Lomography is about colors, isn't it? We all love photos with high contrasting colors like popping red, blue, yellow, green, and etc. Then, most of us think that to get this kind of photos, we need xpro (cross process) to achieve it. I thought so too at the beginning when i just started lomography. But today I am going to show you guys how to get high contrasting photos with negative films instead of slide films!
Before I found out this method, I thought that shooting with negative films give you just this kind of photo.
You will need:
The method is very simple! Load your films (preferably ISO 100 or ISO 200) into your camera and shoot it during a sunny day when the sky is BLUE! Remember to set your ISO to ISO 50 for an ISO 100 film and ISO 100 for an ISO 200 film before you shoot. The purpose of setting the ISO in this manner is to prevent having back-lit photos.
Yes, it’s so simple, just shoot it on a super sunny day with blue sky. Personally, I think having blues in your photos just make your lomographs look lovely! By doing so, even a normal negative film can give you high contrasting colours in your photos! Try this method out with slide films too as this will give you even stronger contrast!
The strong contrast and whacked out colors from cross processing slide films always give a great contrast to dramatic silhouette snapshots. Congratulations to sushi_9009 for having our Photo of the Day!
From warm golden yellow to dramatic green hues, Karine swears by this film's capability in producing a wide spectrum of bold and saturated colors. Because of this, she always carries a roll or two in her suitcase whenever she travels. Find out more about Karine Mougenot, aka sweetyyydreams, and her Weapon of Choice, the Lomography XPro Slide 200!
Recently, I used my trusty Fuji Silvi. It may not be my all-time favorite camera, but I just wanted to use it because I kind of missed shooting with it. So I decided to look through my film stash to see what I could use with the Fuji Silvi. After much consideration, I ended up picking the old Agfa CT Precisa ISO 100 to get that classic blue tone. Silvia Precisa!
What exactly do I feel while waiting for my Lomo'Instant photos to be developed? I have to say I get a mix of "Surprise me, dear Lomo!" but also some "Did I capture it as I wanted?" kind of thought. No matter the school of thought, with the Splitzer you can add so many cool effects to your photos you'll definitely embrace it!
Probably each one of you has been annoyed with failed film. This is particularly annoying when you get the developed film back from the lab, but you get blanks because the film was not exposed. It's either the film transport didn't work, or you have not taken the lens cap off, etc. Read on and I'll show you an alternative to just throwing away the film: Simply use it as a color filter for your camera, with the La Sardina for example.
You want your subject be the center of attention? Petzval lens photos are recognizable for sharpness and crispness in the centre, strong color saturation, wonderful swirly bokeh effect, artful vignettes and narrow depth of field that will make your subjects stand out!
If you'd be shooting in low light, at night, or in any other situation that would require a high speed film for best results, why don't you try the Lomography Color Negative 800 for 35mm cameras? Allow five of our community members to convince you with their respective reviews in this installment of Reviews on Rewind.
Seeing that we love to spread the cheer around here, we're giving you another chance to load up on our awesome film with today's Advent deal! Choose a classy black and white film, like our Lady Grey, or get creative and colorful with one of our Redscale films. We're certain that no matter what you choose, you'll have a great time making memories with tons of lovely analogue photos this year!
Adi, Ekeu, and I did a lomowalk around downtown Bandung last Saturday, the beginning of November. We planned to use our Lubitel cameras with only one roll of film each. We were inspired by the One Roll of Film Project by four Tokyo-based photographers with their Hasselblad cameras. This is about the one roll of film I shot with the Lubitel 166U, which made me love shooting in medium format even more.
Really want to bring your film photos to life? We’re now offering totally analogue fine art prints in a host of large sizes and formats! Carefully enlarged from your negatives onto premium photographic paper by lab professionals, each picture is a unique piece of craftsmanship.
Chances are you've seen plenty of color-drenched photographs while browsing through the Photos section. Faces painted blue, pets tinted green, and foliage splashed with pink light. It's called "Colorsplashing," one of Lomography's earliest techniques for giving your shots a quick color boost. We dug through the Lomography archives to revisit "The Chakras of Colorsplashing," a special project created by Lomography and Staple Design six years ago.
James Nader is a UK-based Fashion and Editorial photographer. He started his career in photography shooting with film, processing and developing his work by hand. He now works on high end fashion shoots and has photographed the likes of Dita Von Teese and Richard Branson. James still has a passion for film photography and uses it regularly. We lent him a Petzval lens to shoot with and he has kindly given us a full, in depth review of this beautiful portrait lens. Say hello to James Nader.
This is a tribute to a great Austrian sports photographer, Lothar Rübelt. In an era with no high speed films available, he was able to immortalize wonderful moments in sports - from diving to gymnastics and football. In creating this tribute, I took a series of photos of an amateur football match using expired black and white film developed using an uncommon chemical. Take a look after the jump!