This week's featured Analogue Lifestyle article is "My First Roll of Lomography Redscale XR 50-200 35mm" by alaitzoleaga from Bilbao, Spain who thought her thespian friends made for perfect subjects with this sometimes-sunny, sometimes-saturated film!
I recently received some Lomography Redscale XR 50-200 films from the online shop and I wanted to try them. Suddenly, an idea came to my mind: who could be better subjects than my theater mates? Furthermore, our play was about the Spanish Civil War in 1937, I thought it was the perfect period for this film.
Lomography is not an interference in your life, but part of it. That’s the fourth Golden Rule of Lomography. We chose this article by community member @alaitzoleaga because she embodied just that with her first shot at redscale. Being open-minded and adventurous with analogue photography—even if it’s just trying a new kind of film—can lead to some surprisingly perfect shots, such as this vintage themed roll featuring her old-time-y looking theatre ensemble!
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This is my experience with the Lomography Redscale XR 50-200 (120), my first medium format film. It's an adventure that started when I got a Lubitel 2, to finally shoot with it. In this article, you'll find detailed information about color schemes, the advantages of shooting in medium format, and the differences between standard redscale films. Here are the results of a day of shooting outside, which I recently got back from the lab.
About two years ago or so, I purchased the Lomography Redscale XR 50-200. I saved just one roll of this film and waited for the right moment to shoot with it. In April this year, I just wasn't able to take it anymore! I loaded this film into my Lubitel 166+, which I realized I hadn't used for maybe about six months. One idea came to mind: taking crazy multiple exposures!
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C.S Muncy is a New York City-based freelance photojournalist and a fellow LomoAmigo who tested and reviewed the LomoChrome Turquoise film. The rolls of film were put to good use; the resulting shots were simply stunning.
Thick smoke, soft breeze, rippled water. For Veronika Gilková, these elements deserve a touch of visual magic. In this interview, she talks about culling nature-based images with intuition and quiet wonder.
A wedding photographer based in New Jersey, Michelle Lange is all about weddings and engagements. After her own wedding and spending years on wedding research, she decided to take the plunge, pursue her passion and create a dream career. In this interview, she talks about her passion and her work, and showcases a series of photographs she shot with a Petzval Lens.