This week's featured Analogue Lifestyle article is "My First Roll of Lomography Redscale XR 50-200 35mm" by alaitzoleaga from Bilbao, Spain who thought her thespian friends made for perfect subjects with this sometimes-sunny, sometimes-saturated film!
I recently received some Lomography Redscale XR 50-200 films from the online shop and I wanted to try them. Suddenly, an idea came to my mind: who could be better subjects than my theater mates? Furthermore, our play was about the Spanish Civil War in 1937, I thought it was the perfect period for this film.
Lomography is not an interference in your life, but part of it. That’s the fourth Golden Rule of Lomography. We chose this article by community member @alaitzoleaga because she embodied just that with her first shot at redscale. Being open-minded and adventurous with analogue photography—even if it’s just trying a new kind of film—can lead to some surprisingly perfect shots, such as this vintage themed roll featuring her old-time-y looking theatre ensemble!
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If you’d like to be considered for Article of the Week, keep submitting your analogue stories! Check out our requested posts to see what we’re looking for and keep writing!
This is my experience with the Lomography Redscale XR 50-200 (120), my first medium format film. It's an adventure that started when I got a Lubitel 2, to finally shoot with it. In this article, you'll find detailed information about color schemes, the advantages of shooting in medium format, and the differences between standard redscale films. Here are the results of a day of shooting outside, which I recently got back from the lab.
About two years ago or so, I purchased the Lomography Redscale XR 50-200. I saved just one roll of this film and waited for the right moment to shoot with it. In April this year, I just wasn't able to take it anymore! I loaded this film into my Lubitel 166+, which I realized I hadn't used for maybe about six months. One idea came to mind: taking crazy multiple exposures!
The spying globes on Teufelsberg are the not-so-secret insider tip for Berlin’s urban ruins and interesting freak show architecture. Even if you’re reluctant, one thing's for sure: the “Devil’s Mountain” is just plain awesome. The torn-up globe structures of the former military territory are just waiting to be conquered by lomographers… so what are you waiting for?
Marcus DeSieno is a Tampa-based photographer who specializes in merging early and modern photographic processes for his body of work. In this exclusive follow-up feature, DeSieno opens up about his process and gives a detailed walk through on his odd yet undeniably fascinating series, "Cosmos," which was previously featured here on the Lomography Magazine, and "Parasites."
Eric Marais is the founder of the portable dark-room experience, STENOFLEX. We recently had the chance to ask him some questions and he was kind enough to answer us! Read on to find out more about his company, his interest in photography and what's next for STENOFLEX!
Fancy building a camera museum or, well, simply have hundreds of cameras at your disposal? You might want to take a look at this newest camera lot to show up on eBay, which includes 600 cameras by various makers and carries a "Buy It Now" price tag of $34,900.00.