Expired in September 1988, the film came with no spool or cassette, wrapped up in foil in a tiny cardboard box. Because of the lack of a spool, you’ll need a dark place and some sort of reloadable cassette in order to load the film.
I used a couple of Rapid cassettes, popped the film in my Penti, and shot it around my house and strolling through Nørrebro in Copenhagen on my way to the darkroom I was using at the time. Because of the age of the film, I overexposed some shots by a half stop and some by a full. I developed in Rodinal using stand development.
I really like the results, the shots came out very moody and with fine grain – the ones that were overexposed by a stop were right on the money. I decided to scan a few of them in colour, because I liked the chocolaty sepia tone. All in all a very satisfying way to spend an afternoon!
If you'd be shooting in low light, at night, or in any other situation that would require a high speed film for best results, why don't you try the Lomography Color Negative 800 for 35mm cameras? Allow five of our community members to convince you with their respective reviews in this installment of Reviews on Rewind.
Classy, moody photographs in monochrome and with fine grain - what more could you ask for from one of Lomography's very own black and white emulsion for standard 35mm cameras, the Earl Grey? Find out how this film fared among six of our community members in this Reviews on Rewind installment!
The shoutbox is always open for the community's honest opinions, surprising suggestions, and sweetest greetings. It is also an avenue for members from across different countries to dicuss and interact with one another. We'd like to commend these lomographers for keeping this humble space booming with entertaining conversations all year long. Congratulations to our top shoutbox users of 2014.
Cult flick and 8-bit animation fans will surely get a kick out of this one. Animator Henry Dutton is back with more 8-bit action in this slash and play animation of the two volumes of "Kill Bill" trilogy.
They say you can't teach an old dog new tricks, but whoever said that must have never shot with a Konica C35. This 46-year-old beauty can definitely hang with the big boys. Come see why this camera is one of my favorites, and why it should be one of yours, too.
If it's your first time to use the Fisheye Submarine Case (with your Fisheye One/Fisheye No.2 cameras) or the Krab Underwater Housing (with your LC-A+ or LC-Wide cameras), you might still feel a liiiiittle bit anxious about taking your favorite cameras underwater. To help ease your worries I gathered some of the most helpful tips, straight from summer-lovin' Lomographers who braved the waves with their cameras!
An Argentinean writer and photographer living in the Pacific Northwest, Lorraine Healy is a long-time fan of plastic cameras and is the author of "Tricks With A Plastic Wonder," a manual for achieving better results with a Holga camera, available in eBook form at Amazon.com. In this article, Healy explains how she fell hard in love with the Lomography XPro Slide 200 film and why she takes it on her many travels.
Joe Brook is one of the most popular photographers in the West Coast skate scene, shooting for magazines like Trasher, Juxtapoz, Rolling Stone, and different outlets such as PDN and Kodak. Having previous experience with an old Petzval lens mounted on a 4x5 camera, it was but natural for him to try the new one. Brook talks about finding himself, his work, and shooting with the Lomograhy Petzval Lens in this exclusive interview.