I fell in love with redscale films after I used the XR 50-200. I decided to make my own redscale .When I'm trying to red scale my colour films , I found it's actually inconvenient that 2 films are required for the process and the taping part. So I tried to think of a method to redscale color film with just 1 film. I finally figured it out.
The things you will need are:
1 Film (the one you want to redscale)
Dark room / Changing bag
The whole process must be carried out in dark room/changing bag (I do it under a blanket). First, remove the film from the canister.
And then, start folding it. Look at the photos above while doing it. Maybe you could try folding some parts of a developed film for a few times for practice.
After folding, wind them back into the canister. Push the film a bit harder when when the edge of the triangle is going into the can.
Remember to keep the film lead outside , or else you can’t load it into your camera. For the last step, load the film upside down. What you need to do is shape it with your scissors. Then, enjoy! So far, the film works pretty well with my Diana Mini.
About two years ago or so, I purchased the Lomography Redscale XR 50-200. I saved just one roll of this film and waited for the right moment to shoot with it. In April this year, I just wasn't able to take it anymore! I loaded this film into my Lubitel 166+, which I realized I hadn't used for maybe about six months. One idea came to mind: taking crazy multiple exposures!
As you may have read in my previous article, I truly fell in love with Lomography when I combined my Fisheye camera with an old Canon AE-1 for magical photographic results. Last summer, I took so many pictures of flowers that it started to become almost boring for me. My waning interest and the coming winter meant that I had to figure out something else to do with my 35mm film.
I'm Nick Page, a graphic designer based in the UK. After 20 years of working in advertising, I returned to film photography five years ago and found that the analogue life was just what I needed to get away from the "pixel perfect" images I deal with every day in my job.
Recently, I used my trusty Fuji Silvi. It may not be my all-time favorite camera, but I just wanted to use it because I kind of missed shooting with it. So I decided to look through my film stash to see what I could use with the Fuji Silvi. After much consideration, I ended up picking the old Agfa CT Precisa ISO 100 to get that classic blue tone. Silvia Precisa!
Some time ago, my parents-in-law gave me an old Polaroid camera that they used during my wife's childhood. After some investigation, I found out that Polaroid had stopped making instant film. But the factory in Enschedé, the Netherlands had been taken over by The Impossible Project, so I bought a package of fresh film and gave it a try!
Really want to bring your film photos to life? We’re now offering totally analogue fine art prints in a host of large sizes and formats! Carefully enlarged from your negatives onto premium photographic paper by lab professionals, each picture is a unique piece of craftsmanship.
When I was a child, I regularly went to Blaavand located at the Danish west coast with my brothers and my parents. However, I didn't anymore when I grew up. But in 2012, we hit the road again. It was my first visit there in about 20 years. I took the chance and packed as many cameras as possible into my luggage. In this article, I'm going to present to you the photos I took with my Nikon F-501 SLR.
Exactly seven years ago, I bought this camera from Indonesia's local Lomography community. I remember having some savings in my bank account and just spending it all on this camera. At that time, I browsed the microsite for the Lomography Fisheye No.2 and immediately fell in love with it! Coincidentally, my friend who introduced me to Lomography just bought this same camera for his birthday. My life has changed ever since I had the Fisheye, my first lomographic camera.
When I was a child, I regularly went to Blaavand, located at the Danish west coast, with my brothers and parents. I stopped going there as I grew up. In 2012 however, we hit the road again. It was my first return visit in about 20 years. I took the chance and packed as many cameras as possible into my luggage. In part two of my journey log, I'm going to show you the pictures I took with my Lomography cameras.
The LomoChrome Turquoise film boasts bold and unpredictable colors, so I thought "redscaling" it would yield an even more dramatic result. Much to my surprise, the dominant color palette of my photographs revealed LomoChrome Turquoise's soft and delicate side.
On the last Saturday of July, the old district of Borgo Vico hosted an art and music festival. There was also a graffiti contest, and the winner will exhibit his work at the Como Business Center for Expo 2015. I used my Zorki 4 loaded with an Ilford FP4+ film to document the event. I focused on the young artists who, amid the swirl of activity, had to concentrate on their large-scale pieces.
There are quite a few perks that come with working for a film photography company, and the best perk of all is testing out the latest cameras. I can remember buying my LC-A back in 2009 and being really inspired to shoot film again. When the LC-A 120 came along, I couldn't wait to try it out around London. Join me as I test out this super medium format beauty.