Kodak Portra 160vc is a very nice color negative print film.........
Kodak Portra 160vc is a very nice color negative print film………
Kodak Portra 160VC is one of my all time favorites for portraits. Portra 160VC yields very pleasant, natural skin tones in mostly all conditions, flash, low light, and afternoon sun. White is clean and the blue skies are very vivid. The film has low grain. The colors seem to hold a vibrant but not over-powering flavor for a classic, natural look. It can be pushed and pulled a bit in either direction.
In December of 2006 I got my hands on the LCA+; I decided it was time to try something other than cross processing. This gallery was done using Kodak Portra 160VC with the Lomo LCA+ and was shot at ISO 100 and 200.
Considered as one of the best 35mm SLR cameras, the Nikon F2 is indeed one of the best experiences on film I’ve ever had. Fully manual and almost impossible to break, this historic camera is really marvelous to use.
Where do I begin talking about film cameras on the Lomography Magazine? Yes, you guessed right. I will begin with a LOMO, of course, a very special one: the Lubitel 166 Universal (Lubitel 166U). It’s a camera that has almost everything you might need from a camera. Plus, it’s a LOMO!
A true Lomographic gem, the Lomo LC-A+ RL is blessed with good looks and bursting with experimental potential. Get ready to shoot amazing Lomographic photos by experimenting with MX shots, long exposures and a whole range of accessories!
LomoChrome Turquoise XR 100-400 is a regular color negative film which gives fantastic results. Color tones transform from one color spectrum to the next, and in turn, create wild and wonderful outcomes! Let this colorful gallery inspire you to try out our limited-edition film!
Raymond Chin, otherwise known as Raywychin, is an experienced and active Lomographer based in Hong Kong. After showcasing photos taken using the LC-A 120, he continues to impress the community with images created using LomoChrome Turquoise color negative film.
You want your subject be the center of attention? Petzval lens photos are recognizable for sharpness and crispness in the centre, strong color saturation, wonderful swirly bokeh effect, artful vignettes and narrow depth of field that will make your subjects stand out!
Redscale photography is a popular technique that yields dramatic images of red and yellow by exposing color negative film back-to-front. Now meet bluescale, a simple way to achieve striking cyan photographs.
Browsing through the Lomography website, you can find a lot of redscale shots, which are all done on color negative films. I asked myself if it’s possible to redscale a slide or chrome film and then cross process it. (And yes, it is.) In this tipster I’m going to teach you how to create the bloodiest homemade redscale film I've ever come across.