My Pentax K1000 is probably one of my favourite cameras to use. I find it a good, sturdy SLR. What is even better about this bad boy however is that is was totally free and second hand when I got it!
When I started at Leeds College of Art to mainly learn about developing film and making prints, I didn’t have a lot of cameras. There was a box at college which intrigued me, however, as it seemed to be a place where cameras retired to. There were loads of bits of cameras and flashes in there, and one day, I asked my tutor what they were for. “Spares and repairs,” he replied, before explaining that if I needed any bits to fix cameras I could essentially help myself as they were all donations. I got digging in this box and saw a beautiful SLR that I knew nothing about. It’s called the Pentax K1000.
Although the wind on seemed to be a bit stiff, I took the camera home, gave it a little TLC and started shooting with it right away. It quickly became my standard go-to camera when I wanted to guarantee good quality photos. I found it so user-friendly and easy to get good results with that it was almost the only camera I used for ages (apart from another SLR). Sadly, this camera has now broken again and I have so far been unable to mend it but I am always on the lookout at car boot sales and in vintage stores for a replacement for this little beauty. I literally cannot wait to get my hands on one that I can start using again.
When I held the Lomo LC-A 120 in my hands for the first time, I immediately noticed its good feel and beautiful design. The LC-A 120 obviously, is truly, related to the queen of all Lomo cameras, the LC-A.
Unfortunately, it happens sometimes that your resulting pictures are not what you expected - the image doesn't look that good, the colors are bland, and the subject is banal. Indeed, it couldn't be picture of the year! Herein I propose a second chance for your pictures by modifying your 35mm negatives. Just pick up some ideas from here, experiment, and scan your negatives with the Lomography Smartphone Scanner. Anything is possible: burning, scratching, putting on hydrochloric acid, balsamic vinegar, nail polish, bleach, or raspberry juice... use your imagination and write down your new film soup recipe! You can find a sample of the effects in this article.
Whether it embodies something that's light as a feather or dreaming on cloud nine, show us your best analog shots in relation to the theme "lightness" and be rewarded with great products from the creative start-up Crispy Wallet as well as prizes from Lomography.
Branded as "The Reanimated Film," KONO! Film is hand-rolled and made of special materials which are rarely (or never) produced for "normal“ photography. Rather, the materials were intended for motion picture cameras and the results can vary depending on how the film is used. Learn more in this interview with the founder of KONO! Film, Uwe Memoun.
Mel Brackstone introduced herself as an "old woman with a love of the surreal." Her energy is palpable; with the soft delicacy in her photos, she comes across as an old soul that sees through young eyes. She is self taught and lives in Brisbane, Queensland, Australia, She discovered the Petzval Lens in 2014.
In the early part of the 19th century, lantern shows were the equivalent of movies. Photographs were hand-printed or transferred on glass plates, which were then projected on to a wall or cloth screen.