Enjoy the classic beauty of black & white, the crazy perspective of the Fisheye, and the convenience of a point and shoot when you use the Fisheye Baby 110 Camera with Lomography Orca Film.
The elegance of black & white is now pocket-sized – and with a fun fisheye perspective, too! The fantastic tandem of the Fisheye Baby 110 Cameras and the Orca B&W 100 110 Film yields the breathtaking, classic look of monochrome film in 110 format and 170 degrees.
The adorable Fisheye Baby 110 Cameras make great starting cameras for macro photography – with their small film size, the depth of field is wider than with standard 35mm or 120 formats. And because they fit comfortably in the palm of your hand, you can get closer to your subject without any hassle. Experiment with the Bulb option for nighttime/long-exposures, and try multiple exposures for a creative twist!
The Fisheye Baby 110 Cameras are fully working miniature versions of the Fisheye No. 2 designed especially to fit 110 film. They capture the world in full circle and enable you to produce perfect Fisheye pictures. The Fisheye Baby 110s come with a bulb mode and are able to capture multiple exposures too. Load them with Lomography Orca B&W 100 and dive into the long forgotten world of 110 photography!
This is tribute to the Farm Security Administration photographer, Jack Delano, and his photographic series dedicated to barkers. For this article, I chose a series of photos I took this year at the traditional Easter Fair in my city, Como, using a classic rangefinder camera loaded with a roll of black and white film.
A lot of lomographers have experienced using and even writing about the greatness of the Lomography Earl Grey black and white 35mm ISO 100 film. However, no one has written about using an expired Earl Grey film yet. How does it fare when it is used expired? Read on to find out more.
Having a Belair X 6-12 feels like owning more than just one camera. It's a medium-format camera, but paired with its special accessories you can shoot 35mm or instant photos with it, too! The versatility of its 3 photo formats also offers more options to suit your shooting needs. Here, we present to you some of the most gorgeous Belair X 6-12 photos in classic 6x6 format. Enjoy!
There are quite a few perks that come with working for a film photography company, and the best perk of all is testing out the latest cameras. I can remember buying my LC-A back in 2009 and being really inspired to shoot film again. When the LC-A 120 came along, I couldn't wait to try it out around London. Join me as I test out this super medium format beauty.
Cynthia prefers shooting multiple exposure photographs when using the Holga 120 CFN. In this installment of Weapon of Choice, she shares some of her beautiful monochromatic snapshots and a couple of tips when using this plastic shooter.
Lomo Lubitel 166+ is a match to the classic beauty of black and white photography. Perennial scenes of city life and nature get the right amount of light and dark, thanks to trusty exposure settings. The glass lens, with its sharp vision, helps photographers get tonal and evocative imagery. These photos from all over the community are prime examples.
In this article, I'll show you how the Lomo LC-A loaded with the versatile Ilford HP5+ can make the most out of a hazy morning. To capture the whirlwind of a bicycle race, I pushed the film to ISO 800. The legendary Minitar 1 lens and this classic Ilford film are a perfect combination if you love black and white photos.
"At the edge of the Earth" is an ongoing yearlong project by documentary photographer Markus Andersen in which he captures the coastline of Sydney, Australia on black and white film with the Diana and Lomo LC-A cameras. In this interview, the Sydney-based photographer opens up to Lomography about his latest endeavor as well as on shooting on the streets of his city and the importance of photographing in analog.
Against the grain of serious photography, Tony Ray-Jones used commercial color film to document American streets. This was a pivotal lesson in choosing colorful subjects, something he would later master in his black and white series.
What happens when you take one crazy film guy, some new and interesting Lomography film, and see what it can do? Magic is what happens, and that is why you need to try some of these techniques when shooting the LomoChrome Turquoise yourself!
Wilson Lee is not new to Lomography. He has taken photos using the Petzval Lens, and produced stunning results. Before going back to London to finish his master's degree, he used the New Russar+ lens and Lomography Lady Grey film to preserve his memories of his hometown, Hong Kong, in black and white.
Hanna Varela was one of the photographers who participated in the exhibition jointly organized by Parallel Planets and Lomography Singapore and held last week. She is passionate about film photography and recently took black and white portraits! Here, Hanna talks about her awesome experience with the Petzval Art Lens and her elegantly beautiful masterpieces.