Remember the glorious days when granddaddy used to shoot with Black & White film?
These types of film are still one of my favourites, as their super-fine grain and resolution still keep my eyes popping. Also, if the weather isn’t that fine or you’re a resident of Mexico city, it allows you to shoot more freely when clouds hang in the sky. Your Fisheye camera accepts all types of 35mm B&W film and yields beautiful and atmospheric shots with it.
“Rumble in the Pond” is a 368-page hardcover book bursting with 170-degree Fisheye madness. Inside your will find exclusive tips and tricks, Lomographer profiles & interviews, an informative history of Fisheye lenses and goldfish breeding, and several hundred eye-popping barrel-distorted fisheye images. Get your own ""Rumble in the Pond"== Fisheye Book==":http://shop.lomography.com/rumble-in-the-pond-fisheye-book now!
A recent lunchtime break turned into a big analogue adventure when I took the Lomo'Instant camera out with the Splitzer and captured a gloriously sunny day in the heart of Soho, London. I learned a couple of great tips about shooting with this new accessory. Read on to find out more.
Vincent Law, a Hong Kong industrial designer, loves to shoot with black and white film. In his work, there is almost always a combination of people and architecture. He recently shot a series of black and white photos with New Russar+ Lens. Let's take a look at his work.
A lot of lomographers have experienced using and even writing about the greatness of the Lomography Earl Grey black and white 35mm ISO 100 film. However, no one has written about using an expired Earl Grey film yet. How does it fare when it is used expired? Read on to find out more.
The most incredible lightpainting tool is here! Consists of 200 full color RGB LEDs in a lightweight aluminium housing will color your analogue world in different way! Create and animate different shades and shapes with the Pixelstick!
On this day and age when many are incorporating digital gear into their workflows, whether fully or partly, there still are photographers who remain rooted to their analog roots and continue to shoot with film cameras. In commemoration of Film Photography Day happening tomorrow, we have scoured through our past interviews to highlight the reasons these photographers choose to still shoot film.
Against the grain of serious photography, Tony Ray-Jones used commercial color film to document American streets. This was a pivotal lesson in choosing colorful subjects, something he would later master in his black and white series.
This is tribute to the Farm Security Administration photographer, Jack Delano, and his photographic series dedicated to barkers. For this article, I chose a series of photos I took this year at the traditional Easter Fair in my city, Como, using a classic rangefinder camera loaded with a roll of black and white film.
The NYC Jazz Age Lawn Party on the notorious greens of Governor's Island is one event you'd want to attend this August. Steeped in age, glamour, and a little bit of mischief, the Jazz Age Lawn Party is a weekend to attend and remember. What better way to go than with Lomo? We're giving away tickets and they could be yours for the taking.
There are quite a few perks that come with working for a film photography company, and the best perk of all is testing out the latest cameras. I can remember buying my LC-A back in 2009 and being really inspired to shoot film again. When the LC-A 120 came along, I couldn't wait to try it out around London. Join me as I test out this super medium format beauty.
Graphic designer Johann Bottos caught the community's attention with his striking black and white landscape photographs. Previsualization is central to his photographic style. Before clicking the shutter, he tends to "wait for a particular moment or weather condition" that fits the image he has in mind. In this interview, he shares more about his passion for shooting on film as well as some of his favorite landscape images.
Wilson Lee is not new to Lomography. He has taken photos using the Petzval Lens, and produced stunning results. Before going back to London to finish his master's degree, he used the New Russar+ lens and Lomography Lady Grey film to preserve his memories of his hometown, Hong Kong, in black and white.