Developing 35mm Earl Grey 100 ISO pushed to Lady Grey 400 ISO is possible: just process “Earl” as a “Lady”.
Everything was ok to test my Yashica electron 35 mm bought for 20€ along the seaside market in Marina di Pisa.
It was Christmas time, family and friends were with me. It was a usual Italian-southern-sunny days falling in the middle of winter. Perfect in and out conditions to load an Earl Grey 100.
Yet…too much southern-food, too much worldwide-drink maybe, since I pushed the film to 400 ISO by mistake. There was no way to find any suggestions for developing times for Earl Grey pushed to 400. I checked on web looking for tips. Even Lomo-friends appear not to have ever fallen in such an experience.
Then, I thought that the easiest is the simplest (but maybe not the best): let’s try to develop Mr. Earl as a Lady. Indeed, I used the same developing times as for 400 ISOLady Grey: Rodinal 09 one shot 1+50 10 minutes (20°) (as seen on Lomography Lady Grey)
And here are the results:
Lomography’s Earl Grey is an exquisite black and white 35mm ISO 100 film that will surely give your shots an extra dose of style and class. Whether you’re taking landscapes or portraits, you will get jaw-dropping results with Earl Grey super-fine grain and wide tonal range. See our selection of Lomography films here.
A lot of lomographers have experienced using and even writing about the greatness of the Lomography Earl Grey black and white 35mm ISO 100 film. However, no one has written about using an expired Earl Grey film yet. How does it fare when it is used expired? Read on to find out more.
Classy, moody photographs in monochrome and with fine grain - what more could you ask for from one of Lomography's very own black and white emulsion for standard 35mm cameras, the Earl Grey? Find out how this film fared among six of our community members in this Reviews on Rewind installment!
110 film photography can be as fun as 35mm and 120 film photography! Need a little more convincing? Take a look at these monochrome shots that play with shadows and light taken with the B&W Orca 110 film!
For the last year we've been working on the next version of Lomography. We based our work on the feedback you’ve given us over the years and we wanted to share it as early as possible with you and can’t wait to hear what you think. Just one warning first: it is still in development and things can break. All the photos, comments, likes, homes and everything else were transferred as of October 16th, 2014. So anything you do on next.lomography.com won't be reflected on www.lomography.com and vice versa. Once we are done with testing, everything you did here will be deleted again. So this is a big playground for you to explore.
The LomoChrome Purple XR 100-400 is a color negative film that uses false colors and gives your images an infrared effect. In fact, the greens turn to purple and yellows turn to pink. See how it fares on a photowalk after the jump.
Just last February, Cape Town's renowned professional photography store and film processor Orms developed their last rolls of slide film. In "The Last Roll," Hero AV compiles interviews with the establishment's owner and E6 technician, as well as the three photographers who captured the last images to create a fitting send off for the E6 process.
As Steve Jobs puts it, "creativity is just connecting things." It's all about tracing one's experiences and pushing the boundaries of what's already known to establish new things. The Lomography community is no stranger to these instances. In fact, the community is filled with brilliant minds who are always ready to refine existing techniques and look for innovative ways to express their visions and ideas. Here are just a few of the creative lomographers we've come to love over the years.
Probably each one of you has been annoyed with failed film. This is particularly annoying when you get the developed film back from the lab, but you get blanks because the film was not exposed. It's either the film transport didn't work, or you have not taken the lens cap off, etc. Read on and I'll show you an alternative to just throwing away the film: Simply use it as a color filter for your camera, with the La Sardina for example.
From the moment you start building this lovable SLR camera to when you start shooting those dreamy shots, it’s a sensational adventure! We wanted to take this to the next level so we upgraded the Konstruktor to be flash-enabled for endless creative possibilities! Yes, you read it right - the world’s first 35mm Do It Yourself SLR Camera is now flash enabled!
Elizabeth Nahum-Albright, or Lizzy, as her peers would call her, is a fine art photographer based out of Brooklyn. Born to design-oriented and artistic parents, she got into photography at a young age and continues to explore the possibilities within her chosen craft. Lizzy loves 19th century photographic processes, but she isn't a stranger to modern methods either – much like our New Petzval Lens. Read on to learn more about Lizzy and catch a glimpse of some of her Petzval photos.
Throwing chemicals, fire, and scratching emulsion are just a few ways of experimenting with film. But there's another process that completely destroys it (or, if you're lucky, creates something amazing), that is as spastic as a drunken man staggering his way home after a night at the pub - literally.
And it all comes down to darkness.