Let me share a review about shooting with expired Ferrania Solaris 200, the Italian color negative film made famous by the Japanese.
Ferrania Solaris Color Negative film is well known for producing pastel, faded hues, which is the exact thing I love about it. Their 100 and 200 CN are my go-to films when I want to produce dreamy, nostalgic images — imagine my surprise when this is not the case with a roll of expired ISO 200 film I won in a blog giveaway.
I must admit I never expected that this was how the pictures were going to turn out; before this, I would never describe the Solaris films as wholesome, but I adore the warm but slightly muted contrast in these. The color shifts are very obvious due to it being expired, but I definitely think they give the pictures more character than I would imagine.
It’s been some time since I used my favorite Solaris films while I experimented with other brands but this roll has gotten me really excited to get back into them again.
If you'd be shooting in low light, at night, or in any other situation that would require a high speed film for best results, why don't you try the Lomography Color Negative 800 for 35mm cameras? Allow five of our community members to convince you with their respective reviews in this installment of Reviews on Rewind.
This is my experience with the Lomography Redscale XR 50-200 (120), my first medium format film. It's an adventure that started when I got a Lubitel 2, to finally shoot with it. In this article, you'll find detailed information about color schemes, the advantages of shooting in medium format, and the differences between standard redscale films. Here are the results of a day of shooting outside, which I recently got back from the lab.
Adi, Ekeu, and I did a lomowalk around downtown Bandung last Saturday, the beginning of November. We planned to use our Lubitel cameras with only one roll of film each. We were inspired by the One Roll of Film Project by four Tokyo-based photographers with their Hasselblad cameras. This is about the one roll of film I shot with the Lubitel 166U, which made me love shooting in medium format even more.
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Sonia pushed the Petzval lens test one step further by shooting with expired black and white film. The results are amazing, and the grain gave life to these beautiful Petzval portraits! Learn more about this photographer and her love for films, and catch a glimpse of her photos, taken in romantic Paris.
On a sunny April Sunday, I decided to load a Lomography X-Pro Slide 200 on my new Lomo LC-A+; both bought few weeks ago from the Lomography Online Shop to take some photos of some Italian food stalls in the center of my city, Como. Here my first impressions about this interesting film.
From warm golden yellow to dramatic green hues, Karine swears by this film's capability in producing a wide spectrum of bold and saturated colors. Because of this, she always carries a roll or two in her suitcase whenever she travels. Find out more about Karine Mougenot, aka sweetyyydreams, and her Weapon of Choice, the Lomography XPro Slide 200!
I don't care if this film has been reviewed a zillion times, that it has already been discontinued, or that there might be a Japanese version of it. The Agfa CT Precisa that I know gives me the blues. Oh, yes - not a Chelsea FC fan, but this film is all about the color blue. Say hello to the blues!
About two years ago, sandkorn sent me this film for our doubles. She said that she had already exposed this film using the Horizon Perfekt and shot on a sunny day, so the idea was for me to not overexpose the film. The result was so red!