This is the story of how I stared with Lomography after a visit to one of the many museums in London, where my love for plastic cameras began.
My first steps on the path to Lomography began in the summer 2008 in London after having visited Tate Modern to see some famous paintings by some famous people. As one works through each floor, and ones sense of awe becomes increasingly saturated, one reaches the gift shop on the ground floor. At first sight it looked like a gift shop of any museum, with the usual overpriced postcards of their most famous paintings (Warhol, Matisse, Picasso) but, lo and behold, on a table was a quaint looking camera — a Holga 120, at the price of £89; just like any other museum the prices are pretty steep, so once I had decided I wanted one, I found one on eBay for £9 from Hong Kong, shipping included!
I kept taking pictures with my Holga at various occasions but it wasn’t until this year that I got hooked on Lomo LC-A, and Lomography.com, after watching the Mijonju show on YouTube, where he started talking about that gorgeous Russian camera we all love. One month later I had my beloved LC-A.
"Kumiko, The Treasure Hunter" was officially launched last Wednesday, March 18. The opening night screening was held at the Museum of Modern Art (MoMa) and was documented using a Fisheye camera. Here's how the night went.
An Argentinean writer and photographer living in the Pacific Northwest, Lorraine Healy is a long-time fan of plastic cameras and is the author of "Tricks With A Plastic Wonder," a manual for achieving better results with a Holga camera, available in eBook form at Amazon.com. In this article, Healy explains how she fell hard in love with the Lomography XPro Slide 200 film and why she takes it on her many travels.
Where do I begin talking about film cameras on the Lomography Magazine? Yes, you guessed right. I will begin with a LOMO, of course, a very special one: the Lubitel 166 Universal (Lubitel 166U). It’s a camera that has almost everything you might need from a camera. Plus, it’s a LOMO!
It's really amazing how simple plastic bricks can be assembled to create or, in this case, imitate works of art. Have a look at Veronica Watson's rendering of a famous Picasso painting using Legos after the cut!
Though I am not a professional, photography is in my genes. My father was a photographer and technician in the Air Force and accumulated a number of cameras during his life. This is a story about one of those cameras, a Yashica 635 TLR. I brought the camera—after being in storage for about 55 years—back to life with a roll of Portra 160 during the golden hour at Bellevue Botanical Gardens in Washington.
Done shooting and want your films to be processed? We can process your colour and black & white 35mm, 120 or 110 films! Development, prints and scans are also included. (Service availability depends on your markets)
For three months last year, I traveled to 11 cities of eight Southeast Asian countries. My first destination from my hometown of Seoul was Vietnam. After 10 days in Hanoi, I joined a group tour to Sapa, an area known for its hill tribes. This is a photo story of my two days and one night in this remote but vibrant place.
What’s not to love about the Lomo LC-Wide? If you are a fan of wide angle lenses or Lomography, you probably have one in your collection. The LC-Wide is a powerful camera with many fun features to get creative when shooting. Best of all, all these are already built into the camera.
This article is dedicated to the multifaceted American photographer George Krause and to his series depicting funeral monuments realized between 1962 and 1963. I was able to know about this series thanks to an important essay on photography written by former Museum of Modern Art (MoMA) Director of Photography, John Szarkowski. For this tribute, I loaded my trusty Praktica camera with a roll of Ilford film and took a series of photos in the Monumental Cemetery in my city, Como. Take a look!
After years of being abandoned, the statues at the Villa Olmo are finally being restored by a group of volunteers from a local Fine Arts academy. With my lovely Zorki 6 rangefinder, I documented one phase of this praiseworthy work. Take a look!
This article is dedicated to Serge Moulinier, a largely unknown French photographer who won one of the most important prizes in France with a book on Greek architecture. Strangely, little information can be found on the Internet about this great photographer whose work had also been published in an important essay written by the famous John Szarkowski, former Director of Photography at the Museum of Modern Art in New York.
Geoffrey Berliner is the Executive Director of the Penumbra Foundation and the Center for Alternative Photography in New York. As the head of an organization whose goals are 'to be a comprehensive resource for photographers at any level' and 'to continue to publicize the impact photography has had and continues to have on culture, history and the arts,' his exposure to photographic materials -from 19th century gems to modern equipment- is so extensive, one cannot even begin to fathom just how much knowledge and experience this man has acquired. His collection of over 2000 vintage Petzval lenses is unparalleled, and the object of envy of both traditional and contemporary photographers. Although such lenses are reputed to require a certain level of skill to be used, Berliner seems to manage them with so much ease, producing splendid results.