If you're looking for a slide film that delivers cross-processed surprises with every roll, go grab a roll of Fuji Sensia and go wild with funky and outrageous colors!
Most slide films when cross-processed give trademark effects that we grow to love and crave, especially when we have a particular shot in mind. Fuji Sensia 100 however, delivers a whole new ballgame. This “non-professional” slide packs a punch in terms of saturation, color and contrast. Most users would get a heavy magenta cast when it is X-Pro’d but sometimes, you’ll get surprising shades of contrasty greens and screaming yellows! Is it because the films are past-dated or due to the processing? Whatever it may be, it sure is a welcome surprise!
Here is a small selection of Sensia images from our Photos page. Browse through the different galleries and see where your fingers and eyes take you! If you’re craving for film like I am, visit the film shop for everything emulsion!
Browsing through the Lomography website, you can find a lot of redscale shots, which are all done on color negative films. I asked myself if it’s possible to redscale a slide or chrome film and then cross process it. (And yes, it is.) In this tipster I’m going to teach you how to create the bloodiest homemade redscale film I've ever come across.
With the holidays just around the corner, now is the time to stockpile all your favorite films! That's we're giving you yet another opportunity to do so with our super Advent deal on all our films today. Whether you're looking to get wild colors and huge contrast with our X-Pro film, or want to create slick cinematic classics with Lomography Cine400 Tungsten, we've got just the film for you!
You want your subject be the center of attention? Petzval lens photos are recognizable for sharpness and crispness in the centre, strong color saturation, wonderful swirly bokeh effect, artful vignettes and narrow depth of field that will make your subjects stand out!
Diana F+ is something of a wild child. It loves outré looks, multiple exposures and outlandish colors. But loaded with the right 120 film, it can show a mellow side that favors rule-of-thirds perfection and subdued coloring.
Toby Mason (aka fotobes) is a Brighton-based photographer who embraces the aesthetics of film photography. He mostly shoots with the LC-A+ using a range of slide films, cross processing them to create rich, highly saturated colours. His work has been featured on the BBC website and Hungry Eye Magazine. Join us for the opening night on Thursday, September 17 from 6 p.m.
My list of resolutions for 2015 consists of 12 projects, one for every month. March was for caffenol. You have probably heard of the amazing fact that you can develop black and white photos with coffee, sodium, and vitamin C. I had tried this before but with less than stellar results. Somehow, there's always something going wrong. Time to devote a few rolls to caffenol to finally get the hang of it.
Ed Choi regards Lomography as one of the best things that happened to him. In this interview, the latest member to join the roster of LomoGurus talks about how cross processing slide films sparked a great friendship, taking instant photos in Himalayas, and creating the perfect double exposure photograph.
Enjoy wild color shifts that easily turn the mundane into something extraordinary with the new LomoChrome Turquoise XR 100-400! Take a peek at these community-taken snapshots and find out how you can earn piggies and have your very own photographs be featured on the Online Shop!