I fell in love with redscale films after I used the XR 50-200. I decided to make my own redscale .When I'm trying to red scale my colour films , I found it's actually inconvenient that 2 films are required for the process and the taping part. So I tried to think of a method to redscale color film with just 1 film. I finally figured it out.
The things you will need are:
1 Film (the one you want to redscale)
Dark room / Changing bag
The whole process must be carried out in dark room/changing bag (I do it under a blanket). First, remove the film from the canister.
And then, start folding it. Look at the photos above while doing it. Maybe you could try folding some parts of a developed film for a few times for practice.
After folding, wind them back into the canister. Push the film a bit harder when when the edge of the triangle is going into the can.
Remember to keep the film lead outside , or else you can’t load it into your camera. For the last step, load the film upside down. What you need to do is shape it with your scissors. Then, enjoy! So far, the film works pretty well with my Diana Mini.
As you may have read in my previous article, I truly fell in love with Lomography when I combined my Fisheye camera with an old Canon AE-1 for magical photographic results. Last summer, I took so many pictures of flowers that it started to become almost boring for me. My waning interest and the coming winter meant that I had to figure out something else to do with my 35mm film.
Browsing through the Lomography website, you can find a lot of redscale shots, which are all done on color negative films. I asked myself if it’s possible to redscale a slide or chrome film and then cross process it. (And yes, it is.) In this tipster I’m going to teach you how to create the bloodiest homemade redscale film I've ever come across.
I'm Nick Page, a graphic designer based in the UK. After 20 years of working in advertising, I returned to film photography five years ago and found that the analogue life was just what I needed to get away from the "pixel perfect" images I deal with every day in my job.
Some time ago, my parents-in-law gave me an old Polaroid camera that they used during my wife's childhood. After some investigation, I found out that Polaroid had stopped making instant film. But the factory in Enschedé, the Netherlands had been taken over by The Impossible Project, so I bought a package of fresh film and gave it a try!
The LomoChrome Turquoise film boasts bold and unpredictable colors, so I thought "redscaling" it would yield an even more dramatic result. Much to my surprise, the dominant color palette of my photographs revealed LomoChrome Turquoise's soft and delicate side.
On the last Saturday of July, the old district of Borgo Vico hosted an art and music festival. There was also a graffiti contest, and the winner will exhibit his work at the Como Business Center for Expo 2015. I used my Zorki 4 loaded with an Ilford FP4+ film to document the event. I focused on the young artists who, amid the swirl of activity, had to concentrate on their large-scale pieces.
Done shooting and want your films to be processed? We can process your colour and black & white 35mm, 120 or 110 films! Development, prints and scans are also included. (Service availability depends on your markets)
My wife and I suffered a family loss in October 2013 so we decided to shift things around and have a celebration of life—a wedding, actually—to associate our loss with the beginning of something positive and memorable. We have been together for nearly 13 years and after getting married, we headed off on a three-month trip to South America and a few other stops to complete a round-the-world loop back to Australia.
There are quite a few perks that come with working for a film photography company, and the best perk of all is testing out the latest cameras. I can remember buying my LC-A back in 2009 and being really inspired to shoot film again. When the LC-A 120 came along, I couldn't wait to try it out around London. Join me as I test out this super medium format beauty.
Going away for the weekend is always fun, especially if, like me, you live abroad and go back to visit your home city! For my walk through Milan, I decided to bring with me the Lomo’Instant because well, I just love it! Here are my thoughts after this special weekend!
You want your subject be the center of attention? Petzval lens photos are recognizable for sharpness and crispness in the centre, strong color saturation, wonderful swirly bokeh effect, artful vignettes and narrow depth of field that will make your subjects stand out!
Perhaps you’ve already had chance to try light painting, multiple exposures and long exposures with your Lomo’Instant, but what can you experiment with next? Well, that’s exactly the thought I had which led to giving this Tipster a go. I wanted to shoot Lomo’Instant photos which felt a bit “messier” than what I’m usually used to and to use a technique which would open up new possibilities with the kinds of images I could create with my favorite instant camera. Well, here I go!
Ever since the Pixelstick came out, I've been dying to try it out. This past week, I finally got my chance! With one goal in mind — getting some super cool light-painting shots — I grabbed some friends for an amazing session with my Lomo'Instant and the Pixelstick. Take a moment and have a look at these priceless pics!
It had been five years since my last visit to the Côte d'Azur in France. During this period, I took to film photography again. And so for my return, I was looking forward to capturing, with my handy film cameras, some of that special light and blue sea that had drawn so many artists to the Riviera.