The first part of a chain of LC-A Race doubles of team Euro 3 : anarchy and mephisto19
When we (Euro Team 3 – Third Lomographic Section for Analogue Intelligence and Progressive Creativity) brain stormed about fun collaborations that the whole team could participate in we came up with the idea to do multiple exposures together. Since we couldn’t expose the same roll 10 times and get good results we decided that the first one in the team (yours truly) shoots a roll to pass on to the second one mephisto19 then he shoots a new roll to pass on to number 3 on the list, and so on…
Some of you may already know that during my stage I bought an interrail pass and went out on an amazing trip through Europe, so from Copenhagen to Berlin I shot a roll of Fuji Astia 100F for this project and passed the film onto mephisto19 when I visited him in Lindhorst at the end of my trip. The unpredictability of doubles and the feeling of really collaborating within the team is the essence here.
I combined location shootings with random shots and really, really love the way, that we gave the film and race things hand to hand. So anarchy and I met, a totaly new idea of this race. The same for yoscolmi and me, who is now somwhere in Germany with the next film for the chain of doubles.
In case you missed it, Lomography has just unveiled the latest member of its Art Lens family: the Lomo LC-A Minitar-1 Art Lens, which boasts of the same optics that the legendary LC-A camera has and brings the classic Lomographic style not only to analog but also to the digital platform. Over the next few days we'll be sharing with you the first impressions of and photographs taken by members of the Lomography team, who had gone out and put the Lomo LC-A Minitar-1 to the test. First up is graphic designer Andrea Cislaghi, who coupled this lens with the Bessa R2 and Sony Alpha 7.
In this article, I'll show you how the Lomo LC-A loaded with the versatile Ilford HP5+ can make the most out of a hazy morning. To capture the whirlwind of a bicycle race, I pushed the film to ISO 800. The legendary Minitar 1 lens and this classic Ilford film are a perfect combination if you love black and white photos.
written by Kwyn Kenaz Aquino on 2015-05-05 in #gear#news
The best thing about working for Lomography is having first access to new products. Imagine everyone's excitement when the Lomo LC-A Minitar-1 Art Lens 2.8/32M was delivered to the headquarters in Vienna, where members of the Lomography team took turns testing this tiny yet powerful optic on various cameras. Meanwhile, Tom Bates from Marketing teased out the idyllic and colorful possibilities of shooting with the Lomo LC-A Minitar-1 lens on a trip to the UK countryside.
Done shooting and want your films to be processed? We can process your colour and black & white 35mm, 120 or 110 films! Development, prints and scans are also included. (Service availability depends on your markets)
In December last year James Wright, editor and creative director of So It Goes Magazine, went on a two-week trip to Sri Lanka, "a place so long on our bucket list, but up until then, as yet unvisited," he writes on the first of his three-part photo diary. Herein is the first of his series that chronicles his adventures, highlighted by a selection of breathtaking images of the Sri Lankan countryside and the locals, among many other images, captured with his trusty photographic companions: the Leica MP, Lomo LC-A+, and an assortment of films including the LomoChrome Purple.
Lomography has previously shown you the kind of shots that one could take with the new Lomo LC-A 120. Now, with the first batch already shipped out and arriving to their lucky owners, it's the community's turn to show everyone what they've been shooting with this awesome camera!
You want your subject be the center of attention? Petzval lens photos are recognizable for sharpness and crispness in the centre, strong color saturation, wonderful swirly bokeh effect, artful vignettes and narrow depth of field that will make your subjects stand out!
In December last year James Wright, editor and creative director of So It Goes Magazine, went on a two-week trip to Sri Lanka, "a place so long on our bucket list, but up until then, as yet unvisited," he writes on the first of his three-part photo diary. Herein is the second part of his series that chronicles his adventures, highlighted by a selection of breathtaking images of the Sri Lankan countryside and the locals, among many other images, captured with his trusty photographic companions: the Leica MP, Lomo LC-A+, and an assortment of films including the LomoChrome Purple.
Ron Lau from Lomography's Camera and Lens Development team recently tested the Lomo LC-A Minitar-1 Art Lens. With Leica M2 and Voigtlander R2A cameras, he used the lens to capture scenes from his daily grind and beautiful seascapes from a recent trip. He shares the photos and talks of the Minitar and its capabilities in this brief yet informative interview.
As festival season approaches, Lomography NYC is excited to team up with our friends at Electric Forest to bring you this one of a kind rumble. We want you to be a part of the Forest Family and accompany us through the magical journey that awaits.
The Lomography Hong Kong Team spent a cozy evening at the opening party for an antique shop and captured moments from the event with the Lomo LC-A Minitar-1 Lens. The Minitar-1 Lens brought life to every image, from quick behind-the-scenes snaps and portraits, to artsy and creative shots of the antiques.
The Lomo LC-Wide has a special place in the hearts of Lomographers and analog photography lovers. With its compact size, it's the best companion on trips or even as part of one's daily routine, and its wide 17mm wide angle lens tickles one's creativity. Recently, the LC-Wide explored France, yielding a photo diary of beautiful French cities and landscapes.
Lomography is proud to announce that it will again accompany the Nixon Surf Team to be part of this year's Nixon Surf Challenge. In line with this, we've prepared a rumble for all traveling and adventure-seeking lomographers.