This film is the ultimative partner of the Paradies DIA 100 film. Also avaible at a common German drugstore.
The Paradies negative is really cheap compared to professional films. Well, that doesn’t mean the film is bad. With 200 or 400 ISO it is suited perfect for lomographic photos. The colors are natural and grain is rather fine. I also like that the negatives are very easy to scan. I love to experiment with this kind of films and redscale them. Beside 200 and 400, 100 ISO is also available for this type of film, but 200 ISO works well in summer and winter with the Lomo LC-A and Fisheye while 400 ISO is recommended if you’re using any of those multi-lensed Lomographic cameras.
Actually, this Paradies negative film was the first film I used when I was still starting to learn Lomography with my Fisheye 2 and the results went well, so this is something special for me.
If you'd be shooting in low light, at night, or in any other situation that would require a high speed film for best results, why don't you try the Lomography Color Negative 800 for 35mm cameras? Allow five of our community members to convince you with their respective reviews in this installment of Reviews on Rewind.
An Argentinean writer and photographer living in the Pacific Northwest, Lorraine Healy is a long-time fan of plastic cameras and is the author of "Tricks With A Plastic Wonder," a manual for achieving better results with a Holga camera, available in eBook form at Amazon.com. In this article, Healy explains how she fell hard in love with the Lomography XPro Slide 200 film and why she takes it on her many travels.
Classy, moody photographs in monochrome and with fine grain - what more could you ask for from one of Lomography's very own black and white emulsion for standard 35mm cameras, the Earl Grey? Find out how this film fared among six of our community members in this Reviews on Rewind installment!
Considered as one of the best 35mm SLR cameras, the Nikon F2 is indeed one of the best experiences on film I’ve ever had. Fully manual and almost impossible to break, this historic camera is really marvelous to use.
The shoutbox is always open for the community's honest opinions, surprising suggestions, and sweetest greetings. It is also an avenue for members from across different countries to dicuss and interact with one another. We'd like to commend these lomographers for keeping this humble space booming with entertaining conversations all year long. Congratulations to our top shoutbox users of 2014.
Pixelstick is exactly the must-get tool to create mind-blowing light paintings with different colours and patterns: 1.8 meter long, 200 full colour and high fidelity LEDs! Grab your camera with long exposure mode and a tripod, and you can create dozens of dreamy pictures just by moving your Pixelstick in the dark. Take a peep at our friends from Lomography Hong Kong’s shots with the Pixelstick!
This is my experience with the Lomography Redscale XR 50-200 (120), my first medium format film. It's an adventure that started when I got a Lubitel 2, to finally shoot with it. In this article, you'll find detailed information about color schemes, the advantages of shooting in medium format, and the differences between standard redscale films. Here are the results of a day of shooting outside, which I recently got back from the lab.
The Pop 9 is an analog multilens wonder that allows you to take a mosaic of nine images in one frame à la Andy Warhol's famous pop art. In this Reviews on Rewind installment, we dug through our archives and found these informative reviews of the Pop 9 - just in case you're looking into snagging a fun camera in your arsenal!
Aside from the Magazine, going through the User Blogs is another way to keep tabs on the latest happening in the community. Throughout the year, it was filled with articles on new discoveries, thought-provoking opinions, and exciting exhibits that surely entertained, challenged, and inspired everyone. Let's take a look back at the fruitful year through the most popular user blogs of 2014.
The Petzval Lens was the first truly practicable portrait lens ever created and thus was the ultimate gift to early photography. We at Lomography feel that this lens and its inventor deserve some attention so here is the first of a series of articles on Joseph Petzval and the first Petzval Lens.