A mistake at the developers leads to a different type of X-Pro. Read about this happy accident after the jump!
One time, while dropping off my film at the developers, I had a half dozen rolls of black and white rolls and one lonely roll of expired roll of Solaris 100. When I returned the next day, the shop keeper looked upset. He felt terrible that the employee was on a roll (so to speak) and just threw that poor color roll in with the black and white. I wasn’t mad because it was only a test roll for a batch of this expired Solaris film I bought, but he insisted my order was free. Curiosity still had the better of me and I had to scan the results. I could still get about fourteen usable images, with heavy grain. I am not sure if you could time the chemicals yourself and get better results, but I found this to be a happy accident and a learning experience.
What do you think about this unusual way to x-pro? Have any of you guys tried it, and got interesting results? Tell us about it!
Browsing through the Lomography website, you can find a lot of redscale shots, which are all done on color negative films. I asked myself if it’s possible to redscale a slide or chrome film and then cross process it. (And yes, it is.) In this tipster I’m going to teach you how to create the bloodiest homemade redscale film I've ever come across.
A popular quote by photojournalist Ted Grant goes, "When you photograph people in color, you photograph their clothes. But when you photograph people in black and white, you photograph their souls!" Indeed, the lack of vibrant color forces the viewer to see beyond what is on plain view and recognize the atmosphere surrounding a photograph. In this post, we've handpicked black and white shots taken in various situations and exhibit different moods.
I've photographed this city many times in the past—in color, black and white, and even in redscale. One day in March, the streets of Manila once again became my subject. Only this time, they turned into otherworldly places as the LomoChrome Turquoise drastically shifted its colors...at least on film.
Against the grain of serious photography, Tony Ray-Jones used commercial color film to document American streets. This was a pivotal lesson in choosing colorful subjects, something he would later master in his black and white series.
On the occasion of the German DVD release of Wim Wenders' latest documentary, "Das Salz der Erde (The Salt of the Earth)," on April 9, we asked you to send us your best black and white photographs. You have done your best and so making the decision was quite difficult. Read on to find out who will be celebrating with DVDs and piggies!
In a time of black and white fashion photographs, Guy Bourdin used his vibrant colored images to usher in a new era in fashion photography. See a collection of his prized work in this ongoing exhibit at the Somerset House in UK.
Where black and white brings an air of elegance, mystery, and rawness, color suggests life and all things happy and vibrant. Here are a few scenes and moments from everyday life that will always be perfectly captured in full color.
Lomography UK are excited to announce we will be at the Photography Show 2015 at the NEC in Birmingham on March 21st - 24th.
Come by and say hello! There will be workshops and you’ll also be able to test out the newest addition to the family; the Petzval Art Lens. As well as Lomo’Instants to play around with. Read on for details about our workshops and how to get tickets for this exciting event.
Really want to bring your film photos to life? We’re now offering totally analogue fine art prints in a host of large sizes and formats! Carefully enlarged from your negatives onto premium photographic paper by lab professionals, each picture is a unique piece of craftsmanship.
The New Petzval Lens is a stunning reinvention of one of the first and greatest lenses of all time. It produces images with extreme sharpness, artful vignetting and absolutely beautiful swirly bokeh backgrounds. Click through to see 30 breathtaking black and white photos after the jump!
"At the edge of the Earth" is an ongoing yearlong project by documentary photographer Markus Andersen in which he captures the coastline of Sydney, Australia on black and white film with the Diana and Lomo LC-A cameras. In this interview, the Sydney-based photographer opens up to Lomography about his latest endeavor as well as on shooting on the streets of his city and the importance of photographing in analog.
Emily Beaver got the community hooked on her compelling black and white portraits of musicians. Despite the absence of colors, her images are enliven by the intense emotions of her subjects. In this interview, our newcomer of the week opens up about her passion for photography, shooting exclusively with an LC-A, and more.