Here is my Fisheye Baby 110's adventures with expired Fuji Superia 200 film from the desert of Nevada to the green of Los Angeles.
My 110 format adventured started with B&W. The Orca was fun, but I needed a faster film. 200 speed seemed like the ideal choice for me since I am usually hiding in the shade whenever I can find it outside.
Before Lomography released their Color Tiger film, I bought two expired rolls of Fuji Superia 200 for my Fisheye Baby camera. I started off at Lake Mead in Nevada with some very bright panoramas.
Next, I tried the flash at home with my SX-70 and test ugly dolls.The indoor shots came out nicely.The colors are saturated but quite grainy. I prefer the sharpness of the Color Tiger film for indoor shots.
I finished off the roll of expired fujifilm at the Lomography Los Angeles Store whilst on a Diana Baby 100 workshop. These are my favorite photos of the bunch. Outside wandering around the sky is a wonderful, bright blue. The 200 speed film works nicely in the shade and bright sunlight. The linear store exterior really looks saturated and distorted.
Once inside the store, I hooked up my Diana F+ flash and took some photos of the film and the brand new Sardina 8-Ball. I was quite pleased with the results. What do you think?
This is my experience with the Lomography Redscale XR 50-200 (120), my first medium format film. It's an adventure that started when I got a Lubitel 2, to finally shoot with it. In this article, you'll find detailed information about color schemes, the advantages of shooting in medium format, and the differences between standard redscale films. Here are the results of a day of shooting outside, which I recently got back from the lab.
On a sunny April Sunday, I decided to load a Lomography X-Pro Slide 200 on my new Lomo LC-A+; both bought few weeks ago from the Lomography Online Shop to take some photos of some Italian food stalls in the center of my city, Como. Here my first impressions about this interesting film.
It's a great feeling when you get a camera back to work even though you thought it was already unusable because its particular type of film is no longer in production. Here's how you can do it with a Polaroid camera from the 80-series.
You want your subject be the center of attention? Petzval lens are recognizable for sharpness and crispness in the centre, strong color saturation, wonderful swirly bokeh effect, artful vignettes and narrow depth of field that will make your subjects stand out!
Last Saturday my city, Como, hosted a festival dedicated to the hands called the Mani-Fest. With my lovely Minox GT-S camera and an expired 3200 ISO film roll, I documented this event which took place just below the windows of my room. Take a look after the jump!
From warm golden yellow to dramatic green hues, Karine swears by this film's capability in producing a wide spectrum of bold and saturated colors. Because of this, she always carries a roll or two in her suitcase whenever she travels. Find out more about Karine Mougenot, aka sweetyyydreams, and her Weapon of Choice, the Lomography XPro Slide 200!
I've always wanted to have an instant camera, but what put me off were the expensive price of the film and the transience of the photos. But then I wasn't able to fight it any longer and bought myself an Instax Wide 210 set. Now, here is a review of the Fuji Instax Wide film.
Every year my city Como hosts, for the Easter period, a great fun fair. This is a great occasion to test a camera, to make experiments with films, to have fun and to photograph people while also having fun! This year, I used my gem, the wonderful Horizon Perfekt (that I bought from the Lomography Online Shop) loaded with a timeless film, a Kodak Tri-X 400 developed, as usually for b/w, by myself. Read more after the jump!
Where are you headed to this summer? Where I'm from summer has ended too soon, so I'm still daydreaming of sand and seafoam. I decided to check out the archives for some cool beach-y snapshots and came across a lot of interesting underwater photos! Check out my finds after the jump; hopefully this list will inspire you to grab a Fisheye Sub or a Krab, along with your Fisheye cameras and LC-A+, for some underwater adventure.
How We Used to Live is a beautiful film by Paul Kelly using archive footage of London from the 1950's right up to the 1980's. It's a fascinating analogue film with a great soundtrack from St Etienne. Read on for more information.
Colorsplashing can do wonders to your image. It can alter the mood of your image, enhance colors, or introduce a totally new perspective! Advanced photography skills are not required here; all it takes is a Colorsplash Camera (or Flash) and your imagination. "Paint" your dog green, dye your friend's face with pink light ... the possibilities are endless! Here's a list of Colorsplashing techniques to try from daytime to nighttime.
This is a tribute to a great Austrian sports photographer, Lothar Rübelt. In an era with no high speed films available, he was able to immortalize wonderful moments in sports - from diving to gymnastics and football. In creating this tribute, I took a series of photos of an amateur football match using expired black and white film developed using an uncommon chemical. Take a look after the jump!
I went to the Victoria & Albert Museum's Friday Late, an event that takes place every last Friday evening of the month. For March 2014, the London borough of Tottenham was invited to curate an evening of creativity. There were a number of events that went on ranging from music and art to fashion and film. Accompanied by my LC-A+ and Fisheye No. 2, here are my highlights of that evening in photographs.