I had always wanted to try redscale films but I was put off by the intense fiery reds of Lomography Redscale 100. That was, until I discovered the Lomography Redscale XR 50-200!
As the name implies, XR means extended range. The best feature of the Lomography RedScale XR 50-200 is the extremely wide dynamic range so that you can set your exposure to anything between ISO 50-200 according to your preference. As I don’t wish to have too reddish tones, I set the exposure at ISO 50.
Some of the photos have a slight golden-yellowish tinge while some appear slightly brownish. The elegant and retro colors are most suitable for taking all types of flowers.
I feel that the tones of this film are very suitable for Spring and Fall; let’s arrange a leisurely spring outing!
The Lomography Redscale XR 50-200 35mm gives you full control over your redscale images. With its extended ISO range, you can pick an effect that you want and set the ISO accordingly. Your images will exude a lovely retro feel. See our selection of Lomography films here.
Awed by the eye-popping fiery red shade the film produces, Joan brands the Lomography Redscale 100 (120 mm) as the most original emulsion in Lomography's catalogue. Aside from this, he also enjoys experimenting with the film's ISO to produce a variety of stunning results. Read on to find out why linuxbcn chose the Lomography Redscale 100 as his Weapon of Choice!
Petzval lens are designed for a Canon or Nikon SLR mounts and a selection of brass or black for each camera brand is available in our stores. And start shooting with images full of sharpness, crispness and bokeh effects!
This is my experience with the Lomography Redscale XR 50-200 (120), my first medium format film. It's an adventure that started when I got a Lubitel 2, to finally shoot with it. In this article, you'll find detailed information about color schemes, the advantages of shooting in medium format, and the differences between standard redscale films. Here are the results of a day of shooting outside, which I recently got back from the lab.
I've always wanted to have an instant camera, but what put me off were the expensive price of the film and the transience of the photos. But then I wasn't able to fight it any longer and bought myself an Instax Wide 210 set. Now, here is a review of the Fuji Instax Wide film.
Really want to bring your film photos to life? We’re now offering totally analogue fine art prints in a host of large sizes and formats! Carefully enlarged from your negatives onto premium photographic paper by lab professionals, each picture is a unique piece of craftsmanship.
About two years ago or so, I purchased the Lomography Redscale XR 50-200. I saved just one roll of this film and waited for the right moment to shoot with it. In April this year, I just wasn't able to take it anymore! I loaded this film into my Lubitel 166+, which I realized I hadn't used for maybe about six months. One idea came to mind: taking crazy multiple exposures!
Until a few years ago, using 110 cameras and film cartridges was a difficult thing because the only available films in the market had already been expired for several years. But now everything is easier thanks to Lomography; it has breathed new life into our small 110 cameras. Read on to discover the 110 film family.
Some time ago, my parents-in-law gave me an old Polaroid camera that they used during my wife's childhood. After some investigation, I found out that Polaroid had stopped making instant film. But the factory in Enschedé, the Netherlands had been taken over by The Impossible Project, so I bought a package of fresh film and gave it a try!
Durham is a beautiful but tiny university city in the north of England famous for its amazing cathedral, which is one of Britain's best loved buildings. When I was studying at the university, I loved to go for crisp, autumnal walks around the cathedral and the river, kicking the leaves and basking in the golden glow of the season. The Lomography Redscale film perfectly captures the beauty of this time of year.