Sharper, more colorful and just vintage are only some of the few advantages of using medium format films!
Fact 1: Medium Format 120 film negatives are between 2,7 and 5,8 times bigger than 35mm film negatives.
Fact 2: VC stands for Vivid Color
Fact 3: It is one hell of a 400 iso film!
The Porta 400 VC likes all kinds of medium format cameras, I used it in my Diana+ and in vintage camera made shortly after the WWII, Bilora Box. With its 400 iso gives you the possibility to shoot indoors even with the cameras limited choice of shutter speeds like the Diana+and Box Cams.
The vivid colors are a joy to watch. Even with those simple Diana plastic lens or with the one element Meniscus lens of box cameras, you´ll get decent sharp results even for bigger prints! The warm tone is in any means superior to most of the 35mm film I ever used. The only downside is that it can be a little harsh on skin tones depending on light conditions.
Try to snatch some rolls of these when your local film dealer clears out their expired film stocks, I made some real bargains with this tactic!
If you happen to come across an expired Lomography Color Negative 400 ISO 120 film pack, either in a store or on the Internet, get one and be ready for an exciting experience. You'll definitely get more from it!
This is my experience with the Lomography Redscale XR 50-200 (120), my first medium format film. It's an adventure that started when I got a Lubitel 2, to finally shoot with it. In this article, you'll find detailed information about color schemes, the advantages of shooting in medium format, and the differences between standard redscale films. Here are the results of a day of shooting outside, which I recently got back from the lab.
There are quite a few perks that come with working for a film photography company, and the best perk of all is testing out the latest cameras. I can remember buying my LC-A back in 2009 and being really inspired to shoot film again. When the LC-A 120 came along, I couldn't wait to try it out around London. Join me as I test out this super medium format beauty.
Capture the world and all its contours in vibrant, wide-angled photographs any time, any where! The LC-A 120 is an adventure of its own with lots of exciting functions to experiment with, like seamless long exposures or full ISO control. It's also super-fast and ultra-compact - perfect for your everyday. If you're worried about the Medium Format film, don't be! You are free to use any 120 Film you want and there are plenty to choose from. In fact, that's what makes this camera so versatile! Scroll through this gallery for a little taste of the glorious shots this nifty invention is capable of.
Get ready to think fast and shoot faster! Today, we are thrilled share with you news of the brand new LC-A 120 Camera. Load it with any 120 film roll and experience the thrill of medium format photography. You’re sure to soak up all the action in every square shot with its fantastic 38mm f/4.5 wide-angle lens (equivalent to a 21mm lens on a 35mm film camera). It's available for Pre-Order: Extremely limited first batch stock of only 500 cameras!
Adi, Ekeu, and I did a lomowalk around downtown Bandung last Saturday, the beginning of November. We planned to use our Lubitel cameras with only one roll of film each. We were inspired by the One Roll of Film Project by four Tokyo-based photographers with their Hasselblad cameras. This is about the one roll of film I shot with the Lubitel 166U, which made me love shooting in medium format even more.
Why shoot square? ...Just take a second to look at these outstanding square photographs using the LC-A 120 and you will find out why! Selfies, silhouettes, walkways and winter landscapes are just a few of the themes featured in this spectacular photographic shortlist.
A simple yet elegant looking camera, the Dacora Digna was a medium format camera from the 1950s that was offered with various lenses and leaf shutters. Find out more about this vintage beauty in this installment of Lomopedia!
Classy, moody photographs in monochrome and with fine grain - what more could you ask for from one of Lomography's very own black and white emulsion for standard 35mm cameras, the Earl Grey? Find out how this film fared among six of our community members in this Reviews on Rewind installment!
It's been a little while since we've shared the latest shots taken with the brand new LC-A 120 with you. But that just means we have a fantastic collection to show you today! Our testers from around the world have been shooting from the hip and with the heart to capture their daily lives with this medium format master. Skip past the jump to spy into some Lomographic lives!