Last Thursday I went to the Diana Baby release party at the Lomography Gallery Store in Amsterdam. As the dresscode was black & blue I decided to give myself a smashing manicure, and a Tipster for all of you nailpolish fans out there!
What you need:
Nailpolish in the colors black, silver (or grey) and blue
Dotting tool (or an empty ballpoint pen, toothpick)
Cotton swabs to clean up spillage you might have
Tip: allow some time for frying inbetween the layers that you paint (yes, even the small dots). About a minute or 30 should be enough.
Apply a layer of base coat to your nails. This is to prevent the nailpolish colors to damage your nails and gives you a nice even base.
Apply black nailpolish onto your nails. Depending on how opaque your nailpolish is you may have to apply 2 layers.
Apply a small streak of blue on the ends of your nails (like you do with a French manicure)
Get your dotting tool. Dotting WHAT?! A dotting tool is a stick with a little ball at the end that nail stylists use to apply nailart. I just find them handy to have around for all sorts of crafts. If you don’t have them, a toothpick or (empty!) ballpoint pen will also do the trick.
Apply a big silver (or grey) dot to your nails aproximately in the middle of the black area. This is easily done by stroking your dotting tool (or toothpick, etc) past the nailpolish brush and then carefully dip the tool onto your nail.
As soon as the silver layer is dry, repeat the dotting action with black. This way it looks like a camera lens!
Get another toothpick and apply a little square box in the middle of the blue stripe above the lens in silver (or grey). Nbow your Diana nails have a view finder!
To seal in the design apply a layer of topcoat. Unnecessary, but I find it keeps everything in place so I can keep the same manicure for 2 – 4 days.
Two years ago I swore to myself, I'll be coming back soon!" This October my chance finally came and I flew for the second time to New York City to visit my dear colleagues in the Lomography Gallery Store New York. What I didn’t see coming, though, is the opportunity to test a new secret film during my trip.
I went to the Victoria & Albert Museum's Friday Late, an event that takes place every last Friday evening of the month. For March 2014, the London borough of Tottenham was invited to curate an evening of creativity. There were a number of events that went on ranging from music and art to fashion and film. Accompanied by my LC-A+ and Fisheye No. 2, here are my highlights of that evening in photographs.
This article is a tribute to the great Portuguese film director Manoel de Oliveira, who died last April 2. With an old Praktica loaded with a roll of black and white film, I captured so enthusiastically his city Oporto (Porto) with its famous Ribeira district, the most characteristic of the Lusitanian town. It was here that more than 70 years ago, Manoel De Oliveira created a timeless masterpiece: "Aniki-Bòbò"!
Done shooting and want your films to be processed? We can process your colour and black & white 35mm, 120 or 110 films! Development, prints and scans are also included. (Service availability depends on your markets)
My list of resolutions for 2015 consists of 12 projects, one for every month. March was for caffenol. You have probably heard of the amazing fact that you can develop black and white photos with coffee, sodium, and vitamin C. I had tried this before but with less than stellar results. Somehow, there's always something going wrong. Time to devote a few rolls to caffenol to finally get the hang of it.
You want your subject be the center of attention? Petzval lens photos are recognizable for sharpness and crispness in the centre, strong color saturation, wonderful swirly bokeh effect, artful vignettes and narrow depth of field that will make your subjects stand out!
When asked to recall the moment they first became truly interested in photography, most photographers would remember the magical feeling of picking up a hand-me-down or secondhand camera, the thrill of shooting an entire roll through, and the elation upon seeing and holding their first ever set of photographs. Caleb Savage, however, had quite a unique experience. At 10 years old, he had his first taste of working in the darkroom making prints at Boy Scout camp, thereby beginning a more than a decade-long affinity with photography.
You read the right, folks! The 175 Years of Petzval Legacy Competition is officially extended. Discover the additional prizes awaiting our lucky winners and meet the esteemed Petzval photographers that comprise our jury.