It was the first slide film I used, and with it I’ve got good results, so over time I’ve just come to love it…(although I don’t like pink as a colour)
If you were asked to photograph a musician or band (could be alive or dead), who would it be and why?
Just choose one. Garbage, I’ve been a huge fan since I was 16, and I just love Shirley Manson.
It could be your favourite film emulsion, a cheap plastic toy camera or the most fun accessory you have and they are your Weapon of Choice! Want yours to be seen here next week? Then just drop us a line at firstname.lastname@example.org and you’ll get to show everyone what your Lomo snaps are made of!
For Crow, his LC-Wide, which he fondly calls Elsie, is the perfect camera for his "Don't think, just shoot" attitude. He takes it wherever he goes and even uses the camera to teach his daughter about photography. In this interview, he shares more about his love for the LC-Wide plus some of the photographs taken by his young apprentice.
More than for its respectable name, Craig Fullbrook swears by the Leica M6 for its reliability and performance. In this interview, he further expounds on what makes this nifty camera a must-have and his overall experience shooting with it.
Because of his relentless desire to try out different photographic techniques, Richard Lin was dubbed as "The Mad Scientist" by most of his friends. In this interview, he shares what makes the Sprocket Rocket the perfect camera for his endless experiments.
Packing all his essentials in a van, Michael Roy Harris is currently on a road trip around South Africa with his beloved girlfriend before heading to Sri Lanka to exhaust his hard-earned travel fund. To continue exploring the world, he wholeheartedly does all sorts of jobs - from delivering pizza to cleaning barnacles off expensive yachts. In this interview, he shares why the Minolta SRT 201 is the perfect match for his adventurous soul and carefree lifestyle.
One lomographer still prefers shooting portraits with the wet plate collodion process. Although it entails laborious work, the resulting photographs from this technique, as he puts it, have that distinct, intense look.
As a professional photography graduate, Fernando never goes out without carrying at least one camera and treats it as an integral part of his body. Although he uses both digital and analog gear, he still regards using film as a more intimate way of creating images. Let's all welcome our newcomer from Brazil, Fernando Monteiro.
Maxime Fardeau, or Max as he is fondly called, loves film. He has been shooting analogue for about four years and owns a number of 35mm film and instant cameras, such as the Leica M6 and SLR-670 Polaroid. He has taken photos using the Lomo'Instant and the Minitar-1 Art Lens and this time around, he provides a glimpse of the images she produced with the Jupiter 3+ Art Lens.
Not long after Alex Timmermans purchased his first digital camera at the turn of the century, he quickly realized the trappings of digital photography couldn't fulfill his personal photographic desires. He then began searching for a more challenging process — one that wasn't so predictable. His journey eventually landed him back at the roots of analogue photography, specifically employing the wet plate collodion process using original Petzval lenses. This antique photographic process found in him a renewed inspiration and has since become his passion, which is evident in both his words and his images.
Herbert Morris has been taking photographs for almost 60 years. From being his family's event photographer, he now acts as one of the community's resident guides who's always willing to give advice—photography related or otherwise—to fellow lomographers. In this interview, Herbert shares tidbits about his life as a war veteran and how being a sneaky photographer preserved the memories of his aunt.
Geoffrey Berliner is the Executive Director of the Penumbra Foundation and the Center for Alternative Photography in New York. As the head of an organization whose goals are 'to be a comprehensive resource for photographers at any level' and 'to continue to publicize the impact photography has had and continues to have on culture, history and the arts,' his exposure to photographic materials -from 19th century gems to modern equipment- is so extensive, one cannot even begin to fathom just how much knowledge and experience this man has acquired. His collection of over 2000 vintage Petzval lenses is unparalleled, and the object of envy of both traditional and contemporary photographers. Although such lenses are reputed to require a certain level of skill to be used, Berliner seems to manage them with so much ease, producing splendid results.
Some lomographers prefer to hoard as many analog cameras their shelves and budgets can support. Some would rather keep a manageable number that they can regularly shoot with. Community member Joshua Kennedy belongs to the latter group. From 40 cameras, he downsized his collection to 13, as he puts it, "really good ones" that suit his shooting habits and style. In this interview, he breaks down his small yet dependable arsenal of vintage and handmade cameras and how an organized schedule allows him to shoot with each one on a regular basis.