Are you curious about the difference between the old and the new Agfa CT Precisa 100? Here's a review of the new slide film in a red box from AgfaPhoto, the successor of the original Agfa CT Precisa 100.
Because of the collapse of the popular Agfa in Germany, the Agfa CT Precisa 100 is no longer manufactured and the naming rights were sold. Now, sold under the old name, it’s a new slide film that comes at a reasonable price. It’s one reason that is enough for me to try this new film.
The first thing you notice with this slide film is the pink underside. The film from AgfaPhoto is not a film from Germany, but is probably produced by Fujifilm in Japan.
I naturally wanted to know how much different the new one is from the original, and have it developed in C41. I shot the film with a Lomo LC-A+. These are the results of the experiment:
As you can see, the pictures become really green. No color shifts and appears rich blue in these photos.
The negatives are drastically different from the old CT Precisa 100 made by Agfa. The negatives of the AgfaPhoto CT Precisa 100 are properly pink and convert into green while scanning.
The results of my tests remind me of the Fuji Provia 100F. The vignetting from the LC-A+ due to the Minitar lens is reinforced by the high-contrast film and gives the images a nice black frame.
Although supplies of the new “Precisa 100” do not give the usual high-contrast images with little color shift of the X-Pro-classic, I have come to the conclusion that I should use it further. Soon, I’m going to develop it as a slide film as well sometimes and see how I like the results.
The AgfaPhoto CT Precisa captures your memories with exceptional colour rendition and is ideal for sunny outdoor adventures. When cross-processed, you will see an overall colour-shift as cool blue tones envelop your images. See the whole range of colour slides in our Shop.
I don't care if this film has been reviewed a zillion times, that it has already been discontinued, or that there might be a Japanese version of it. The Agfa CT Precisa that I know gives me the blues. Oh, yes - not a Chelsea FC fan, but this film is all about the color blue. Say hello to the blues!
Classy, moody photographs in monochrome and with fine grain - what more could you ask for from one of Lomography's very own black and white emulsion for standard 35mm cameras, the Earl Grey? Find out how this film fared among six of our community members in this Reviews on Rewind installment!
If you'd be shooting in low light, at night, or in any other situation that would require a high speed film for best results, why don't you try the Lomography Color Negative 800 for 35mm cameras? Allow five of our community members to convince you with their respective reviews in this installment of Reviews on Rewind.
The New Petzval Lens 85 continues to captivate the hearts of many photographers from its debut a couple of years back. A perfect balance between form and function, this lens closely mimics the look of the legendary Petzval lens of the 19th century and delivers eye-catching images with its signature tack sharp center and swirly bokeh background. Many photographers from both outside and inside the Lomography community have raved about the New Petzval 85. In this recap, we look back at four community-written reviews.
Really want to bring your film photos to life? We’re now offering totally analogue fine art prints in a host of large sizes and formats! Carefully enlarged from your negatives onto premium photographic paper by lab professionals, each picture is a unique piece of craftsmanship.
The Diana Mini is turning five years old this month! Through the years we have seen this sweet and petite 35mm camera transform from a classic analogue beauty to a blinged-out snapshooter and everything else in between. Remember the Love Letters edition? How about the Premier Cru? To refresh your memory here's a gallery of all the Diana Mini styles we've released in the past five years. Which among these limited edition Clones is your favorite?
The Cannes Film Festival showcases some of the world's best cinematographic masterpieces. It is an annual event that is highly anticipated by fans and connoisseurs of both mainstream and independent cinema. This year's festival has officially opened and film buffs everywhere are excited, at the same time curious, about which film will win the Palme d'Or. We are in no position to predict the winner, but we do have our favorites, from the ones in competition and otherwise. In no definitive order, here is a list of 10 films that we'd like to see.
Are you ready for an adrenaline rush? A little while ago, we teamed up with the snowboard and film-making collective Yougofirst and gave them a LomoKino and some film rolls to play with. After a season of crazy riding, jumps and tricks, they have finished their latest movie HETEROTOPIA which features footage shot with our 35mm movie-maker. We had the chance to catch up with Vid and Matic from the collective about the new movie and their experiences shooting analogue on the slopes. It's also our pleasure to showcase the movie here!
You want your subject be the center of attention? Petzval lens photos are recognizable for sharpness and crispness in the centre, strong color saturation, wonderful swirly bokeh effect, artful vignettes and narrow depth of field that will make your subjects stand out!
Unfortunately, it happens sometimes that your resulting pictures are not what you expected - the image doesn't look that good, the colors are bland, and the subject is banal. Indeed, it couldn't be picture of the year! Herein I propose a second chance for your pictures by modifying your 35mm negatives. Just pick up some ideas from here, experiment, and scan your negatives with the Lomography Smartphone Scanner. Anything is possible: burning, scratching, putting on hydrochloric acid, balsamic vinegar, nail polish, bleach, or raspberry juice... use your imagination and write down your new film soup recipe! You can find a sample of the effects in this article.
Joe Brook is one of the most popular photographers in the West Coast skate scene, shooting for magazines like Trasher, Juxtapoz, Rolling Stone, and different outlets such as PDN and Kodak. Having previous experience with an old Petzval lens mounted on a 4x5 camera, it was but natural for him to try the new one. Brook talks about finding himself, his work, and shooting with the Lomograhy Petzval Lens in this exclusive interview.
The Lomography Belair X 6-12 is more than just a medium format camera. It is lightweight, compact, and capable of shooting photos in three different sizes: 6x12, 6x9, and 6x6. Equipped with a high quality interchangeable lens system and and automatic exposure, it can give you beautiful shots in every roll. It can also take three different film formats: 120mm, 35mm, and instant. Read on to find out all about this fantastic camera.