Coming from Australia, the chance to drive to places in the States, like Chicago, still seems weird to me. I challenged myself by only taking film cameras on the trip and was shattered when I received back all the black-and-white rolls from my Holga, which in one view had been ruined by the lab. I now think that the dust spots, scratches, and chemical marks all add to the photos' charm making them look even more vintage.
Very early on a Wednesday morning, I got together with my new Couchsurfing friend Tyler and road tripped it from London, Ontario to Chicago, Illinois. We saw all the major tourist attractions there, went to a jazz bar and ate some Chicago deep slice pizza. The main purpose of the trip was to see Vivian Maier’s exhibition and because of that I decided I would ‘leave the digital grind behind’ and take only film cameras.
Most of these Lomographs are a little blurry on my part, I should have taken a faster film because of the overcast weather and shooting inside, but the lab I took them to, which wasn’t my normal lab, must have had problems with their machine and I have scratches, dust, spots, and development splotches all over the negatives, which in most cases make them look like they have another layer of blurriness over them but I think it helps them look even more like they were taken in the 60s when Vivian Maier was taking photos in Chicago, which was the reason we were going to Chicago to see her first exhibition and why I decided to not take a digital camera.
Even though some of them aren’t great, this is the kind of photography I love, Street Photography. For some reason, I feel like when I go to a place I haven’t been to before I am more willing to take those shots I wouldn’t take at home.
Tomorrow, April 26, marks World Pinhole Photography Day, and what better way to celebrate the occasion by taking your favorite pinhole camera out on an analog adventure? Or if you don't have one yet, you can make one yourself from scratch! Here are five innovative Tipsters from the community for you to peruse.
During the long nights around Christmas, the China Light Utrecht Festival was held in my hometown. On our visit, I brought my trustworthy Nikon F80 to shoot some pictures. Finally, the rolls came back from the lab recently and I was stunned by the results!
"At the edge of the Earth" is an ongoing yearlong project by documentary photographer Markus Andersen in which he captures the coastline of Sydney, Australia on black and white film with the Diana and Lomo LC-A cameras. In this interview, the Sydney-based photographer opens up to Lomography about his latest endeavor as well as on shooting on the streets of his city and the importance of photographing in analog.
In this article, I'll show you my 2014 in analogue through the letters of the alphabet. All these photos were taken in the streets of my city, Como, or in close proximity (a few kilometers away from it), mainly during public or sporting events, and all in black and white.
My wife and I suffered a family loss in October 2013 so we decided to shift things around and have a celebration of life—a wedding, actually—to associate our loss with the beginning of something positive and memorable. We have been together for nearly 13 years and after getting married, we headed off on a three-month trip to South America and a few other stops to complete a round-the-world loop back to Australia.
A popular quote by photojournalist Ted Grant goes, "When you photograph people in color, you photograph their clothes. But when you photograph people in black and white, you photograph their souls!" Indeed, the lack of vibrant color forces the viewer to see beyond what is on plain view and recognize the atmosphere surrounding a photograph. In this post, we've handpicked black and white shots taken in various situations and exhibit different moods.
You want your subject be the center of attention? Petzval lens photos are recognizable for sharpness and crispness in the centre, strong color saturation, wonderful swirly bokeh effect, artful vignettes and narrow depth of field that will make your subjects stand out!
Not all photographs are meant to be seen in vibrant, saturated colors, and neither are they always suitable for in black and white. Lomography welcomes yet another innovation from KONO! The Reanimated Film. Without diminishing the aesthetic value of images, KONO! Donau 35mm Film casts a distinct blue tone to photos. It is ultra-low ISO film that is best used for long exposure shots. Check out this fine selection of uniquely tinted images.
Since Lomography launched its new Petzval 58 Bokeh Control Art Lens project on Kickstarter, we've been seeing a variety of pictures, from images of snow monkeys in Japan to behind-the-scenes shots of New York Fashion Week. Many of these pictures were shot with digital cameras, but we've yet to see how the Petzval 58 performs on an analog Canon Rebel camera loaded with black and white, and x-pro film. Join us on a trip through the heart of New York's Chinatown during the Lunar New Year Parade.
Lomo Lubitel 166+ is a match to the classic beauty of black and white photography. Perennial scenes of city life and nature get the right amount of light and dark, thanks to trusty exposure settings. The glass lens, with its sharp vision, helps photographers get tonal and evocative imagery. These photos from all over the community are prime examples.
Really want to bring your film photos to life? We’re now offering totally analogue fine art prints in a host of large sizes and formats! Carefully enlarged from your negatives onto premium photographic paper by lab professionals, each picture is a unique piece of craftsmanship.
From the simple Vivitar 110 camera he received from his grandmother, Brett Wolff already accumulated close to almost a hundred cameras and accessories in his analog arsenal. Some of the cameras he treasured were even handed down by relatives and friends, making these more precious to him. Let's take a closer look at his camera collection.
This is tribute to the Farm Security Administration photographer, Jack Delano, and his photographic series dedicated to barkers. For this article, I chose a series of photos I took this year at the traditional Easter Fair in my city, Como, using a classic rangefinder camera loaded with a roll of black and white film.
In this article, I'll show you how the Lomo LC-A loaded with the versatile Ilford HP5+ can make the most out of a hazy morning. To capture the whirlwind of a bicycle race, I pushed the film to ISO 800. The legendary Minitar 1 lens and this classic Ilford film are a perfect combination if you love black and white photos.