EPJ320T is a Tungsten-balanced film. The idea of this type of film is to make subjects under yellow lighting look natural. It achieves this by shifting colours towards the blue. I hoped that cross-processing the film would make the colours crazy, and it did!
I couldn’t shoot the film at the rated ISO 320. My Lomo LC-A only has ISO 200 and ISO 400 settings – so I shot randomly, flicking between the two. In all instances, the photos had a strange blue tone to them. Underexposing at ISO 400 gave some really deep blue skies. Not many other colours made it through. Overexposing at ISO 200 have made the colours through, reds and yellows in particular.
The photos had quite a grain to them – possibly a combination of the film being expired, and high ISO. I love how the blues came out. I will definitely be using this film again, there are two more rolls in my stash!
Yes, you read that right: Lomography has once again come up with a cool new product! But as much as we want to spill the beans right this moment—where would be the fun in that, right?—we've decided to make things a little more exciting by conducting a couple of rounds of good ol' guessing game. Sounds good? Step right in and see if you can crack our clues!
Are you smart and ambitious? Do you have strong communication skills and strong customer focus? Do you have a thirst for knowledge and learning? Do you love Lomography?Yes? We are recruiting new interns to join our life loving and hard (smart) working team of Lomography!
Here’s an opportunity to join a multi-talented, life loving, and hard working team, and learn a great deal about the inner workings of a creative brand and business. We are looking for a smart and proactive individual, combined with great people skills, and strong customer and sales focus.
We are looking for "Lomo Correspondents" from different cities in the UK to help spread the word about film photography and get involved in an exciting project for 2016. If you want to get involved read on.
Really want to bring your film photos to life? We’re now offering totally analogue fine art prints in a host of large sizes and formats! Carefully enlarged from your negatives onto premium photographic paper by lab professionals, each picture is a unique piece of craftsmanship.
When asked to recall the moment they first became truly interested in photography, most photographers would remember the magical feeling of picking up a hand-me-down or secondhand camera, the thrill of shooting an entire roll through, and the elation upon seeing and holding their first ever set of photographs. Caleb Savage, however, had quite a unique experience. At 10 years old, he had his first taste of working in the darkroom making prints at Boy Scout camp, thereby beginning a more than a decade-long affinity with photography.
You read the right, folks! The 175 Years of Petzval Legacy Competition is officially extended. Discover the additional prizes awaiting our lucky winners and meet the esteemed Petzval photographers that comprise our jury.