Have you ever asked yourselves what would it like to change lenses from different type cameras? The answer is here!
I have 2 cameras, Zenith 3M and BeLomo Chaika 2. The former is a full frame camera and the latter is a half frame camera. During their repair, I was strucked with an idea: What would happen if I change the default Zenith lens with my BeLomo’s? You’ll get a macro monster machine, focus scale doesn’t work, but it’s worth it!
Ever looked at your camera shelf and asked yourself the existential question: What Lomography Camera best fits my style? Well, here is a quick test to help you find the answer! Just go with your gut and note down the letter for each answer you pick. And try to go with one single answer for each question. So, let's get started!
Can you ever have enough film for your treasured cameras? Are you going to take a ton of awesome analogue photos this holiday season? If the answer is yes (and we know it is), then now is your last chance to save on our super selection of analogue films!
The original Diana F is a plastic beauty from 1960s Hong Kong. The Diana F+ is a reinterpretation, which is in no way inferior to the old Diana. It´s so versatile with all the optional accessories and lenses like no other lomography camera. And because of this, I will show you what makes this camera so special.
You’ve shouted your analogue love from the rooftops and worn your heart on your sleeve – Now it’s time to take it to the next level and wear it on your skin! Our new Lomography Tattoos are fun, easy to apply and come in five designs.
Wide-angle lens are further divided into sub-classifications: Wide, ultra-wide and ultra-ultra-wide. Based on current standards, wide lenses for 35mm cameras are those with focal lengths ranging from 24 to 35mm. Lenses are considered ultra-wide if they have focal lengths from 17 to 21 mm, and ultra-ultra-wide if from 12 to 16mm. The New Russar+ is a 20mm lens; hence it falls under the ultra-wide classification. If you have an ultra-wide lens or if you intend to get the Russar+, you might as well make the most out of your precious investment. Read on for a few guidelines on shooting with ultra-wide lenses.
Lomography UK was lucky enough to test an LC-A 120 prototype in store and it was glorious! We used colour and black and white film to capture the camera at its finest. It was everything you would expect from the LC-A but in full frame 38mm f/4.5 120 film. It's LOVE.
LomoChrome Purple 400 is Lomography's answer to the legendary color infrared films Kodak Aerochrome and EIR. Much like its predecessors, it's technically demanding and full of surprises. Here's a rough guide to get that purple color you've always wanted.
As the mother of all modern wide-angle lenses, the New Russar+ Lens shoots sharp wide-angle photos bursting with character. The solid yet compact ultra-wide 20mm lens can be used to photograph practically anything, and is compatible with a variety of film and digital cameras. Certainly this is a lens that delivers, but like anything, you can reap its full potential by choosing ideal subjects and shooting from a creative perspective.
Do you love being creative? How about instant photography? If the answer is yes, no or maybe, then we've got a jam happening with your name written all over it! Being the most creative instant camera around, it's difficult to imagine the Lomo'Instant becoming any more awesome. But what would happen if you and your pals put on your thinking caps for a Lomo'Instant accessory brainstorming session of the ages — limitless creative potential! Show us your skills by joining the Lomo'Instant Accessory Challenge!
It's a great feeling when you get a camera back to work even though you thought it was already unusable because its particular type of film is no longer in production. Here's how you can do it with a Polaroid camera from the 80-series.
I backed the Kickstarter project for the Lomo’Instant earlier this year and was thrilled to receive it last week. I love how the camera naturally encourages you to experiment with its different features, whether it’s through flashing your multiple exposures with different colors or trying different creative techniques after your shots has been ejected. Here are a few tips from what I’ve discovered from playing with the camera so far (and a couple of tips I want to try out in future)!