Try this simple tip with your Fisheye camera and see things like a bird does - Given that he got transmuted with a Fishy eye!
Here’s one to try with your oh-so-quirky Fisheye or Fisheye 2 cameras (probably one with a Submarine, if you’re planning to do this near the water). First, look for a ledge or higher ground in your shooting area where the subject stands below your field-of-view. After doing such, easily point your camera down and shoot!
By doing this simple (yet pretty useful) technique, bodies are distorted, faces get bloated, backgrounds extended into a mind-blowing Fisheye exposition! Enjoy!
I backed the Kickstarter project for the Lomo’Instant earlier this year and was thrilled to receive it last week. I love how the camera naturally encourages you to experiment with its different features, whether it’s through flashing your multiple exposures with different colors or trying different creative techniques after your shots has been ejected. Here are a few tips from what I’ve discovered from playing with the camera so far (and a couple of tips I want to try out in future)!
Have you ever wished that you could just extend the view of your camera to perfectly capture what you see through your viewfinder? See how an artist does exactly just that with this series of sketches based on old photographs.
Shake well and apply to fabric. Blot out excess using a paper towel. Create your design using Inkofilm or anything that casts a shadow. Expose to sunlight or bright UV light for 10-20 minutes or until color reaches full saturation. Machine wash using Inkowash to remove unexposed dye. Double your exposure time in overcast weather. Enjoy the "wow" result!
With a versatile lens like the New Russar+ lens, there are so many shooting styles, subjects, and approaches you can try with your L39 and M mount cameras. This wide angle lens is perfect for taking architectural shots and documenting cityscapes, so we thought of sharing a handful of quick tips you can try with this new accessory!
Want to go above and beyond with your gift-giving this year? We've got just the thing for you — 20% off our Lomo LC-A, Lomo LC-Wide and all Lomography Premium Cameras! What better way to show someone you care than with a rad analogue camera? So do yourself a favor and head on over to the Online Shop or your nearest Lomography Gallery Store and get 20% savings on these choice cameras.
Andrew Urodov is a fellow community member from Russia who was given the chance to take a few pictures in this year's winter olympics with none other than a Lomo LC-A camera. In this brief but informative interview, he shares bits and pieces about the experience, as well as his preferences as a lomographer.
A simple yet elegant looking camera, the Dacora Digna was a medium format camera from the 1950s that was offered with various lenses and leaf shutters. Find out more about this vintage beauty in this installment of Lomopedia!
Photographer Guy Rhodes was one the many photographers who covered the 2014 Sochi Winter Olympics last February, and among the things that he packed for the trip were a Crown Graphic 4x5 camera and 34 sheets of Tri-X 320.
Sometimes, experiments and curiosity yield the best results. This is what photographer Cody Thomas discovered when he tried out black and white film photography with his Holga camera. See more of his black and white photos after the jump.
If it's your first time to use the Fisheye Submarine Case (with your Fisheye One/Fisheye No.2 cameras) or the Krab Underwater Housing (with your LC-A+ or LC-Wide cameras), you might still feel a liiiiittle bit anxious about taking your favorite cameras underwater. To help ease your worries I gathered some of the most helpful tips, straight from summer-lovin' Lomographers who braved the waves with their cameras!
Peeling off emulsion lifts from your instant prints is like seeing a whole new picture appear before your very eyes. It is familiar but vaguely different at the same time. We talked about this and more with photographer Tanja Deuss in a quick interview. Check out what she has to say after the cut.