A lonely church in a town marred by a history of violence. Who says reverence needed to be exclusive to dull colors?
Abra isn’t the usual tourist town that some of its neighboring cities are. It is land locked between mountainous areas. It has seen its share of violence in recent history due to the presence of rebel groups and the regular occurrences of violence spurred by rivalry in politics. But this by no means is an indicator of the state of affairs in Abra as now it is generally peaceful and safe. My grandparents were from here where our ancestral home was built by my grandfather with his bare hands. He was regarded to be one of the best in town. I still have one of his wooden stools inside my bedroom as a reminder of where we came from.
I arrived on a rainy afternoon at the town center 410km from the place I call home. I haven’t seen Abra for over 17 years, strange that the LCA race would lead me back there. I couldn’t recognize the town center anymore my memory being limited to just a few areas now the town was buzzing with activity, the old scent of it was being overwhelmed by the downpour. My uncle knew why I had come and we sped off to San Lorenzo Ruiz Shrine near the edge of town to visit this cemetery church. I brought out the Krab underwater case to protect the camera from the weather and started shooting the old church. The century old weather beaten church contrasted well with the dull sky. Sadly it wasn’t open during the time and I had to make do shooting around it. This led me to the cemetery nearby, that unlike my earlier location was quite creepy due to the overgrown grass and some badly kept graves the bad weather wasn’t doing it any favors either. What caught my attention though was this set of hot pink Virgin Mary and angel statues that stood underneath their similarly colored shed.
These images, said to be the first color photographs of Bali, Indonesia, were taken by National Geographic photographer Franklin Price Knott during a journey through Japan, China, the Philippines, Bali, and India back in 1927 at the age of 73.
Justine Jugnet is a French photographer based in Lyon who loves fashion photography. She recently took the Petzval lens to shoot with in Paris. Get to know more about her and her wonderful way of shooting the world around her in this exclusive interview.
Film Photography Day celebrations organized by Lomography Gallery Stores worldwide in April proved to be a huge success, thanks to everyone who joined in on the fun. Find out how film aficionados commemorated the much-anticipated day in our Gallery Stores in Hong Kong, Tokyo, London, Paris, and New York City through this photo gallery!
Some people say instant photos bring about a feeling of nostalgia. Although I often use the Lomo'Instant Camera with different crazy accessories such as the Splitzer and color gels, I have to agree there is something about it — dreamy vignettes maybe? — that always makes me want to go back in time and experience it all over again. In the name of analogue photography and good old memories, we passed by some classic spots in Vienna and took one shot after the other. Take a closer look at our gallery.
As a toast to Oktoberfest 2015, we have combed archives for evidence of beer love in the deeper parts of town. The roadside dives that banner cold beer, German singers holding up their embossed steins and rustic ads by the tracks make up today’s gallery.
This article is dedicated to Serge Moulinier, a largely unknown French photographer who won one of the most important prizes in France with a book on Greek architecture. Strangely, little information can be found on the Internet about this great photographer whose work had also been published in an important essay written by the famous John Szarkowski, former Director of Photography at the Museum of Modern Art in New York.
Italy's Michele, also known in the community as emmesalvezza, works as a filmmaker and a photographer. He wholeheartedly embraces the inherent quirks of shooting in film and considers light leaks, visible grains, and other "defects" as the "most interesting part of a shot" that need not to be corrected.
In case you missed it, Lomography has just unveiled the latest member of its Art Lens family: the Lomo LC-A Minitar-1 Art Lens, which boasts of the same optics that the legendary LC-A camera has and brings the classic Lomographic style not only to analog but also to the digital platform. Over the next few days we'll be sharing with you the first impressions of and photographs taken by members of the Lomography team, who had gone out and put the Lomo LC-A Minitar-1 to the test. First up is graphic designer Andrea Cislaghi, who coupled this lens with the Bessa R2 and Sony Alpha 7.
Its majestic natural views that cannot be found anywhere else in the world have Iceland securing a spot in the bucket list of practically every intrepid traveler. Lucky for whatisphotography, who toured the country a couple of years back, she was able to see all the beauty Iceland has to offer with her very own eyes.
Really want to bring your film photos to life? We’re now offering totally analogue fine art prints in a host of large sizes and formats! Carefully enlarged from your negatives onto premium photographic paper by lab professionals, each picture is a unique piece of craftsmanship.
Colors may be amped to look unreal, like nothing of this world. Shots may be doubled, cross-processed, post-processed, mixed up into collages. The possibilities are infinite, yet some photographers still prefer black and white. Even in 2016, it is an ode to classic values of precision and balance. Light and shadow must be one pleasing dance. And just like in a well-choreographed piece, forms are obvious or playing coy. It all depends on how you're looking.
Soon, a school more than a century old in Switzerland will be closing its doors and transformed to house offices. Taking on the important task of documenting its hallowed halls is srcardoso, who made use of film as a way of honoring it.
Geoffrey Berliner is the Executive Director of the Penumbra Foundation and the Center for Alternative Photography in New York. As the head of an organization whose goals are 'to be a comprehensive resource for photographers at any level' and 'to continue to publicize the impact photography has had and continues to have on culture, history and the arts,' his exposure to photographic materials -from 19th century gems to modern equipment- is so extensive, one cannot even begin to fathom just how much knowledge and experience this man has acquired. His collection of over 2000 vintage Petzval lenses is unparalleled, and the object of envy of both traditional and contemporary photographers. Although such lenses are reputed to require a certain level of skill to be used, Berliner seems to manage them with so much ease, producing splendid results.