Lomography Color Negative 400 makes a perfect match to my Zenit E. Read about my first try using Lomography's faster film with a full-manual camera after the jump!
It was my first time using an analogue camera with fully manual setting: a Zenit E with 50mm Helios lens. Actually, I had a hard time understanding the Zenit E. Thanks to a few friends who were eager to share their knowledge, I learned how to get this camera functioning.
The adventure began when I loaded a Lomography Color Negative 400, and snap snap snap everything I found. After that I got my film processed. This is not my first time using Lomo CN 400, but this is my first time using a Zenit E. I was very excited to see what will happen next.
After the developing and scanning process, I can say that I’m quite satisfied, even though some of the pictures became over-exposed, under-exposed, or too grainy.
However, I would say that love the soft and serene effect of Lomography CN 400 film. I hope to improve the quality next time and maybe experiment with other type of films with my Zenit E.
The Lomography Color Negative 35mm 400 film delivers vibrant colours and superb saturation and contrast. You don’t have to worry while you’re shooting, even under low lighting conditions. See our selection of Lomography films here.
Revamping the classic design of the Petzval Lens born in Vienna, Lomography has indeed gone beyond what is needed to bring analogue shooters and filmmakers a one-of-a-kind lens in the new Petzval Art Lens. Read on to find out more about this high-quality lens after the jump.
Last Sunday, the local rugby team Rugby Como played the first match of the 2014-1025 season. Rugby is my favorite sport to photograph, and for some years I've been documenting almost every home match of this young team. This time I used a 1959 Zorki 5 camera with a vintage 1958 Industar-50 lens loaded with a timeless film, the Ilford HP5+ developed in a century-old developer, the mythical Rodinal. Take a look after the jump!
The LomoChrome Purple XR 100-400 is a color negative film that uses false colors and gives your images an infrared effect. In fact, the greens turn to purple and yellows turn to pink. See how it fares on a photowalk after the jump.
My brother purchased the new Petzal lens by Lomography and Zenit through the Kickstarter campaign. Last spring, I was able to borrow it for a few weeks. Read on to find out my first impressions of this portrait lens!
His best friend and fellow lomographer weleasewoger72 used to make him feel bad about using an IPhone to take pictures. However, after trying out a Diana F+, our Newcomer of the Week, life_on_acetate, decided to ditch the digital territory and try his hand at analogue photography. Read on to find out more about this fascinating story of friendship and film photography!
We're ecstatic to read an in-depth review of the Lomography Petzval Lens, from the cool folks over at The Phoblographer. It's exciting to find out that, like us, they are in-love with the Petzval Lens too, so much that they gave it an impressive 4/5 rating! If you're thinking of getting a Petzval Lens, you'll find this featured review very useful. Check out an excerpt and the link to the full article after the jump!
Say hello to Duffman, a 20-year-old photographer based in Frankfurt, Germany. He started taking film photos when he received a Diana F+ camera for his 16th birthday. Now he uses the Petzval Lens for capturing really impressive portraits. Get to know more about him after the jump!
Summer is full of color so using black and white film might not be the first thing that comes to mind. Yet the summer sun works out beautifully on black and white film. Like to give it a try? I've come across the best light at the train station during rush hour!
Do you love Lomography's Lomochrome Purple XR 100-400 film? Me too! So let's see what it does when we shoot it through an assortment of color filters. I tried to document everything well enough that others could replicate and experiment on their own. I hope you find it useful.
"When I picked up the Lomo LC-A for the first time. I was truly inspired," says Christopher Logan, who accepted the challenge to shoot NY Fashion week with the LC-A+ Camera. Read more of his experience after the jump and get to know why the LC-A+ is the perfect camera for fashion shows.
This is my experience with the Lomography Redscale XR 50-200 (120), my first medium format film. It's an adventure that started when I got a Lubitel 2, to finally shoot with it. In this article, you'll find detailed information about color schemes, the advantages of shooting in medium format, and the differences between standard redscale films. Here are the results of a day of shooting outside, which I recently got back from the lab.