I always liked analogue photography and vignettes but only from distance. So, when I was looking for a Lomo camera to buy for myself, my boyfriend gave me a Diana F+ as a birthday present. That's how it all began!
When I first tried film, it was not exactly what I wanted. I guess we couldn’t make the right adjustments even though it’s simple to use. Maybe it’s about the excitement for having an analogue camera. Here is one of my first shots, but I know it’s not a good double exposure:
Then, I started to use 120 films after this needless result:
Here are some color photos that I shot with the one who bought me my Diana:
I’m so lucky and glad to get into this. I know I’m new in analogue photography but I think I’ll never stop taking photos of my cat or my friends, dogs, my foot, and everything else using this camera. It’s getting more fun with every shot!
In my early adolescence, I liked to play table football. For my 12th birthday, my parents gifted me with a wonderful Subbuteo table soccer game set that I had wished for many months! This was my favorite toy until I discovered other interesting hobbies, like ham radio and electronics. So after some years, I gave away this game to other kids. I always remembered this game with pleasure and a hint of nostalgia.
I've always been looking for a really simple solution to hold my color gels of my Diana Mini's flash WITH the camera and make them easy to grab when I want to use them. I also wanted something to keep them from getting damaged. Let me show you how I found a simple way to make it.
"Magical" here means that every time I use the Diana F+, the results are always beyond both my expectations and imagination. That's why I always use it when I feel like doing something different. It has never failed me since day one; I even always bring this camera during my trips!
There are quite a few perks that come with working for a film photography company, and the best perk of all is testing out the latest cameras. I can remember buying my LC-A back in 2009 and being really inspired to shoot film again. When the LC-A 120 came along, I couldn't wait to try it out around London. Join me as I test out this super medium format beauty.
A few years ago, I thought I could use a photography boost so I figured out a project for myself. For the entire spring, I took one picture a day using only Fuji Instax Film. Check out my season in analogue.
In April of this year I had the chance to test the Petzval Lens and to write a review on it for the German photography forum Kwerfeldein. The lens excited me from the very beginning, at the time it was introduced on Kickstarter. I was afraid that once I had tested the lens, I would want to have one of my own! Well, that’s what happened; a year later, I finally bought my very own Petzval lens.
I’m lucky enough and old enough to have grown up in an era where film was the only form of photography available. I’ve always had a passion for film but it was a certain series of images that inspired me and changed my idea of photography forever. Find out what that was after the jump.
We are always hunting for creative ideas on how to open up new shooting possibilities and it doesn’t get any better than when we discover something simple which works like a charm right away. Recently, the idea was raised that perhaps the Diana+ Splitzer would be compatible with the Lomo’Instant – Lo and behold, it is!
Back in 2010, while looking for a small camera to take with her on a short trip to London, Helene chanced upon the wonderful Fisheye One. Despite having zero knowledge of shooting about shooting with fisheyes, she gave in to her instincts and bought the camera. Let's all find out how Helene's First Lomo Affair with the Fisheye One got her deeper into analogue photography!
In celebration of the 30th anniversary of the fantastic Lomo LC-A, and while waiting for the new Russar+ lens, I'll dedicate this article to an awesome super wide-angle camera: my Lomo LC-Wide that I like to use in architecture photography. Here you can read some simple tips I used to take a series of photos in the modern city of Latina in the center of Italy.
This article is dedicated to arguably one of the most famous street photographers in the world, Henri Cartier-Bresson (1908-2004). On this occasion, I felt obliged to write a tribute to this great artist whom I consider the "Mozart of Photography." His photos are inimitable, and to try to reproduce his innate sense of composition, harmony, and choice of the right moment is but an illusion. So I chose an unusual way to pay tribute, the only way possible for me. Take a look!