The Diana F+ is my first camera, and I’ve loved her since I first held her in my hands. I also love the fact that I can expose the sprockets when I shoot 35mm film.
I got the Diana Deluxe Kit a few months after watching a YouTube video about Lomography. One of the many things the kit includes is the 35mm Back, which made things convenient seeing as I have more access to 35mm film than 120 film. Two of the masks included with the back allowed me to effortlessly create those lovely exposed sprockets I have now come to love.
I first tried exposing the sprockets on my second roll. At the time I didn’t have a film scanner, and even when I did buy one I only rescanned three photos to test the waters. Unfortunately, I don’t know what happened to the negatives, but those three photos were enough for me to know that I loved sprockets.
I like being able to tell which picture I took first, which helps me remember what happened first. Then there are the times when I realize that I accidentally scanned my negatives backwards (oops) but then they look weird if I flip them the right way.
I have also discovered that I love sprocket holes even more when coupled with the fisheye lens.
At the moment my Diana F+ is the only camera I have that possesses this power, but I have my eyes set on the Spinner 360. For now though I’m going to keep on loving the sprocketed results that come from my beloved Diana F+ even if it is a pain to scan them in at times.
The Diana F+ is a new twist on the ‘60s classic cult camera. Famous for its dreamy and soft-focused images, the Diana F+ is now packed with extra features such as panorama and pinhole capabilities. Available in our Online Shop.
When I held the Lomo LC-A 120 in my hands for the first time, I immediately noticed its good feel and beautiful design. The LC-A 120 obviously, is truly, related to the queen of all Lomo cameras, the LC-A.
One of the things I like the most about the Minitar-1 Art lens is how sharp the focus can be when you shoot with a small aperture. So if you are one of those that like to shoot at night, get a tripod, add this to a late dark winter afternoon, and you will end up with a bunch of beautiful long exposures. This is what I did on my last trip to Europe.
Done shooting and want your films to be processed? We can process your colour and black & white 35mm, 120 or 110 films! Development, prints and scans are also included. (Service availability depends on your markets)
While many of us can only dream of working with musicians and photographing them, Angela Izzo's job entails exactly that. Apparently, this is a fulfillment of her own dream that she had when she was younger. In this interview, Izzo talks about her beginnings which, of course, included going to as many shows and festivals as she possibly can; some of her most memorable on-the-job-experiences with the likes of The Doors, Lykke Li, Jack White, Edward Sharpe and the Magnetic Zeros, and Chris Robinson Brotherhood; her inspirations and other interests; and her love for film photography and Diana Mini. And to those looking into fulfilling their own dreams of working in the same industry, Izzo also shares helpful advice based on her own experiences.
Sonja started her analog adventures during her teenage years. She took her first film photographs when she was 13 and has been in love with the magic of the process since. Her idea of a perfect day involves developing film rolls while listening to jazz and having a cup of tea in between. In this interview, she recalls about her experience with her first Lomography camera, a Holga 120 CFN.
Barbora Smoláková's first brush with lomography started with a Diana F+ Deluxe Kit. With its variety of accessories, the Diana F+ allowed her to explore the endless possibilities of creative photography. In this interview, she opens up about her experience shooting with this versatile camera and how it helped her appreciate the beauty of ordinary things.
As you may have read in my previous article, I truly fell in love with Lomography when I combined my Fisheye camera with an old Canon AE-1 for magical photographic results. Last summer, I took so many pictures of flowers that it started to become almost boring for me. My waning interest and the coming winter meant that I had to figure out something else to do with my 35mm film.
I’ve been shooting analogue as long as I can remember but it wasn’t until a few months ago that I was introduced to instant photography. So, you can imagine when I was given the chance to try out the recently introduced Lomo’Instant Wide, I “instantly” said yes and hit the streets of Vienna!
You want your subject be the center of attention? Petzval lens photos are recognizable for sharpness and crispness in the centre, strong color saturation, wonderful swirly bokeh effect, artful vignettes and narrow depth of field that will make your subjects stand out!
"Love your camera" is Marika's first rule when it comes to shooting film. Her passion for collecting gear stemmed from a once-in-a-lifetime opportunity of testing a variety of film cameras for her friend's shop. Let's all welcome our newcomer of the week from Prague, Czech Republic, analogvision!
There are quite a few perks that come with working for a film photography company, and the best perk of all is testing out the latest cameras. I can remember buying my LC-A back in 2009 and being really inspired to shoot film again. When the LC-A 120 came along, I couldn't wait to try it out around London. Join me as I test out this super medium format beauty.
Unless you are well-traveled, there’s a pretty good chance that you are going to be shooting the same places over and over again. Here are some ways you can mix it up and make those same places fun when you shoot at them next.