Just because people call it "slow" doesn't mean it can't produce gorgeous results as our Film Review of the Week shows!
Put some visors on. Your eyes might not be accustomed to Fuji Velvia 50’s extremely saturated and vivid colors that pop right out of the frame! The only drawback to using it is the slow speed of asa50 but just make sure to use it on sunny days and you’re set. Resident Lomographer dazb dazzled us so much with his review and awesome imagery that we’re featuring him as the Film Review of the Week. Congratulations!
Adam Bronkhorst is a Brighton-based photographer who focuses on people and portraiture. He teaches all kinds of photography through different means – using a DSLR, studio lighting and even film cameras. His portfolio of work is so stunning, we decided to crown him as one of our Petzval Artists. We let him test the new Petzval lens to its full potential and the results are just beautiful.
He may be new to our Community but it doesn't mean he should play safe. His wild LC-A+ splitzer Lomographs already show his strong penchant for experimenting and breaking all the rules. Get to know our Newcomer of the week, antiox!
While we try our best to show you just how the Petzval Art Lens handles, we surely do appreciate feedback from other people who got to try it themselves. Gizmag gives us a piece of their mind about the swirls and quality of the Petzval lens.
Really want to bring your film photos to life? We’re now offering totally analogue fine art prints in a host of large sizes and formats! Carefully enlarged from your negatives onto premium photographic paper by lab professionals, each picture is a unique piece of craftsmanship.
Its compact size, features that allow ample room for creativity, and undeniably gorgeous looks have got many lomographers smitten. Read on and see what five of our community members have to say about the charming Diana Mini!
Probably each one of you has been annoyed with failed film. This is particularly annoying when you get the developed film back from the lab, but you get blanks because the film was not exposed. It's either the film transport didn't work, or you have not taken the lens cap off, etc. Read on and I'll show you an alternative to just throwing away the film: Simply use it as a color filter for your camera, with the La Sardina for example.
If there's one thing about our interview with the creator of Washi Film, Lomig Perrotin, that stuck, it’s that we shouldn't let the recent decline of film options slow us down with our passion for film photography. Right on, Lomig.
Awed by the eye-popping fiery red shade the film produces, Joan brands the Lomography Redscale 100 (120 mm) as the most original emulsion in Lomography's catalogue. Aside from this, he also enjoys experimenting with the film's ISO to produce a variety of stunning results. Read on to find out why linuxbcn chose the Lomography Redscale 100 as his Weapon of Choice!
If you'd be shooting in low light, at night, or in any other situation that would require a high speed film for best results, why don't you try the Lomography Color Negative 800 for 35mm cameras? Allow five of our community members to convince you with their respective reviews in this installment of Reviews on Rewind.
Kerstin, or kleeblatt in our Community, swears by the Holga 120N's capability in producing the perfect photograph. She loves this camera so much that she considers it as one of her travel essentials! Find out more about kleeblatt and her Holga 120N in this week's Weapon of Choice!