While snapping the night away with my camera inside a the club, I realised that I just ran out of film and luckily, my friend gave me this film Fuji Pro 800 Z, I had seen one on sale before, but I haven’t really gave it a go since I always shoot outdoors. It was just the right time for me to use this film! Some of the shots I have here in my gallery were taken with a flash and they came out very bright with high contrast, while the the other shots were done under a really bright afternoon sun with the Splitzer and I was surprised that they came out really good! Bright and beautiful, they somehow have a slight blue hue.
Fujicolor Pro 800Z also incorporates 4th colour layer technology and offers exceptionally high levels of quality under the most demanding lighting conditions. It is designed for professional Wedding & Portrait photography, Pro 800Z delivers natural skin tones, superb colour reproduction and the fine grain performance. So for those of you who needs higher-speed whilst having flexibility, this film is it!
If you'd be shooting in low light, at night, or in any other situation that would require a high speed film for best results, why don't you try the Lomography Color Negative 800 for 35mm cameras? Allow five of our community members to convince you with their respective reviews in this installment of Reviews on Rewind.
If you happen to come across an expired Lomography Color Negative 400 ISO 120 film pack, either in a store or on the Internet, get one and be ready for an exciting experience. You'll definitely get more from it!
Awed by the eye-popping fiery red shade the film produces, Joan brands the Lomography Redscale 100 (120 mm) as the most original emulsion in Lomography's catalogue. Aside from this, he also enjoys experimenting with the film's ISO to produce a variety of stunning results. Read on to find out why linuxbcn chose the Lomography Redscale 100 as his Weapon of Choice!
Get ready to think fast and shoot faster! Today, we are thrilled share with you news of the brand new LC-A 120 Camera. Load it with any 120 film roll and experience the thrill of medium format photography. You’re sure to soak up all the action in every square shot with its fantastic 38mm f/4.5 wide-angle lens (equivalent to a 21mm lens on a 35mm film camera). It's available for Pre-Order: Extremely limited first batch stock of only 500 cameras!
This is my experience with the Lomography Redscale XR 50-200 (120), my first medium format film. It's an adventure that started when I got a Lubitel 2, to finally shoot with it. In this article, you'll find detailed information about color schemes, the advantages of shooting in medium format, and the differences between standard redscale films. Here are the results of a day of shooting outside, which I recently got back from the lab.
Classy, moody photographs in monochrome and with fine grain - what more could you ask for from one of Lomography's very own black and white emulsion for standard 35mm cameras, the Earl Grey? Find out how this film fared among six of our community members in this Reviews on Rewind installment!
I participated in the Kickstarter campaign and purchased my very own new Petzval lens. I can't wait to use with with my digital camera to experience its wonderful bokeh effect. I also wanted to try its effects when using a film camera but the lens has an EF mount. I didn't have a Canon camera. See what I did with it after the jump.
“51 Fragments of a Wandering Mind” is the first ever feature-length film shot with the LomoKino. Created by filmmaker and street photographer Dustin M Rosemark, it is an experimental documentary film that documents, in a photojournalistic manner, a six-month existential journey in 13 countries. In this exclusive interview, Rosemark shares insight about the film, and talks about his LomoKino experience.