This film has fine grain, especially when cross-processed in C41. And if you use a Lomo camera, maybe the LC-A or the LC-Wide, the results will be more interesting with strong vignettes in your pictures!
The great American photographer David Burnett is famous for his unusual photos of sports competitions. He uses a tilt-shift lens to create miniature fakes, or a simple Holga camera to shoot in black and white. To write this tribute, I used my Holga to take some pictures of amateur sport activities around my city. Take a look after the jump.
When a group of Viennese students stumbled upon the Lomo LC-A a couple of decades back, they were astounded with the images the small enigmatic Russian camera could create. The photos were bathed in saturated hues and cloaked in lovely vignettes – unlike anything they had ever seen.
Are you a proud owner of the camera that started it all, the LOMO LC-A, or the now well-loved LC-A+? Then join the LOMO LC-A Owners Club for the once-in-a-lifetime opportunity to win the last piece of Lomo LC-A+ White Japan Edition!
In this article, I'll show you how the Lomo LC-A loaded with the versatile Ilford HP5+ can make the most out of a hazy morning. To capture the whirlwind of a bicycle race, I pushed the film to ISO 800. The legendary Minitar 1 lens and this classic Ilford film are a perfect combination if you love black and white photos.
When I held the Lomo LC-A 120 in my hands for the first time, I immediately noticed its good feel and beautiful design. The LC-A 120 obviously, is truly, related to the queen of all Lomo cameras, the LC-A.