This summer I have had a lot of fun with my Fisyene 2 camera on the beaches of Emilia Romagna, in Italy. I used a Lomography CN 400, a great film in every light and contrast conditions.
This summer I tried this film putting a 35mm roll into my Fisheye 2 camera. This is a very bright season, so why I have used a 400 ISO film? Simple: because the 400 ISO films are more tolerant to overexposure, with respect to 100 ISO films, and the 400 ISO sensitivity allows me to take pictures from bright sun conditions to subjects in deep shadow. Here some shots taken in bright sunlight conditions:
Here a situation with a high contrast:
This film tolerates very well even 2 or 3 stop of overexposure, so you can easily use it even on a beach! And the good pose latitude allows you to capture details even in very high contrast conditions, from the most bright zones of the images to the parts situated in deep shadow.
The colors are well balanced and natural, and the grain size is limited. This is important especially for big enlargements and prints.
I love the great blue tones of this film, great for photos at the seaside!
A cheap film, great both for use in a “lomographyc” style and also for traditional photography!
Where are you headed to this summer? Where I'm from summer has ended too soon, so I'm still daydreaming of sand and seafoam. I decided to check out the archives for some cool beach-y snapshots and came across a lot of interesting underwater photos! Check out my finds after the jump; hopefully this list will inspire you to grab a Fisheye Sub or a Krab, along with your Fisheye cameras and LC-A+, for some underwater adventure.
Every summer, my soul screams for a lazy, hot day back at my parents' home, for some good food, relaxation, and catching up with childhood friends. This year is no different, so I went back down to my small hometown in the very northeast of Belgium to enjoy a perfect laid back day doing nothing and everything. And of course, I brought my analogue cameras along to eternalize all of these small but grand moments in life.
My two passions are art and photography. For my first article about art on the Lomography magazine, I decided to visit "The Light Show" exhibition at the Hayward Gallery. I aimed to take as many creative photos of light installations as I can with my Lomo LC-A+ and Fisheye No. 2.
Shake well and apply to fabric. Blot out excess using a paper towel. Create your design using Inkofilm or anything that casts a shadow. Expose to sunlight or bright UV light for 10-20 minutes or until color reaches full saturation. Machine wash using Inkowash to remove unexposed dye. Double your exposure time in overcast weather. Enjoy the "wow" result!
Every year I get the winter blues. I start imagining the feel of the sunrays, ice cold beer after a long summer day, and the endless hours spent on the beach. I have captured moments, memories, and dreams this year, which is my favorite thing to do. This is a short version and visual diary of my year 2014.
August 24, 2014 was a great day because of the We The Fest 2014! Maybe it's too early to call it the biggest summer music festival in Jakarta because this has just been its first edition. Nevertheless, my girl and I enjoyed every moment of it!
I went to the Victoria & Albert Museum's Friday Late, an event that takes place every last Friday evening of the month. For March 2014, the London borough of Tottenham was invited to curate an evening of creativity. There were a number of events that went on ranging from music and art to fashion and film. Accompanied by my LC-A+ and Fisheye No. 2, here are my highlights of that evening in photographs.
It's been a boiling, scorching, baking hot summer here in the Philippines since March, and believe it or not, I haven't been to the beach yet. I'm going to do something about that, but not without making another playlist for the trip! This time, I decided to make a mix inspired by the summer vacations of my younger days.
Here are some self portraits that I took using my Lubitel 2 and a roll of expired film. I used old chemicals, an incorrect ratio, and I under fixed the film during development and washed it in boiling hot water. See how it all turned out.
I bought the LomoKino years ago, and since then I've been having great times with it. I will continue documenting my daily life with the LomoKino, which is Lomography in motion! You can see the movements and facial expressions of people - it’s priceless! Documenting life in moving pictures, the Lomokino can be used as a camera that not only shoots moving pictures but also works like the multi-frame wonder camera, Supersampler!
Thought you can’t get sharp photos with the Diana F+? Think again! With the Diana+ 75mm Premium Glass Lens, you can shoot crisp and clear images with the signature dreamy appeal of the Diana. With our Adaptors you can even make it work on your Nikon & Canon dSLR!
Last Sunday, the local rugby team Rugby Como played the first match of the 2014-1025 season. Rugby is my favorite sport to photograph, and for some years I've been documenting almost every home match of this young team. This time I used a 1959 Zorki 5 camera with a vintage 1958 Industar-50 lens loaded with a timeless film, the Ilford HP5+ developed in a century-old developer, the mythical Rodinal. Take a look after the jump!
I got my first Lomography camera, an Actionsampler, during a raffle in one of the photowalks I attended. I was just starting to explore film photography then and having this plastic fantastic camera definitely gave me the perfect overview of what lies ahead the analogue road.
This is my experience with the Lomography Redscale XR 50-200 (120), my first medium format film. It's an adventure that started when I got a Lubitel 2, to finally shoot with it. In this article, you'll find detailed information about color schemes, the advantages of shooting in medium format, and the differences between standard redscale films. Here are the results of a day of shooting outside, which I recently got back from the lab.