This summer I have had a lot of fun with my Fisyene 2 camera on the beaches of Emilia Romagna, in Italy. I used a Lomography CN 400, a great film in every light and contrast conditions.
This summer I tried this film putting a 35mm roll into my Fisheye 2 camera. This is a very bright season, so why I have used a 400 ISO film? Simple: because the 400 ISO films are more tolerant to overexposure, with respect to 100 ISO films, and the 400 ISO sensitivity allows me to take pictures from bright sun conditions to subjects in deep shadow. Here some shots taken in bright sunlight conditions:
Here a situation with a high contrast:
This film tolerates very well even 2 or 3 stop of overexposure, so you can easily use it even on a beach! And the good pose latitude allows you to capture details even in very high contrast conditions, from the most bright zones of the images to the parts situated in deep shadow.
The colors are well balanced and natural, and the grain size is limited. This is important especially for big enlargements and prints.
I love the great blue tones of this film, great for photos at the seaside!
A cheap film, great both for use in a “lomographyc” style and also for traditional photography!
As you may have read in my previous article, I truly fell in love with Lomography when I combined my Fisheye camera with an old Canon AE-1 for magical photographic results. Last summer, I took so many pictures of flowers that it started to become almost boring for me. My waning interest and the coming winter meant that I had to figure out something else to do with my 35mm film.
Every year I get the winter blues. I start imagining the feel of the sunrays, ice cold beer after a long summer day, and the endless hours spent on the beach. I have captured moments, memories, and dreams this year, which is my favorite thing to do. This is a short version and visual diary of my year 2014.
Every summer I get a burst of analogue excitement when I see the flowers starting to bloom. My favorite summer pastime is to take glorious shots of plants and flowers, and for perfect dreamy shots, I like to use the Diana Close-Up lens. Join me as I take you through a garden of analogue delights.
Done shooting and want your films to be processed? We can process your colour and black & white 35mm, 120 or 110 films! Development, prints and scans are also included. (Service availability depends on your markets)
I went to the Victoria & Albert Museum's Friday Late, an event that takes place every last Friday evening of the month. For March 2014, the London borough of Tottenham was invited to curate an evening of creativity. There were a number of events that went on ranging from music and art to fashion and film. Accompanied by my LC-A+ and Fisheye No. 2, here are my highlights of that evening in photographs.
What's so great about analog photography? You never know what you will get in the end. Not every film let all of my photos look perfect, some fail, too. Maybe some of you experienced the same. After trying out several film soups and chemicals I finally discovered the easiest and quickest way: chlorine!
Last Sunday, the local rugby team Rugby Como played the first match of the 2014-1025 season. Rugby is my favorite sport to photograph, and for some years I've been documenting almost every home match of this young team. This time I used a 1959 Zorki 5 camera with a vintage 1958 Industar-50 lens loaded with a timeless film, the Ilford HP5+ developed in a century-old developer, the mythical Rodinal. Take a look after the jump!
You want your subject be the center of attention? Petzval lens photos are recognizable for sharpness and crispness in the centre, strong color saturation, wonderful swirly bokeh effect, artful vignettes and narrow depth of field that will make your subjects stand out!
An Argentinean writer and photographer living in the Pacific Northwest, Lorraine Healy is a long-time fan of plastic cameras and is the author of "Tricks With A Plastic Wonder," a manual for achieving better results with a Holga camera, available as an eBook from Amazon.com. In this article, Healy shares her experiences photographing in Cuba in early 2013.
Dora Kontha makes the familiar worthy of a tribute. She frames icy weather or glinting water so that it looks boundless, more than a spread of pretty blue. Analog photography, her medium of choice, makes these everyday sights as intimate as memory itself.
Heads up, Metro Manila-based Lomographers! A film photography workshop to be conducted by Meerly, former general manager of Lomography Singapore, featuring the Diana F+ will be held this month at Common Room in Quezon City, Philippines.