I attended a workshop organized by the Lomography Gallery Store in Santa Monica on 6 June, 2012. We used the Lomo LC-A with a "used" X-Pro film. The photos on the films were shot by people from the store in West Hollywood. We basically had to shoot the second layer of the film, a.k.a. multiple exposure.
The Lomo LC-A is a fixed lens, 35 mm film, leaf shutter, zone focus, compact camera introduced in 1984. The design is based on the Cosina CX-2. It’s not heavy at all. It feels a lot like a digital point and shoot camera.
Loading the film is surprisingly easy. You just pull the little “thingy” on top and you load the film. You must take a few shots for the film to wind up. There is a switch on the bottom that opens the lens and the viewfinder. There is also a switch for the four focus modes: 0.8meters, 1.5meters, 3meters and Infinity mode for objects very far away. There is a “thingy” for setting up the camera to be compatible with the film’s ISO. On the bottom there is a MX (Multiple Exposure) switch that allows you to take double layer photos.
To take out the film you must first push a little button on the bottom and then start rewinding the film with the metal “thingy” on top, and finally you take out the film and give it to a store for development. I hope this review explained most of the basics of this simple and easy camera. I have included some shots I took with the camera. As I said in the description, these are multiple exposure photos.
The Lomo LC-A is the camera that started the Lomography movement. With full controls and wide ISO range, this automatic gem is perfect for beginners and professionals alike. Get your own Refurbished LC-A in our Shop!
In 1951, the Festival of Britain was organized as a way of boosting the morale of its citizens just a few years after the Second World War ended. The festival opened on May 4 and was basically a celebration of the British arts, science, and history. One of its most popular attractions was the Telekinema, described as a "state-of-the-art" cinema operated by the British Film Institute and seated up to 400 viewers.
Film Photography Day celebrations organized by Lomography Gallery Stores worldwide in April proved to be a huge success, thanks to everyone who joined in on the fun. Find out how film aficionados commemorated the much-anticipated day in our Gallery Stores in Hong Kong, Tokyo, London, Paris, and New York City through this photo gallery!
Really want to bring your film photos to life? We’re now offering totally analogue fine art prints in a host of large sizes and formats! Carefully enlarged from your negatives onto premium photographic paper by lab professionals, each picture is a unique piece of craftsmanship.
Far from the romanticized images we see on television, kitchens are marred by a mesh of savage industrial hardware, organic flesh and bones, and the souls that inhabit it, as photographer Mike Kumagai discovered. His series exposes some of the notions we carry of kitchens and cooking in the only medium befitting of the task: 35mm film.
Pei Ketron is an incredibly talented photographer based in San Francisco. She was born in Taiwan and raised on the Navajo Nation in Arizona. Pei spent her childhood in the deserts in the southwest and spent summers embracing the monsoons of the tropics. She teaches photography on several platforms like Santa Fe Photographic Workshops and The Compelling Image, and has an impressive list of clients including Apple, Adobe and Bloomingdale's. Read on to find out what she has to say about her adventures around the world with the Lomo LC-A 120.
In December last year James Wright, editor and creative director of So It Goes Magazine, went on a two-week trip to Sri Lanka, "a place so long on our bucket list, but up until then, as yet unvisited," he writes on the first of his three-part photo diary. Herein is the second part of his series that chronicles his adventures, highlighted by a selection of breathtaking images of the Sri Lankan countryside and the locals, among many other images, captured with his trusty photographic companions: the Leica MP, Lomo LC-A+, and an assortment of films including the LomoChrome Purple.
You want your subject be the center of attention? Petzval lens photos are recognizable for sharpness and crispness in the centre, strong color saturation, wonderful swirly bokeh effect, artful vignettes and narrow depth of field that will make your subjects stand out!
If you're the happy owner of a Lomo LC-Wide, you are probably overwhelmed and frustrated at not being able to use your three different frames on one film. But this tipster will let you make magic happen!
Lomography UK was lucky enough to test an LC-A 120 prototype in store and it was glorious! We used colour and black and white film to capture the camera at its finest. It was everything you would expect from the LC-A but in full frame 38mm f/4.5 120 film. It's LOVE.
How We Used to Live is a beautiful film by Paul Kelly using archive footage of London from the 1950's right up to the 1980's. It's a fascinating analogue film with a great soundtrack from St Etienne. Read on for more information.
Done shooting and want your films to be processed? We can process your colour and black & white 35mm, 120 or 110 films! Development, prints and scans are also included. (Service availability depends on your markets)
Mr. Bones is a North London-based photographer who gives street photography a different spin by focusing on the dogs that he encounters regularly. Check out our interview with the photographer, whose tools of the trade include film cameras such as the Nikonos V and community favorite Lomo LC-A, after the jump.
Unfortunately, it happens sometimes that your resulting pictures are not what you expected - the image doesn't look that good, the colors are bland, and the subject is banal. Indeed, it couldn't be picture of the year! Herein I propose a second chance for your pictures by modifying your 35mm negatives. Just pick up some ideas from here, experiment, and scan your negatives with the Lomography Smartphone Scanner. Anything is possible: burning, scratching, putting on hydrochloric acid, balsamic vinegar, nail polish, bleach, or raspberry juice... use your imagination and write down your new film soup recipe! You can find a sample of the effects in this article.
"At the edge of the Earth" is an ongoing yearlong project by documentary photographer Markus Andersen in which he captures the coastline of Sydney, Australia on black and white film with the Diana and Lomo LC-A cameras. In this interview, the Sydney-based photographer opens up to Lomography about his latest endeavor as well as on shooting on the streets of his city and the importance of photographing in analog.