This year's trailer for the Encounters Short Film and Animation Festival was made using a series of cross processed, long exposure shots.
Paul Hill at AProductions Ltd does the trailer every year for the festival and it’s normally animated. But Smith and Milton came up with an image for the look and feel for this year’s festival. It was a long exposure, high colored and contrasted city street photo.
I work at A Productions ltd and instantly knew how we could achieve this new direction…Cross Processing!
So I, and Paul Hill went out armed with two of my 35mm film cameras Lomo LC-A+, Canon A1 and a whole load of film stock donated by the lovely people at Photographique in Bristol. This was in May and June so the right lighting conditions moved all the time depending on the location and position of the setting sun.
As a rough idea, the ideal lighting times lasted for about 30 mins to an hour but changed from 9pm ’til 11pm. It was also necessary to have moving traffic in each shot, so you can imagine how long we had to wait for the right conditions. I took about 8 to 12 shots of each location to get all the traffic and light movement. A lot of the exposures were about two to four seconds long.
It was a little hit and miss, but the end results were great. Considering the time frame this had to be done in and the varying conditions, it was a bit of a tight squeeze.
Paul then took all the locations and figures shot by me and pieced together the main body of the trailer. He also had to get all the clips in from last year’s winning films and tie everything together and make it all work. It was all composited in After Effects.
This year marks the 70th anniversary of the publication of one of the most influential photography books ever, "Ballet" by the photographer, art director, and graphic designer Alexey Brodovitch. Brodovitch took a series of photos of classical dance in a very unconventional way, using very slow exposure times, trying to catch the true essence of Russian ballets. For this article, I took a series of photos at the Swing Crash Festival in my city, Como, held in June 2015.
Toby Mason (aka fotobes) is a Brighton-based photographer who embraces the aesthetics of film photography. He mostly shoots with the LC-A+ using a range of slide films, cross processing them to create rich, highly saturated colours. His work has been featured on the BBC website and Hungry Eye Magazine. Join us for the opening night on Thursday, September 17 from 6 p.m.
Capture the world and all its contours in vibrant, wide-angled photographs any time, any where! The LC-A 120 is an adventure of its own with lots of exciting functions to experiment with, like seamless long exposures or full ISO control. It's also super-fast and ultra-compact - perfect for your everyday. If you're worried about the Medium Format film, don't be! You are free to use any 120 Film you want and there are plenty to choose from. In fact, that's what makes this camera so versatile! Scroll through this gallery for a little taste of the glorious shots this nifty invention is capable of.
This is tribute to the Farm Security Administration photographer, Jack Delano, and his photographic series dedicated to barkers. For this article, I chose a series of photos I took this year at the traditional Easter Fair in my city, Como, using a classic rangefinder camera loaded with a roll of black and white film.
Ed Choi regards Lomography as one of the best things that happened to him. In this interview, the latest member to join the roster of LomoGurus talks about how cross processing slide films sparked a great friendship, taking instant photos in Himalayas, and creating the perfect double exposure photograph.
Browsing through the Lomography website, you can find a lot of redscale shots, which are all done on color negative films. I asked myself if it’s possible to redscale a slide or chrome film and then cross process it. (And yes, it is.) In this tipster I’m going to teach you how to create the bloodiest homemade redscale film I've ever come across.
Really want to bring your film photos to life? We’re now offering totally analogue fine art prints in a host of large sizes and formats! Carefully enlarged from your negatives onto premium photographic paper by lab professionals, each picture is a unique piece of craftsmanship.
Marcus DeSieno is a Tampa-based photographer who specializes in merging early and modern photographic processes for his body of work. In this exclusive follow-up feature, DeSieno opens up about his process and gives a detailed walk through on his odd yet undeniably fascinating series, "Cosmos," which was previously featured here on the Lomography Magazine, and "Parasites."
Estilhaços is an annual short film festival in Leiria, Portugal. I was challenged to create six analog videos to be projected during a live music showcase. I decided to use LomoKino for the first time.
Cap off the year with a movie marathon! We have the perfect selection of short flicks shot using the LomoKino for your amusement. So grab your buttered popcorn and prepare for a nostalgic trip through different places and different seasons with our most popular LomoKino movies of 2014.
You want your subject be the center of attention? Petzval lens photos are recognizable for sharpness and crispness in the centre, strong color saturation, wonderful swirly bokeh effect, artful vignettes and narrow depth of field that will make your subjects stand out!
Mark Scadding and William Paltridge form Double Exposure Photographic and are based in the South of England. They have used the Petzval lens extensively for portraiture and a few food photography shots. We were intrigued to know more about this creative duo and asked them about shooting with this exciting lens.
I backed the Kickstarter project for the Lomo’Instant earlier this year and was thrilled to receive it last week. I love how the camera naturally encourages you to experiment with its different features, whether it’s through flashing your multiple exposures with different colors or trying different creative techniques after your shots has been ejected. Here are a few tips from what I’ve discovered from playing with the camera so far (and a couple of tips I want to try out in future)!
Adi, Ekeu, and I did a lomowalk around downtown Bandung last Saturday, the beginning of November. We planned to use our Lubitel cameras with only one roll of film each. We were inspired by the One Roll of Film Project by four Tokyo-based photographers with their Hasselblad cameras. This is about the one roll of film I shot with the Lubitel 166U, which made me love shooting in medium format even more.