One word : Excellent! Kodak Ektachrome 100G is a slide film that you might not wanna miss!
Since the 1st day I used this professional slide film, I’m totally in love with it. This film produces a slight blue tint when you take photos under the bright sunlight. The most unexpected thing in this film is, it produces deep blue to the extreme in very low light situation. If you’ve missed your chance in using the ‘old’ Agfa CT Precisa 100 and also our Lomography X-pro 100 film, you may try to consider this instead. Sometimes this film produces greenish / yellowish color while you shoot indoor. This film is highly recommended for xpro to produce vivid and saturated colors.
What are you waiting for? Guys, go grab yours now!
Classy, moody photographs in monochrome and with fine grain - what more could you ask for from one of Lomography's very own black and white emulsion for standard 35mm cameras, the Earl Grey? Find out how this film fared among six of our community members in this Reviews on Rewind installment!
If you'd be shooting in low light, at night, or in any other situation that would require a high speed film for best results, why don't you try the Lomography Color Negative 800 for 35mm cameras? Allow five of our community members to convince you with their respective reviews in this installment of Reviews on Rewind.
Where do I begin talking about film cameras on the Lomography Magazine? Yes, you guessed right. I will begin with a LOMO, of course, a very special one: the Lubitel 166 Universal (Lubitel 166U). It’s a camera that has almost everything you might need from a camera. Plus, it’s a LOMO!
The Pop 9 is an analog multilens wonder that allows you to take a mosaic of nine images in one frame à la Andy Warhol's famous pop art. In this Reviews on Rewind installment, we dug through our archives and found these informative reviews of the Pop 9 - just in case you're looking into snagging a fun camera in your arsenal!
The name Michael McNelis might not ring a bell, but his photograph taken by one of the leading sociological photographers of the 20th century is a sobering look at the lamentable conditions that working children faced several decades ago.
Did you catch the solar eclipse that happened recently? Word on the street is that it even resulted in a total eclipse in some areas of Europe, making it a pretty rare occasion for the folks that got to see it! We're guessing that some of you even had your cameras to catch the whole shebang on film — which is why we're throwing a competition for the best eclipse and sun inspired shots out there. Come on in and check out the details!
I don’t like to split. A split means distance, separation, it means categorical divergence. We split hairs, we split incomes, we split up. So the first thing we have to know here is that a Splitzer – different from what you might have thought - is not at all a nasty boy splitting things up.
We asked some of New York’s hottest designers to lend their talent in designing some of our La Sardina DIY cameras, and we are very excited to share with you the masterpiece of Simone Legno from tokidoki! Simone Legno is the creative director and co-founder of tokidoki, which stands for "sometimes" in Japanese. He chose this word because he feels “everyone waits for moments that change one’s destiny, by chance or by meeting a new person.”
Not long after Alex Timmermans purchased his first digital camera at the turn of the century, he quickly realized the trappings of digital photography couldn't fulfill his personal photographic desires. He then began searching for a more challenging process — one that wasn't so predictable. His journey eventually landed him back at the roots of analogue photography, specifically employing the wet plate collodion process using original Petzval lenses. This antique photographic process found in him a renewed inspiration and has since become his passion, which is evident in both his words and his images.
In case you missed it, Lomography has just unveiled the latest member of its Art Lens family: the Lomo LC-A Minitar-1 Art Lens, which boasts of the same optics that the legendary LC-A camera has and brings the classic Lomographic style not only to analog but also to the digital platform. Over the next few days we'll be sharing with you the first impressions of and photographs taken by members of the Lomography team, who had gone out and put the Lomo LC-A Minitar-1 to the test. First up is graphic designer Andrea Cislaghi, who coupled this lens with the Bessa R2 and Sony Alpha 7.