As I evolved to Lomography from dig*censored* photography as a Nikonian, I had to obtain a Nikon film SLR to indulge in my addiction to lenses.
The Nikon F80 is not the top Nikon film SLR. However it comes pretty friggin’ close! With the dig*censored* craze these babies are going for as low as 50 Euros, like I bought mine ( and I paid another 100 Euros for two used Nikkor lenses for it, both in good condition!). You have to liberate these cameras and give them the love they deserve!
The Nikon F80 is supposed to be a serious amateur SLR. Sporting the Nikon F mount it is compatible with the vast majority of the about 300 Nikkor lenses and all those third-party lenses for the Nikon F mount PLUS, now, the awesome Diana F+ Lens Adaptor :D :D :D
The F80 has matrix metering, a pop-up flash and hotshoe (I bought a SB-23 external flash for mine for 5 Euros (!!!)) and all the modes you want. Aperture-priority/Shutter-priority/Manual mode/Program mode, it’s all there. Automatic film feeding and respooling goes easy on your fingers. DX (overridable) scanning sets ISO automatically. It operates with batteries and they last for quite some rolls. I can’t say I miss any feature. This camera has all you could possibly want AND taking good pictures with it is like cheating. Autoexposure, autofocus, no parallax when composing, the freedom of zoom lenses… A world of creativity is unlocked.
If you can find one, grab it now or you’ll be sorry later (especially when everyone starts posting their great pics with the Diana F+ Fisheye etc. ;P) !!!! Oh, and you just saved yourself 700 Euros on the fisheye alone !!!!!!!!
Considered as one of the best 35mm SLR cameras, the Nikon F2 is indeed one of the best experiences on film I’ve ever had. Fully manual and almost impossible to break, this historic camera is really marvelous to use.
My 2015 resolution is to do 12 photography projects, one for every month. In July, I tried freelensing or unscrewing the lens from my SLR and holding it in front of the camera body. By tilting the lens slightly I was able to change the focus. For this experiment, I used my Konstruktor and Olympus OM-1.
As a child, she would ask her peers to pose for her and photograph them using her mother's camera. That early fascination with cameras has evolved into a lifelong passion. At 25, Mandi K. Smith, the kid from Southern California who spent all her money on film, is now a full-fledged photographer.
How do you bring a fresh perspective to a landscape that has been photographed from every possible angle? Using a brand-new film, of course! With this goal in mind, I loaded some LomoChrome Turquoise XR into my Nikon 35Ti and went on a major trip across southern Utah and northern Arizona.
Geoffrey Berliner is the Executive Director of the Penumbra Foundation and the Center for Alternative Photography in New York. As the head of an organization whose goals are 'to be a comprehensive resource for photographers at any level' and 'to continue to publicize the impact photography has had and continues to have on culture, history and the arts,' his exposure to photographic materials -from 19th century gems to modern equipment- is so extensive, one cannot even begin to fathom just how much knowledge and experience this man has acquired. His collection of over 2000 vintage Petzval lenses is unparalleled, and the object of envy of both traditional and contemporary photographers. Although such lenses are reputed to require a certain level of skill to be used, Berliner seems to manage them with so much ease, producing splendid results.
My dad and I have been riding our bicycles for as long as I can remember. We had no camera back then, so I only have the pictures from our recent rides. Each ride to the island of Khortitsa today is like a reunion with my childhood and my father's care.
This is tribute to the Farm Security Administration photographer, Jack Delano, and his photographic series dedicated to barkers. For this article, I chose a series of photos I took this year at the traditional Easter Fair in my city, Como, using a classic rangefinder camera loaded with a roll of black and white film.
There are quite a few perks that come with working for a film photography company, and the best perk of all is testing out the latest cameras. I can remember buying my LC-A back in 2009 and being really inspired to shoot film again. When the LC-A 120 came along, I couldn't wait to try it out around London. Join me as I test out this super medium format beauty.
Sometime ago, I was invited to do a film swap. This means a roll of film is exposed two times by different people. As I had never done this before, I was enthusiastic to explore this new field of Lomography.
As you may have read in my previous article, I truly fell in love with Lomography when I combined my Fisheye camera with an old Canon AE-1 for magical photographic results. Last summer, I took so many pictures of flowers that it started to become almost boring for me. My waning interest and the coming winter meant that I had to figure out something else to do with my 35mm film.
The Lomo'Instant is different from all other instant cameras. The lenses and various settings really set it apart from Polaroid and Instax cameras. I bought the Lomo'Instant just last December, and it is already my go-to camera for instant photography.