Expired in September 1988, the film came with no spool or cassette, wrapped up in foil in a tiny cardboard box. Because of the lack of a spool, you’ll need a dark place and some sort of reloadable cassette in order to load the film.
I used a couple of Rapid cassettes, popped the film in my Penti, and shot it around my house and strolling through Nørrebro in Copenhagen on my way to the darkroom I was using at the time. Because of the age of the film, I overexposed some shots by a half stop and some by a full. I developed in Rodinal using stand development.
I really like the results, the shots came out very moody and with fine grain – the ones that were overexposed by a stop were right on the money. I decided to scan a few of them in colour, because I liked the chocolaty sepia tone. All in all a very satisfying way to spend an afternoon!
The Pop 9 is an analog multilens wonder that allows you to take a mosaic of nine images in one frame à la Andy Warhol's famous pop art. In this Reviews on Rewind installment, we dug through our archives and found these informative reviews of the Pop 9 - just in case you're looking into snagging a fun camera in your arsenal!
If you'd be shooting in low light, at night, or in any other situation that would require a high speed film for best results, why don't you try the Lomography Color Negative 800 for 35mm cameras? Allow five of our community members to convince you with their respective reviews in this installment of Reviews on Rewind.
Considered as one of the best 35mm SLR cameras, the Nikon F2 is indeed one of the best experiences on film I’ve ever had. Fully manual and almost impossible to break, this historic camera is really marvelous to use.
Really want to bring your film photos to life? We’re now offering totally analogue fine art prints in a host of large sizes and formats! Carefully enlarged from your negatives onto premium photographic paper by lab professionals, each picture is a unique piece of craftsmanship.
The shoutbox is always open for the community's honest opinions, surprising suggestions, and sweetest greetings. It is also an avenue for members from across different countries to dicuss and interact with one another. We'd like to commend these lomographers for keeping this humble space booming with entertaining conversations all year long. Congratulations to our top shoutbox users of 2014.
With a love of antique cameras and analogue photography, Shawn Lin has long been an active member of the Lomography Community with dozens of his shots being featured. Shawn likes to explore the effects of double exposure on different themes and objects, with an emphasis on the presentation of colours. Come take a look of his work of using Petzval Art Lens on his antique camera and his thoughts about the two!
An Argentinean writer and photographer living in the Pacific Northwest, Lorraine Healy is a long-time fan of plastic cameras and is the author of "Tricks With A Plastic Wonder," a manual for achieving better results with a Holga camera, available in eBook form at Amazon.com. In this article, Healy explains how she fell hard in love with the Lomography XPro Slide 200 film and why she takes it on her many travels.
Joe Brook is one of the most popular photographers in the West Coast skate scene, shooting for magazines like Trasher, Juxtapoz, Rolling Stone, and different outlets such as PDN and Kodak. Having previous experience with an old Petzval lens mounted on a 4x5 camera, it was but natural for him to try the new one. Brook talks about finding himself, his work, and shooting with the Lomograhy Petzval Lens in this exclusive interview.
Marcus DeSieno is a Tampa-based photographer who specializes in merging early and modern photographic processes for his body of work. In this exclusive follow-up feature, DeSieno opens up about his process and gives a detailed walk through on his odd yet undeniably fascinating series, "Cosmos," which was previously featured here on the Lomography Magazine, and "Parasites."