Ultrafine makes Extreme 400 in 120 and 35mm styles. I tested them both and find out there is some differences.
Ultrafine is store that sells its own line of Black and White films in 35 and 120 in ISOs of 100 and 400. You can buy directly from their website or one of their re-sellers. In the past year I had the opportunity to purchase a bulk pack of the Ultrafine Extreme 400 first in 120 then shortly after in the 35mm format.
My first shots in the 120 format were a bit over-exposed by my Holga on a sunny Sunday morning, but the images were clear and low grain.
And in the Southern Hemisphere another Lomographer tried it out with a Diana F+.
Satisfied with the results I purchased a bulk pack of the 35mm in 36 exposures.
Taken with Canon AE-1:
I also ran it through the Sprocket Rocket:
I am not sure if these really are the both the same film stock material. I find a more noticable grain in the 35mm format, but I have read that the nature of medium format film causes less grain even at higher ISO. Which is a either a desired result or an unwanted one, depending on the photographer.
I would recommend the 120 format the most. Its negatives were decent to work with and the grain is nice for its size. The tones are also clear.
My thanks to adam_g2000 for allowing me to use some of his lomographs.
There are quite a few perks that come with working for a film photography company, and the best perk of all is testing out the latest cameras. I can remember buying my LC-A back in 2009 and being really inspired to shoot film again. When the LC-A 120 came along, I couldn't wait to try it out around London. Join me as I test out this super medium format beauty.
After working at both the the Manchester and the Soho Store, Tom Ambrose knows pretty much everything there is to know about Lomography We put his skills to the test and lent him an LC-A 120 for the weekend.
C.S. Muncy is a freelance photojournalist based in New York City. He has done some incredible work for The New York Times, The Wall Street Journal, and Newsday, among others. In this short interview, we will find out about his experience shooting with the Lomo LC-A 120!
Process your LomoKino films the right way! Get scans, movie and negatives. This is the easiest way to turn those movie rolls into completed masterpieces! Check this service now!(Service availability depends on your markets)
Arguably, Roman Sekatsky has one of the most distinct photographic styles in our community. His extensive and experimental use of vivid colors often gives his snapshots an otherworldly vibe. Read on to find out what makes our latest LomoGuru tick and sample some of his finest work.
Some people say instant photos bring about a feeling of nostalgia. Although I often use the Lomo'Instant Camera with different crazy accessories such as the Splitzer and color gels, I have to agree there is something about it — dreamy vignettes maybe? — that always makes me want to go back in time and experience it all over again. In the name of analogue photography and good old memories, we passed by some classic spots in Vienna and took one shot after the other. Take a closer look at our gallery.
Recently, we’ve been digging through all our LC-A 120 negatives from when we first started testing the new camera. During this search, we had our very own finding Vivian Maier moment when we unearthed a bunch of photos shot by the super-talented dopic whilst he was on vacation in Japan last year. We totally love these shots and couldn’t resist sharing them with you!
Capture the world and all its contours in vibrant, wide-angled photographs any time, any where! The LC-A 120 is an adventure of its own with lots of exciting functions to experiment with, like seamless long exposures or full ISO control. It's also super-fast and ultra-compact - perfect for your everyday. If you're worried about the Medium Format film, don't be! You are free to use any 120 Film you want and there are plenty to choose from. In fact, that's what makes this camera so versatile! Scroll through this gallery for a little taste of the glorious shots this nifty invention is capable of.
The Lomography Belair X 6-12 is more than just a medium format camera. It is lightweight, compact, and capable of shooting photos in three different sizes: 6x12, 6x9, and 6x6. Equipped with a high quality interchangeable lens system and and automatic exposure, it can give you beautiful shots in every roll. It can also take three different film formats: 120mm, 35mm, and instant. Read on to find out all about this fantastic camera.
The Lomography Belair X 6-12 is more than just a medium format camera. It is lightweight, compact and is capable of shooting photos in 3 different sizes: 6x12, 6x9 and 6x6. Equipped with high-quality interchangeable lenses and automatic exposure, it can give you beautiful shots with every roll. It can also take 3 different film formats: 120 film, 35mm and instant film. Read on to find out all about this fantastic camera.
Done shooting and want your films to be processed? We can process your colour and black & white 35mm, 120 or 110 films! Development, prints and scans are also included. (Service availability depends on your markets)
I like taking pictures of everyday things I find in ordinary places. Taking close-up pictures of them makes them look more interesting. A spoonful of candies or a small necklace looks more interesting and fun up close.
It may take a while for some lomographers to figure out the perfect combination of camera, film, and accessory that suit their needs. But, Wessel de Haas, aka wesco, has been extremely lucky to find his early on his journey to Lomography. Find out what film and accessory he likes pairing his La Sardina 8Ball with in this edition of My First Lomo Affair!
A few months ago we lent photographer Chris Pollard a Petzval lens to test out. Since then he has been experimenting with different cameras and in different settings. He tried out some cyanotype prints with this lens and chatted to us about the results. Read on for the full interview.