Algunos dicen que perder la tapa de la lente de la Diana F+ no importa. A mi, sin embargo, me gusta conservar el bonito plástico. Aquí va el truco más rápido que has leído nunca.
Tu lente de la Diana F+ enfoca moviendo la parte delantera (sólo esa parte) para adelante y para atrás. Cuando la ajustas a 1-2 metros, está lo más adelante posible, como si se extendiera. Esto significa que la tapa de la lente no encaja completamente, en la mía se cae.
Así que para no perder la tapa de tu lente, siempre ajusta la lente en la posición de infinito cuando la cierres.
Aquí están algunas de mis fotos preferidas con la Diana F+ photos:
Diana F+ and Diana+ 75mm Premium Glass Lens are now ready to give you the best shots with vignetting effects, crisp quality shots together with the signature dreamy appeal of the Diana! Save 15% on the Glass Lens in this Bundle!
Sonja started her analog adventures during her teenage years. She took her first film photographs when she was 13 and has been in love with the magic of the process since. Her idea of a perfect day involves developing film rolls while listening to jazz and having a cup of tea in between. In this interview, she recalls about her experience with her first Lomography camera, a Holga 120 CFN.
This article is dedicated to Serge Moulinier, a largely unknown French photographer who won one of the most important prizes in France with a book on Greek architecture. Strangely, few information can be found on the Internet about this great photographer whose work had also been published in an important essay written by the famous John Szarkowski, former Director of Photography at the Museum of Modern Art in New York.
C.S Muncy is a New York City-based freelance photojournalist and a fellow LomoAmigo who tested and reviewed the LomoChrome Turquoise film. The rolls of film were put to good use; the resulting shots were simply stunning.
Really want to bring your film photos to life? We’re now offering totally analogue fine art prints in a host of large sizes and formats! Carefully enlarged from your negatives onto premium photographic paper by lab professionals, each picture is a unique piece of craftsmanship.
Thick smoke, soft breeze, rippled water. For Veronika Gilková, these elements deserve a touch of visual magic. In this interview, she talks about culling nature-based images with intuition and quiet wonder.