rolls available. What a way to tantalize the Lomographic community! But could a film billed as bringing back the "romantic experience of cinematic art" really live up to such a claim? Armed with just one roll of Lomography Cine200 Tungsten film, this skeptic had put it to the test.
Sonja started her analog adventures during her teenage years. She took her first film photographs when she was 13 and has been in love with the magic of the process since. Her idea of a perfect day involves developing film rolls while listening to jazz and having a cup of tea in between. In this interview, she recalls about her experience with her first Lomography camera, a Holga 120 CFN.
In case you missed it, Lomography has just unveiled the latest member of its Art Lens family: the Lomo LC-A Minitar-1 Art Lens, which boasts of the same optics that the legendary LC-A camera has and brings the classic Lomographic style not only to analog but also to the digital platform. Over the next few days we'll be sharing with you the first impressions of and photographs taken by members of the Lomography team, who had gone out and put the Lomo LC-A Minitar-1 to the test. First up is graphic designer Andrea Cislaghi, who coupled this lens with the Bessa R2 and Sony Alpha 7.
If you'd be shooting in low light, at night, or in any other situation that would require a high speed film for best results, why don't you try the Lomography Color Negative 800 for 35mm cameras? Allow five of our community members to convince you with their respective reviews in this installment of Reviews on Rewind.
Get ready to think fast and shoot faster! Today, we are thrilled share with you news of the brand new LC-A 120 Camera. Load it with any 120 film roll and experience the thrill of medium format photography. You’re sure to soak up all the action in every square shot with its fantastic 38mm f/4.5 wide-angle lens (equivalent to a 21mm lens on a 35mm film camera). It's available for Pre-Order: Extremely limited first batch stock of only 500 cameras!
Unfortunately, it happens sometimes that your resulting pictures are not what you expected - the image doesn't look that good, the colors are bland, and the subject is banal. Indeed, it couldn't be picture of the year! Herein I propose a second chance for your pictures by modifying your 35mm negatives. Just pick up some ideas from here, experiment, and scan your negatives with the Lomography Smartphone Scanner. Anything is possible: burning, scratching, putting on hydrochloric acid, balsamic vinegar, nail polish, bleach, or raspberry juice... use your imagination and write down your new film soup recipe! You can find a sample of the effects in this article.