Kodak Aerochrome is a discontinued film that produces CRAZY results. This review shows my results after testing out using both orange and yellow filters with this film.
This film yields awesome results such as bright blue water and red vegetation—a must have for an adventurous lomographer.
For all infrared films, it is advised that you use a colored filter. For black and white infrared film, you must use a deep red filter, and for color infrared film, you can use either a yellow or orange filter for optimum results. I experimented with both yellow and orange filters.
The first picture was taken with an orange filter. The second photo features the same composition, same time of day, same lighting, I just used a yellow filter.
The film can be processed either with E-6 or C-41 chemicals. For all my pictures, I used C-41.
There are very few places/sellers where you can find this film, so if you come across one, go ahead and act fast!
The LomoChrome Purple XR 100-400 is a color negative film that uses false colors and gives your images an infrared effect. In fact, the greens turn to purple and yellows turn to pink. See how it fares on a photowalk after the jump.
Keep experimenting with your analogue shots and try out many different styles. This time, let these filter photographs from the community show you how easy it is to create images that are popping with effects and color!
Probably each one of you has been annoyed with failed film. This is particularly annoying when you get the developed film back from the lab, but you get blanks because the film was not exposed. It's either the film transport didn't work, or you have not taken the lens cap off, etc. Read on and I'll show you an alternative to just throwing away the film: Simply use it as a color filter for your camera, with the La Sardina for example.
There are quite a few perks that come with working for a film photography company, and the best perk of all is testing out the latest cameras. I can remember buying my LC-A back in 2009 and being really inspired to shoot film again. When the LC-A 120 came along, I couldn't wait to try it out around London. Join me as I test out this super medium format beauty.
We're ecstatic to read an in-depth review of the Lomography Petzval Lens, from the cool folks over at The Phoblographer. It's exciting to find out that, like us, they are in-love with the Petzval Lens too, so much that they gave it an impressive 4/5 rating! If you're thinking of getting a Petzval Lens, you'll find this featured review very useful. Check out an excerpt and the link to the full article after the jump!
If you'd be shooting in low light, at night, or in any other situation that would require a high speed film for best results, why don't you try the Lomography Color Negative 800 for 35mm cameras? Allow five of our community members to convince you with their respective reviews in this installment of Reviews on Rewind.
Sometimes, experiments and curiosity yield the best results. This is what photographer Cody Thomas discovered when he tried out black and white film photography with his Holga camera. See more of his black and white photos after the jump.
This is my experience with the Lomography Redscale XR 50-200 (120), my first medium format film. It's an adventure that started when I got a Lubitel 2, to finally shoot with it. In this article, you'll find detailed information about color schemes, the advantages of shooting in medium format, and the differences between standard redscale films. Here are the results of a day of shooting outside, which I recently got back from the lab.
From warm golden yellow to dramatic green hues, Karine swears by this film's capability in producing a wide spectrum of bold and saturated colors. Because of this, she always carries a roll or two in her suitcase whenever she travels. Find out more about Karine Mougenot, aka sweetyyydreams, and her Weapon of Choice, the Lomography XPro Slide 200!
Really want to bring your film photos to life? We’re now offering totally analogue fine art prints in a host of large sizes and formats! Carefully enlarged from your negatives onto premium photographic paper by lab professionals, each picture is a unique piece of craftsmanship.
"Magical" here means that every time I use the Diana F+, the results are always beyond both my expectations and imagination. That's why I always use it when I feel like doing something different. It has never failed me since day one; I even always bring this camera during my trips!
Arat Komsawadichai aka Huge is a photographer from Thailand who is passionate about film photography. He used to be a regular at the Lomography Soho store and would often hang out in the shop and help customers out just because he's so crazy about film! Arat recently had the opportunity to shoot his brother's wedding using the Petzval Lens and LomoChrome Purple film, yielding fascinating results.
Unfortunately, it happens sometimes that your resulting pictures are not what you expected - the image doesn't look that good, the colors are bland, and the subject is banal. Indeed, it couldn't be picture of the year! Herein I propose a second chance for your pictures by modifying your 35mm negatives. Just pick up some ideas from here, experiment, and scan your negatives with the Lomography Smartphone Scanner. Anything is possible: burning, scratching, putting on hydrochloric acid, balsamic vinegar, nail polish, bleach, or raspberry juice... use your imagination and write down your new film soup recipe! You can find a sample of the effects in this article.