Do you like double exposures with a partner? Do you like redscale film? Read on to learn about a cool trick my friend @istionojr taught me when we did doubles together recently!
istionojr and I have been friends on Lomography.com for a long time, but when he approached me awhile ago to do a film swap, I was excited and honored. I had a roll of generic 400 ISO color negative film I had shot and not developed, so I mailed it to him in Indonesia right away, but when he let me know he received it, he told me he was going to do something very cool with it that I had never thought of: he was going to double-redscale it. Essentially, he was going to do a DIY redscale conversion of the film I had shot and double expose through the back of the film. Nifty, right?
Essentially, all you need are the standard DIY redscale tools:
A roll of film (in this instance, one your partner has shot normally)
A darkroom bag or lightproof room or even a jacket you’ve turn inside-out
Detailed instructions for single-roll redscaling can be found at this excellent Tipster posted by casperxd
Shooting the first layer (the “front”) of the film should be done in accordance to the ISO rating of the film, and the redscale portion should be shot at about 2 stops less in order for the second exposure to compensate, just like you would your own DIY redscale film. So, in my case, the film I shot was 400 ISO in my ActionSampler, and istionojr shot it after redscaling it at 100 ISO in his Lomo LC-A+. I would recommend films from 200 ISO (50 ISO for second exposure) to 800 ISO (200 ISO for second exposure). Find yourself a partner and get double-redscaling! I think you’ll be pleased with the hybrid color/redscale results.
Read on dear friend and I will weave a story for you. There may be more questions than answers raised by this peculiar tale. But if it’s clarity you seek, have no fear, things will become clear in time (they always do, don’t they?). So rub the Sandman’s dust from your sleepy eyes and take a journey with me. If you think you have an answer when we reach the end, please do share it in the comments!
This is my experience with the Lomography Redscale XR 50-200 (120), my first medium format film. It's an adventure that started when I got a Lubitel 2, to finally shoot with it. In this article, you'll find detailed information about color schemes, the advantages of shooting in medium format, and the differences between standard redscale films. Here are the results of a day of shooting outside, which I recently got back from the lab.
What exactly do I feel while waiting for my Lomo'Instant photos to be developed? I have to say I get a mix of "Surprise me, dear Lomo!" but also some "Did I capture it as I wanted?" kind of thought. No matter the school of thought, with the Splitzer you can add so many cool effects to your photos you'll definitely embrace it!
This August, we bring you back to your roots and explore the wonders of nature! First, we cook up a storm with a film soup experiment. Followed by nature photowalks at beautiful scenic parks in Singapore to unearth the tips & tricks of trouble exposure, as well as the unique methods to perfect our macro shots. To cap off the learning month, we'll gather on a cozy Friday night for a new special sharing series by the Lomography Community -- with Sharing Session #1: Nature.
We love our cameras. We especially love it when you love our cameras. And we get super pumped when you tell us about it. So when the LC-A 120 got a stunning review from the fellas at The Phoblographer, we were giddy with delight! Not only did they give it a killer, in-depth review, but they also bestowed it with a 5/5 rating and Editor's Choice award! Read on for a little taste of the review and then head to their site to read the whole thing!
Here’s a random and rather mysterious tale for you folks. Just the other day, I was at a local bar with a few friends. It was much like any other evening; we were sipping a couple of cocktails, recounting our adventures, falling over ourselves with laughter and half-drunkenly meditating on the meaning of life (a scientist once told me it’s 42 by the way). But then something truly strange happened. Read on to hear my story and please make a comment with your guess at the end!
Sprocket Love: The Sprocket Rocket is the world’s first wide-angle camera dedicated to sprockets. It shoots 18 panoramas on a standard 35mm roll and exposes the whole width of film including sprocket holes. Use its dual winding knobs for easy multiple exposures and generate perfect nighttime shots with the bulb setting.
As you may have read in my previous article, I truly fell in love with Lomography when I combined my Fisheye camera with an old Canon AE-1 for magical photographic results. Last summer, I took so many pictures of flowers that it started to become almost boring for me. My waning interest and the coming winter meant that I had to figure out something else to do with my 35mm film.
Did you enjoy shooting with Cine200 Tungsten Film when it launched? Or were you one of the unlucky many who missed out on this ultra-limited edition emulsion? Well, we’re thrilled to say we have an exciting follow-up to Cine200 which will launch in just a few days! And as the other film sold out so fast, we wanted to give you the opportunity to sign-up to our list to get the news as soon as it happens.
The Lomography Belair X 6-12 is more than just a medium format camera. It is lightweight, compact, and capable of shooting photos in three different sizes: 6x12, 6x9, and 6x6. Equipped with a high quality interchangeable lens system and and automatic exposure, it can give you beautiful shots in every roll. It can also take three different film formats: 120mm, 35mm, and instant. Read on to find out all about this fantastic camera.
It was the Amazon which I had longed for my whole life. And when it was finally a set deal that I will travel to Brazil with two of my best friends for the Copa do Mundo (World Cup), we really had to start our adventure in the Amazon. I had known about this magical place deep in the rainforest. There was a lodge run by local people of indigenous background, with wooden houses that float on the water and a limited number of visitors. It was eco-tourism as how it should be. To preserve and to celebrate one of the most impressive locations I have seen so far.