Tura was a 100 iso 35mm colour slide film – I loved how the colour would pop on this film, especially the reds. The sky many times was also bleached out to white, which gives the images almost a surreal feeling, which I really like. A high definition and contrasted film, giving really strong and vibrant deep colours – all in all an absolutely stunning to my eyes! I only ever had around 8 rolls and I have 2 left – I am saving them, not sure what for – but I am. I found it again randomly on an eBay hunt – I still look periodically for new film types as I’m always very keen to mess about and try new ones.
I am so sad that this film is no longer available – I’ve not seen it now for hmmm, must be around about 5 years or so by now – BUT you know what Agfa CT Precisa is not that far off from it and that film is still available, so not all is lost.
One thing I did do was shoot the film on 50 ASA, which saturates the colours more. The processing was as you see, straight from the lab and onto a CD. The photographic prints look the same also – because sometimes what is on a CD and what is printed out on photo paper can look a little different. The images by the way were taken in Copenhagen, Denmark on a family visit. Just in case anyone was remotely curious – I felt like adding that bit of information!
Classy, moody photographs in monochrome and with fine grain - what more could you ask for from one of Lomography's very own black and white emulsion for standard 35mm cameras, the Earl Grey? Find out how this film fared among six of our community members in this Reviews on Rewind installment!
If you'd be shooting in low light, at night, or in any other situation that would require a high speed film for best results, why don't you try the Lomography Color Negative 800 for 35mm cameras? Allow five of our community members to convince you with their respective reviews in this installment of Reviews on Rewind.
110 film photography can be as fun as 35mm and 120 film photography! Need a little more convincing? Take a look at these monochrome shots that play with shadows and light taken with the B&W Orca 110 film!
An Argentinean writer and photographer living in the Pacific Northwest, Lorraine Healy is a long-time fan of plastic cameras and is the author of "Tricks With A Plastic Wonder," a manual for achieving better results with a Holga camera, available in eBook form at Amazon.com. In this article, Healy explains how she fell hard in love with the Lomography XPro Slide 200 film and why she takes it on her many travels.
Until a few years ago, using 110 cameras and film cartridges was a difficult thing because the only available films in the market had already been expired for several years. But now everything is easier thanks to Lomography; it has breathed new life into our small 110 cameras. Read on to discover the 110 film family.
A lot of lomographers have experienced using and even writing about the greatness of the Lomography Earl Grey black and white 35mm ISO 100 film. However, no one has written about using an expired Earl Grey film yet. How does it fare when it is used expired? Read on to find out more.
You want your subject be the center of attention? Petzval lens photos are recognizable for sharpness and crispness in the centre, strong color saturation, wonderful swirly bokeh effect, artful vignettes and narrow depth of field that will make your subjects stand out!
Bask in the sunshine of panoramic shots with the effortless cool of the Horizon Cameras. Be it with the Perfekt or Kompakt, you’ll never be caught off guard with their mechanical swing lens that captures all the action on 35mm film.
Lomography Gallery Store Soho has all the workshops you could ever want this October. Learn the basics of the Diana F+, shoot autumn colours with the Lubitel 166+, make your own redscale film, shoot creepy portraits with the Petzval lens and visit our One Must Dash Pop up store. Read on for a full line- up of events and details.
Probably each one of you has been annoyed with failed film. This is particularly annoying when you get the developed film back from the lab, but you get blanks because the film was not exposed. It's either the film transport didn't work, or you have not taken the lens cap off, etc. Read on and I'll show you an alternative to just throwing away the film: Simply use it as a color filter for your camera, with the La Sardina for example.
Get ready to think fast and shoot faster! Today, we are thrilled share with you news of the brand new LC-A 120 Camera. Load it with any 120 film roll and experience the thrill of medium format photography. You’re sure to soak up all the action in every square shot with its fantastic 38mm f/4.5 wide-angle lens (equivalent to a 21mm lens on a 35mm film camera). It's available for Pre-Order: Extremely limited first batch stock of only 500 cameras!