I’ve been shooting with Kodak UltraxMax 400 films expired in October 2010 for several months now. These are my thoughts about this film.
First of all, a roll of film that expired in October 2010 is not really that old and will be just as good if kept under the right conditions. According to the photo lab that I got this film from, it was stored in an air-conditioned warehouse. Also, having developed rolls of these expired films at their lab, they told me that the color is just a tad more orange in color when compared with fresh rolls. But for an amateur photographer like me, who have just shot over a dozen rolls, this is really no big deal. In fact, the weirder the colors, the better I say.
Being an ISO 400 film, it can handle most lighting conditions well. Here are some normal shots taken with the film.
However, the fun really begins when you turn this film into redscale and shoot it at various speeds. My favourite speed to shoot a redscale film made out of this expired roll of Kodak UltraMax 400 is ISO 50. I just love its warm colors. Take a look at some redscale photos I took, at ISO 25 and ISO 50:
My verdict? I found this particular expired film to be cheap and cheerful. I like its warm tones when redscaled but it’s still a great film to use for general photography too.
Sonia pushed the Petzval lens test one step further by shooting with expired black and white film. The results are amazing, and the grain gave life to these beautiful Petzval portraits! Learn more about this photographer and her love for films, and catch a glimpse of her photos, taken in romantic Paris.
For the past three months, I've been living alternately between three cities: Bandung, Bogor, and Jakarta. I'm originally from Bandung. I now work in Bogor, sometimes in Jakarta. I could be in Bogor on a Friday, Bandung on a Saturday, and Jakarta on a Monday. Shuttling between these three cities, I don't forget to document what I see and experience with my LC-Wide.
About two years ago or so, I purchased the Lomography Redscale XR 50-200. I saved just one roll of this film and waited for the right moment to shoot with it. In April this year, I just wasn't able to take it anymore! I loaded this film into my Lubitel 166+, which I realized I hadn't used for maybe about six months. One idea came to mind: taking crazy multiple exposures!
In the week preceding the elections for the European Parliament, several political rallies were held in Como. As with all other public events in my city I documented one of these rallies, this time using a Russian film camera Zorki 6 loaded with a black and white film roll. Take a look!
Until a few years ago, using 110 cameras and film cartridges was a difficult thing because the only available films in the market had already been expired for several years. But now everything is easier thanks to Lomography; it has breathed new life into our small 110 cameras. Read on to discover the 110 film family.
I've been experimenting with many substances, more or less corrosives, for film manipulation. The images come out so different, that sometimes you can't even recognize them. The pictures in this experiment are a result of mixing bleach and detergent powder.
Done shooting and want your films to be processed? We can process your colour and black & white 35mm, 120 or 110 films! Development, prints and scans are also included. (Service availability depends on your markets)
Every photographer seeks to make his or her travel photos extra special or memorable, and for those who still shoot film, slide films are often reserved for these occasions. If you happen to have a few rolls of infrared films left, the photos of a Canadian photographer will surely make you want to save them for your next adventure!
By now most of you would have heard of Lomokev, one of the UK's most prolific film photographers. Based in Brighton, Lomokev loves to shoot with the trusty LC-A and his work has been featured in numerous publications and projects. We lent him a Petzval lens and asked him a few questions about what makes him tick. Here's an exclusive interview, along with a several fantastic shots by the talented UK-based photographer.
A couple of weeks ago, my family and I celebrated Hari Raya after a month of fasting during the holy month of Ramadan. Since the first day I laid my hands on the Lubitel 166+, I've always had the thought of taking portraits of my family. So this year, I finally took them. Here they are: Hari Raya Portraits!
The sun is shining and we are in the mood for some fun! If you're planning a trip to London this coming month, then why not book yourself for one of our special market workshops? We'll be heading off to Brick Lane, Portobello Rd and the Columbia Flower Market to shoot all the sights on film. If you’re visiting London and staying in a hostel, just present proof of your booking and get to join a workshop for free! Book your space now.
Last Sunday, the local rugby team Rugby Como played the first match of the 2014-1025 season. Rugby is my favorite sport to photograph, and for some years I've been documenting almost every home match of this young team. This time I used a 1959 Zorki 5 camera with a vintage 1958 Industar-50 lens loaded with a timeless film, the Ilford HP5+ developed in a century-old developer, the mythical Rodinal. Take a look after the jump!
This is my experience with the Lomography Redscale XR 50-200 (120), my first medium format film. It's an adventure that started when I got a Lubitel 2, to finally shoot with it. In this article, you'll find detailed information about color schemes, the advantages of shooting in medium format, and the differences between standard redscale films. Here are the results of a day of shooting outside, which I recently got back from the lab.