This might be the one of the most fascinating marriages between science and photography just yet.
In an effort to further explore the connection between art and science, microbiologist-turned-visual artist, Zachary Copfer, has developed a rather unusual way of printing photographs.
Using what he calls, “Bacteriography”, Copfer takes his knowledge of bacteria and microbiology to develop a method that is somewhat similar to the wet plate process.
He first takes a supply of bacteria (like E. coli or S. marcescens), which he transforms with a fluorescent protein and coats a layer of the mixture into a plate. To create the “negative”, he exposes the plate to radiation with some parts blocked to form the image. From there, he can choose to let the image “grow” a bit more or seal the whole image by coating it with an acrylic layer.
Below are some examples of his work, from the My Favorite Scientist Series.
Humans always seek ways to improve an innovation. In the early days of photography, the project was to introduce color to Mr. Daguerre’s fascinating prints. Transferring reality onto wood or paper was one thing; it was another to produce a vibrant equivalent. Hand painting was an answer to this public demand for color before color photography was even invented.
This article is dedicated to one of the finest British sport photographers, Monte Fresco. In his 30 years of reportage for the Daily Mirror, he took some of the most iconic photographs in sporting history. He covered football, tennis, and boxing. But it is his ice skating pictures that I am most fascinated with. Using my own lens, I give him a modern tribute.
For Michael Fiukowski, taking photos with the New Petzval 85 Art Lens is a philosophy. The manual focus encourages him to be more experimental, and when shooting portraits, he seeks for creative ways to position his subject and make the most of the Petzval's bokeh effect. He finds the lens fascinating, and tells us why.
In 1951, the Festival of Britain was organized as a way of boosting the morale of its citizens just a few years after the Second World War ended. The festival opened on May 4 and was basically a celebration of the British arts, science, and history. One of its most popular attractions was the Telekinema, described as a "state-of-the-art" cinema operated by the British Film Institute and seated up to 400 viewers.
This article is dedicated to the multifaceted American photographer George Krause and to his series depicting funeral monuments realized between 1962 and 1963. I was able to know about this series thanks to an important essay on photography written by former Museum of Modern Art (MoMA) Director of Photography, John Szarkowski. For this tribute, I loaded my trusty Praktica camera with a roll of Ilford film and took a series of photos in the Monumental Cemetery in my city, Como. Take a look!
For the last three weeks, Herr Willie has regaled us with fascinating tales of his Russian adventure. Today, he shares with us yet another great story from one of his travels: meeting the beautiful and influential Ishita Malaviya, the first female surfer of India.
Jack Lowe has been traveling round the UK with the aim to shoot every RNLI post using Wet Plate Collodion photography. The Lifeboat Station Project photography is a five-year photographic mission that makes use of a painstaking process. It is a fascinating, much talked about project that deserves to be documented, not just through words but through images as well.
Really want to bring your film photos to life? We’re now offering totally analogue fine art prints in a host of large sizes and formats! Carefully enlarged from your negatives onto premium photographic paper by lab professionals, each picture is a unique piece of craftsmanship.
Colors may be amped to look unreal, like nothing of this world. Shots may be doubled, cross-processed, post-processed, mixed up into collages. The possibilities are infinite, yet some photographers still prefer black and white. Even in 2016, it is an ode to classic values of precision and balance. Light and shadow must be one pleasing dance. And just like in a well-choreographed piece, forms are obvious or playing coy. It all depends on how you're looking.