My Pentax K1000 is probably one of my favourite cameras to use. I find it a good, sturdy SLR. What is even better about this bad boy however is that is was totally free and second hand when I got it!
When I started at Leeds College of Art to mainly learn about developing film and making prints, I didn’t have a lot of cameras. There was a box at college which intrigued me, however, as it seemed to be a place where cameras retired to. There were loads of bits of cameras and flashes in there, and one day, I asked my tutor what they were for. “Spares and repairs,” he replied, before explaining that if I needed any bits to fix cameras I could essentially help myself as they were all donations. I got digging in this box and saw a beautiful SLR that I knew nothing about. It’s called the Pentax K1000.
Although the wind on seemed to be a bit stiff, I took the camera home, gave it a little TLC and started shooting with it right away. It quickly became my standard go-to camera when I wanted to guarantee good quality photos. I found it so user-friendly and easy to get good results with that it was almost the only camera I used for ages (apart from another SLR). Sadly, this camera has now broken again and I have so far been unable to mend it but I am always on the lookout at car boot sales and in vintage stores for a replacement for this little beauty. I literally cannot wait to get my hands on one that I can start using again.
When I held the Lomo LC-A 120 in my hands for the first time, I immediately noticed its good feel and beautiful design. The LC-A 120 obviously, is truly, related to the queen of all Lomo cameras, the LC-A.
This is my experience with the Lomography Redscale XR 50-200 (120), my first medium format film. It's an adventure that started when I got a Lubitel 2, to finally shoot with it. In this article, you'll find detailed information about color schemes, the advantages of shooting in medium format, and the differences between standard redscale films. Here are the results of a day of shooting outside, which I recently got back from the lab.
Unfortunately, it happens sometimes that your resulting pictures are not what you expected - the image doesn't look that good, the colors are bland, and the subject is banal. Indeed, it couldn't be picture of the year! Herein I propose a second chance for your pictures by modifying your 35mm negatives. Just pick up some ideas from here, experiment, and scan your negatives with the Lomography Smartphone Scanner. Anything is possible: burning, scratching, putting on hydrochloric acid, balsamic vinegar, nail polish, bleach, or raspberry juice... use your imagination and write down your new film soup recipe! You can find a sample of the effects in this article.
Lomography is proud to announce that we are teaming up with acclaimed rock band R.E.M. to host an exclusive one-of-a-kind photo competition! The prizes include a Lomography Diana F+ Special Edition Camera, the acclaimed new ‘R.E.M. By MTV’ DVD, R.E.M. vinyl and more! Read on to see how you can participate in this rumble.
You want your subject be the center of attention? Petzval lens photos are recognizable for sharpness and crispness in the centre, strong color saturation, wonderful swirly bokeh effect, artful vignettes and narrow depth of field that will make your subjects stand out!
Jack Lowe has set himself a challenge to document every RNLI post around the UK coastline using a Victorian method of photography called Wet Plate Collodion Photography. He has been driving around in an old ambulance converted into a mobile darkroom. Jack talked to us about this fascinating project and the challenges he faces along the way.