This is my first time making a mask for my film camera. So I took out my Recesky and made a mask for a doubles project I was working on. Check out my self doubles project using a film mask and a Recesky TLR.
I used some card stock sized to fit inside my Recesky. I also cut out some vertical slits using a hobby knife then taped it to the inside of the camera.
I marked the film for doubles and shot the first round of exposures. After finishing exposing the film, I rewound it, removed the film mask and reloaded the film into the camera. I shot the entire roll for the second round.
Some of the shots were a bit overexposed, but I did manage to get a few good ones!
Some time ago, my parents-in-law gave me an old Polaroid camera that they used during my wife's childhood. After some investigation, I found out that Polaroid had stopped making instant film. But the factory in Enschedé, the Netherlands had been taken over by The Impossible Project, so I bought a package of fresh film and gave it a try!
Estilhaços is an annual short film festival in Leiria, Portugal. I was challenged to create six analog videos to be projected during a live music showcase. I decided to use LomoKino for the first time.
I like to make and use masks with my Lomo'Instant camera, but sometimes they are too dominant. In coming up with more subtle masks, I found several that produced an interesting, distressed look, especially when paired with the camera flash and color gel strips. They're especially good for creating Halloween-themed photos.
2014 has been a good year for me, photographically speaking. I finally realized a few projects I had been dying to try out for a long time and, despite my resolution not to buy new ones, acquired some new cameras.
It had been five years since my last visit to the Côte d'Azur in France. During this period, I took to film photography again. And so for my return, I was looking forward to capturing, with my handy film cameras, some of that special light and blue sea that had drawn so many artists to the Riviera.
It's late October in Copenhagen and summer was well and truly behind us. With the nights drawing in, the chances of going out with one of my cameras was slim. All was not lost at this time of year, however, as it allowed me time to focus on my own personal music projects—I am a professional composer/musician and audio engineer at my own studio by day.
As you may have read in my previous article, I truly fell in love with Lomography when I combined my Fisheye camera with an old Canon AE-1 for magical photographic results. Last summer, I took so many pictures of flowers that it started to become almost boring for me. My waning interest and the coming winter meant that I had to figure out something else to do with my 35mm film.
My brother purchased the new Petzal lens by Lomography and Zenit through the Kickstarter campaign. Last spring, I was able to borrow it for a few weeks. Read on to find out my first impressions of this portrait lens!
We first came across Ryu Voelkel while he was shooting for his photography book about the World Cup in Brazil. His use of Aerochrome Film for the project especially caught our attention. Now the Berlin-based sports photographer has finished his book and is ready for the next challenge: testing the Petzval at a football match.
Done shooting and want your films to be processed? We can process your colour and black & white 35mm, 120 or 110 films! Development, prints and scans are also included. (Service availability depends on your markets)
On the last Saturday of July, the old district of Borgo Vico hosted an art and music festival. There was also a graffiti contest, and the winner will exhibit his work at the Como Business Center for Expo 2015. I used my Zorki 4 loaded with an Ilford FP4+ film to document the event. I focused on the young artists who, amid the swirl of activity, had to concentrate on their large-scale pieces.
My 2015 resolution is to do 12 photography projects, one for every month. In July, I tried freelensing or unscrewing the lens from my SLR and holding it in front of the camera body. By tilting the lens slightly I was able to change the focus. For this experiment, I used my Konstruktor and Olympus OM-1.
This is tribute to the Farm Security Administration photographer, Jack Delano, and his photographic series dedicated to barkers. For this article, I chose a series of photos I took this year at the traditional Easter Fair in my city, Como, using a classic rangefinder camera loaded with a roll of black and white film.