The Diana Baby 110 is so easy to use, even a child could do it! Changing cartridges is as easy as A-B-C, swapping lenses like counting from one to three. Checkout this fuzzy gallery of cute little kids below.
Perhaps out of all the galleries we put together to show you what the Diana Baby 110 is capable of, solely out of size comparison, this is probably the aptest. A tiny camera taking photos of tiny people, What could be a better match?
Lomography proudly presents the Diana Baby 110 , the second member of the Lomography 110 Camera Family. Easy to use and packed with creative features, with this tiny camera you can choose between two interchangeable lenses; shoot breathtaking wide-angle shots with the 12mm lens or switch to the 24mm lens for standard square photos. Read more on the 110 Camera Microsite
It may be tiny, but the Diana Baby is just as capable as its bigger sisters Diana F+ and Mini. Take time to watch this short clip to find out how you can load a 110 cartridge into your pocket-sized shooter!
In celebration of the mindblowing solar eclipse we had the other day, we ran a competition and asked you to tag your analogue photos centered around our great big yellow friend! Check out the winners now!
In December last year James Wright, editor and creative director of So It Goes Magazine, went on a two-week trip to Sri Lanka, "a place so long on our bucket list, but up until then, as yet unvisited," he writes on the first of his three-part photo diary. Herein is the first of his series that chronicles his adventures, highlighted by a selection of breathtaking images of the Sri Lankan countryside and the locals, among many other images, captured with his trusty photographic companions: the Leica MP, Lomo LC-A+, and an assortment of films including the LomoChrome Purple.
Simeon Smith is a musician who recorded the sounds of our film cameras in action and made these samples available as a free download. We couldn't resist interviewing him about this project and taking a look at some of his photos. Meet the man behind the cams here.
Stephen Shore introduced to the 70s art world an unadorned image of American life. He captured littered restaurant tables as other photographers would immaculate vistas. For the opening of “American Surfaces”, he even taped unframed snapshots on gallery walls. In these videos, Shore talks about objects that have “no pretention to art” and the things he learned from Andy Warhol.