I’ve been shooting with Kodak UltraxMax 400 films expired in October 2010 for several months now. These are my thoughts about this film.
First of all, a roll of film that expired in October 2010 is not really that old and will be just as good if kept under the right conditions. According to the photo lab that I got this film from, it was stored in an air-conditioned warehouse. Also, having developed rolls of these expired films at their lab, they told me that the color is just a tad more orange in color when compared with fresh rolls. But for an amateur photographer like me, who have just shot over a dozen rolls, this is really no big deal. In fact, the weirder the colors, the better I say.
Being an ISO 400 film, it can handle most lighting conditions well. Here are some normal shots taken with the film.
However, the fun really begins when you turn this film into redscale and shoot it at various speeds. My favourite speed to shoot a redscale film made out of this expired roll of Kodak UltraMax 400 is ISO 50. I just love its warm colors. Take a look at some redscale photos I took, at ISO 25 and ISO 50:
My verdict? I found this particular expired film to be cheap and cheerful. I like its warm tones when redscaled but it’s still a great film to use for general photography too.
Issa Ng is a Hong Kong-based fashion and commercial photographer. Leveraging on many years working as an art director and stylist for several international brands in the advertising industry, he was able to develop a strong sense of style and talent for conceptual execution, composition and intense imagery. He now specializes in portraits, and is continuously on the lookout for new and exciting projects. He talks about his experience shooting with the Lomography Petzval 58 Bokeh Control lens in this interview.
Ever since the Pixelstick came out, I've been dying to try it out. This past week, I finally got my chance! With one goal in mind — getting some super cool light-painting shots — I grabbed some friends for an amazing session with my Lomo'Instant and the Pixelstick. Take a moment and have a look at these priceless pics!
A passion deeply rooted in her childhood, photography serves as a form of meditation and a creative outlet for Germany-based community member roxyvonschlotterstein. Aside from keeping an active LomoHome, she puts forth effort in participating in photography-related projects and activities with her fellow German lomographers. In this interview, she shares more about her memorable experiences in community, thoughts about shooting on film, and a tidbit about her LomoHome name.
You want your subject be the center of attention? Petzval lens photos are recognizable for sharpness and crispness in the centre, strong color saturation, wonderful swirly bokeh effect, artful vignettes and narrow depth of field that will make your subjects stand out!
Kamal, a die-hard film photography fan, is a young, Singapore-based photographer. He is now working on a project, traveling around and shooting portraits for his friends. In this feature, he talks about how he works perfectly with the Lomography Petzval Art Lens and his passion for photography.
Joan Manel Cedó is an avid fan of extreme sports. He has been a rock climber for two decades and has also gained interest in kitesurfing over the years. In both sports, he tries to incorporate his passion for photography. In this instalment of My First Lomo Affair, he talks about how he chance upon the carefree style of shooting with the LC-A+ and all the adventures that followed this discovery.
As you know, the Lomo LC-A has been around for 31 years now. The June 2015 contribution callout is a fine occasion to celebrate the LC-A's birthday and my own anniversary – six months with this Minitar-powered little beast.
Really want to bring your film photos to life? We’re now offering totally analogue fine art prints in a host of large sizes and formats! Carefully enlarged from your negatives onto premium photographic paper by lab professionals, each picture is a unique piece of craftsmanship.
On this day and age when many are incorporating digital gear into their workflows, whether fully or partly, there still are photographers who remain rooted to their analog roots and continue to shoot with film cameras. In commemoration of Film Photography Day happening tomorrow, we have scoured through our past interviews to highlight the reasons these photographers choose to still shoot film.
Are you still looking for that perfect treat for your loved one this Valentine's Day? Then you've come to the right place, my friend — we've extended our Valentine's deals until the end of the week! Which means you have extra time to get lucky in all things love and Lomography. Quit dodging Cupid's arrows and get in on these sweet deals right now!
My wife and I suffered a family loss in October 2013 so we decided to shift things around and have a celebration of life—a wedding, actually—to associate our loss with the beginning of something positive and memorable. We have been together for nearly 13 years and after getting married, we headed off on a three-month trip to South America and a few other stops to complete a round-the-world loop back to Australia.
Done shooting and want your films to be processed? We can process your colour and black & white 35mm, 120 or 110 films! Development, prints and scans are also included. (Service availability depends on your markets)
A few months ago we lent photographer Chris Pollard a Petzval lens to test out. Since then he has been experimenting with different cameras and in different settings. He tried out some cyanotype prints with this lens and chatted to us about the results. Read on for the full interview.
There are quite a few perks that come with working for a film photography company, and the best perk of all is testing out the latest cameras. I can remember buying my LC-A back in 2009 and being really inspired to shoot film again. When the LC-A 120 came along, I couldn't wait to try it out around London. Join me as I test out this super medium format beauty.
Norfolk-based, three-piece band These Ghosts are analog mad! We gave them a Sprocket Rocket camera to document their latest tour with and asked them about their love for film photography. Read on for the full interview.