Developing 35mm Earl Grey 100 ISO pushed to Lady Grey 400 ISO is possible: just process “Earl” as a “Lady”.
Everything was ok to test my Yashica electron 35 mm bought for 20€ along the seaside market in Marina di Pisa.
It was Christmas time, family and friends were with me. It was a usual Italian-southern-sunny days falling in the middle of winter. Perfect in and out conditions to load an Earl Grey 100.
Yet…too much southern-food, too much worldwide-drink maybe, since I pushed the film to 400 ISO by mistake. There was no way to find any suggestions for developing times for Earl Grey pushed to 400. I checked on web looking for tips. Even Lomo-friends appear not to have ever fallen in such an experience.
Then, I thought that the easiest is the simplest (but maybe not the best): let’s try to develop Mr. Earl as a Lady. Indeed, I used the same developing times as for 400 ISOLady Grey: Rodinal 09 one shot 1+50 10 minutes (20°) (as seen on Lomography Lady Grey)
And here are the results:
Lomography’s Earl Grey is an exquisite black and white 35mm ISO 100 film that will surely give your shots an extra dose of style and class. Whether you’re taking landscapes or portraits, you will get jaw-dropping results with Earl Grey super-fine grain and wide tonal range. See our selection of Lomography films here.
A lot of lomographers have experienced using and even writing about the greatness of the Lomography Earl Grey black and white 35mm ISO 100 film. However, no one has written about using an expired Earl Grey film yet. How does it fare when it is used expired? Read on to find out more.
Classy, moody photographs in monochrome and with fine grain - what more could you ask for from one of Lomography's very own black and white emulsion for standard 35mm cameras, the Earl Grey? Find out how this film fared among six of our community members in this Reviews on Rewind installment!
Its stunning tones, smooth grain, and overall elegant monochrome look have inspired fellow lomographers to pen odes of praise—well, reviews, actually. Find out how the Lomography Lady Grey 400 (35mm) fared right here.
Really want to bring your film photos to life? We’re now offering totally analogue fine art prints in a host of large sizes and formats! Carefully enlarged from your negatives onto premium photographic paper by lab professionals, each picture is a unique piece of craftsmanship.
For the last year we've been working on the next version of Lomography. We based our work on the feedback you’ve given us over the years and we wanted to share it as early as possible with you and can’t wait to hear what you think. Just one warning first: it is still in development and things can break. All the photos, comments, likes, homes and everything else were transferred as of October 16th, 2014. So anything you do on next.lomography.com won't be reflected on www.lomography.com and vice versa. Once we are done with testing, everything you did here will be deleted again. So this is a big playground for you to explore.
As Steve Jobs puts it, "creativity is just connecting things." It's all about tracing one's experiences and pushing the boundaries of what's already known to establish new things. The Lomography community is no stranger to these instances. In fact, the community is filled with brilliant minds who are always ready to refine existing techniques and look for innovative ways to express their visions and ideas. Here are just a few of the creative lomographers we've come to love over the years.
Ladies and gentlemen, fellow Lomographers, the time is ripe for us to present you with a new mystery product. But we're not giving anything much away this time, just a few hints and clues to keep you on your toes.
Stop bath is a type of chemical used in the darkroom for processing black and white film, aptly named as such because it halts the development of the images. In this case, stop bath is also part of the title that Korean analogue street photographer <b><a href="http://instagram.com/sooeatsyourstreetforbreakfast">Soomin Yim</a></b> has given her body of work, "Stop Bath the City," to represent the forgotten faces of people in the city amid rapid modernization, captured and immortalized on black and white film.
Browsing through the Lomography website, you can find a lot of redscale shots, which are all done on color negative films. I asked myself if it’s possible to redscale a slide or chrome film and then cross process it. (And yes, it is.) In this tipster I’m going to teach you how to create the bloodiest homemade redscale film I've ever come across.
Ladies and gentlemen, it's no secret that without you, our website would never be possible. With that in mind, we're calling on all Lomographers (that's you) for a helping hand by giving us your expert opinions. In return, we're passing out Piggy Points to spend in our Online Shop. Kiwis, Aussies and Scandinavians, whether you're residents, dreamers or just big fans of these great places — everybody can contribute and everybody can win!
As you may have read in my previous article, I truly fell in love with Lomography when I combined my Fisheye camera with an old Canon AE-1 for magical photographic results. Last summer, I took so many pictures of flowers that it started to become almost boring for me. My waning interest and the coming winter meant that I had to figure out something else to do with my 35mm film.
Sonja started her analog adventures during her teenage years. She took her first film photographs when she was 13 and has been in love with the magic of the process since. Her idea of a perfect day involves developing film rolls while listening to jazz and having a cup of tea in between. In this interview, she recalls about her experience with her first Lomography camera, a Holga 120 CFN.
The future of Rolleiflex becomes uncertain at this point as DHW Fototechnik, current manufacturer of the iconic brand of cameras, is set to hold a bankruptcy auction of the Rolleiflex factory next month.