The classic beauty Diana F+ was followed by the sweet Diana Mini, proving to the world that this little sister has plenty of style and features to fill big sister's shoes. The family has yet another sweet surprise that will make all of you go ooh and aah.
The classic Lomography Diana F+ was born in 2007. This camera is a new production version of the classic 1960s Diana cameras. All of the original Diana characteristics were kept intact, but Lomography also tossed in the Pinhole and Endless Panorama options to pave the way for an entirely new class of Diana analogue experimentation!
The Diana Mini came about after the reincarnation of the original Diana camera, the Diana F+ Camera. This tough little sister allows you to shoot 72 photos onto one 35mm film by a flick of the switch!
Diana Baby 110
If you thought these two sisters are da bomb, wait till you meet the family’s newest member, the Diana Baby 110! Not only does she belong to the Diana family, she is also an addition to the Lomography 110 Camera Family. Check out the new sexy baby!
Lomography proudly presents the Diana Baby 110 , the second member of the Lomography 110 Camera Family. Easy to use and packed with creative features, with this tiny camera you can choose between two interchangeable lenses; shoot breathtaking wide-angle shots with the 12mm lens or switch to the 24mm lens for standard square photos. Read more on the 110 Camera Microsite
In case you missed it, Lomography has just unveiled the latest member of its Art Lens family: the Lomo LC-A Minitar-1 Art Lens, which boasts of the same optics that the legendary LC-A camera has and brings the classic Lomographic style not only to analog but also to the digital platform. Over the next few days we'll be sharing with you the first impressions of and photographs taken by members of the Lomography team, who had gone out and put the Lomo LC-A Minitar-1 to the test. First up is graphic designer Andrea Cislaghi, who coupled this lens with the Bessa R2 and Sony Alpha 7.
Reminiscent of traveling photographers of the 19th century, Giles Clement tours through the country with his assistant, Zeiss (an Irish Terrier), offering everything from portrait sessions to wildly creative photographic projects for magazines and companies. And although his mode of transportation may have evolved with the times, his photographic method and gear have changed very little compared to the photographers of days past. Now, with over 3 years of tintyping experience under his belt and an impressive list of clients, he's carved a name out for himself as an accomplished tintyper and continues to spread his passion for this ages-old technique everywhere he goes.
You want your subject be the center of attention? Petzval lens photos are recognizable for sharpness and crispness in the centre, strong color saturation, wonderful swirly bokeh effect, artful vignettes and narrow depth of field that will make your subjects stand out!
Autochrome was one of the first strides toward color photography. The combination of potato starch grains and silver bromide produces a cloudy cast that makes buildings like Villa Bonnier look even more intriguing.
Done shooting and want your films to be processed? We can process your colour and black & white 35mm, 120 or 110 films! Development, prints and scans are also included. (Service availability depends on your markets)
Anna Hollond got her fist camera on her 10th birthday, and she hasn't stopped carrying a camera ever since. About a year ago, she sought to document her memories for her journal but didn't want to do so digitally, and got her first Lomography camera. Next thing she knew, she had a trove of instant cameras, as well as a knack for instant photography.